I really dislike feeling like this is necessary because (a) it is tedious as fuck and (b)
I am a strong proponent of the idea that authorial intent is of little to no value in discussing a text. (It’s kind of surreal having this conversation around a narrative which went
out of its
way to challenge the idea that the voice of the author should
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I've learned that those who do, tend to be educated in the arts and those who don't, aren't. *ducks*
ahahaha, I am not. Like, at all. I stopped taking English as soon as I finished my high school requirements and that was over a decade ago. I do think I had all this out in a similar way during law school, though, in the originalism vs living document argument in constitutional law.
unless you do so in order to further the argument, with this ploy, of how a piece of Art is born, a sort of genealogical map, if you will
Yeah, I think I see what you're saying. I do sometimes think it's interesting to pick out how certain aspects of the author come through in a piece of work, but those conversations tend to lead you to the opposite conclusion of whatever it is the writer in question has come out to say.
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