Little guy here will be screeching a fit when Cain doesn't come home.
If you do decide on Cain, he has to be grabbed somewhere well away from the Opera House or "13inches of FURY" will come flying out the door to kick zombie butt.
Gabe is kind of a devoted killer of The Man, so... =P
...but yeah, probably away from the Opera House. He's trained to find traps so he'd probably give it a wide berth when he sees that it is well-defender.
I think technically he has a psychic predisposition towards possession by and communication with ghosts and spirits (in other words, he's sort of a medium in embryo--?), but he hasn't yet been told this--and, anyway, when he does hear this, it's from another medium whom he trusts only about as far as he can throw...so he might not ever really believe it.
Well, whenever you'd like to! I'm pretty flexible and I've got a few long-range plots, but this won't interfere with them. So any time you'd like.
Cain leaves the opera house where he lives a fair amount. He's the owner (and de facto manager) of the Turnabout Cafe (which is some distance away from the opera house) and he runs a number of errands pretty regularly and he walks a lot. So, tl;dr: he's out and about a lot of the time, so there are plenty of opportunities to grab him. He's even out at night if you prefer that
( ... )
Night would be preferable, since there are less witnesses. Gabe might be able to turn invisible but lugging a body kind of breaks stealth.
Of course! There would be no killing or even hurting (aside from uncomfortableness from being tied up) unless you wish for it. As for the network device, that's fine - he can post a message before Gabe throws it in a corner or something =P
Any kind of rescue attempts are just fine! He can take a whole lot of beating or just slink off into the shadows.
Would you like to log it or do action tags in your recent journal entry?
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If you do decide on Cain, he has to be grabbed somewhere well away from the Opera House or "13inches of FURY" will come flying out the door to kick zombie butt.
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anklebiters
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...but yeah, probably away from the Opera House. He's trained to find traps so he'd probably give it a wide berth when he sees that it is well-defender.
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He's actually completely human.
I think technically he has a psychic predisposition towards possession by and communication with ghosts and spirits (in other words, he's sort of a medium in embryo--?), but he hasn't yet been told this--and, anyway, when he does hear this, it's from another medium whom he trusts only about as far as he can throw...so he might not ever really believe it.
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Cain leaves the opera house where he lives a fair amount. He's the owner (and de facto manager) of the Turnabout Cafe (which is some distance away from the opera house) and he runs a number of errands pretty regularly and he walks a lot. So, tl;dr: he's out and about a lot of the time, so there are plenty of opportunities to grab him. He's even out at night if you prefer that ( ... )
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Of course! There would be no killing or even hurting (aside from uncomfortableness from being tied up) unless you wish for it. As for the network device, that's fine - he can post a message before Gabe throws it in a corner or something =P
Any kind of rescue attempts are just fine! He can take a whole lot of beating or just slink off into the shadows.
Would you like to log it or do action tags in your recent journal entry?
Reply
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