My Sam/Will stories are usually so optimistic. You'd never know I'm secretly a pessimist.
This was originally supposed to be a drabble. It spiraled out of control. I hate it when that happens. It's unbetaed at the moment because... it's five o'clock in the morning. Glanced over by
quackerscooper, and with thanks to
leiascully for tweaking the landscape
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I'm glad you liked it!
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I did read your journal. And I understand completely. The Midwest is sometimes out of my comfort zone as well. Dar's song wraps it up, except for the part where there's so much damn sky.
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When Danny recites the number, Sam scribbles it on the back of the first rolodex card he can reach. It's Mallory O'Brien's and he finds that strangely ironic.
I love how you invoke all these friends who were once so important to Sam right in the first two sections, and show how everybody has drifted apart. The rolodex strikes me as such a business thing, not personal, but it's still a way to connect. It's so interesting and I'm glad you brought it up again at the end.
"The number I had was disconnected. I wanted to yell at you." // "Oh," Will says. The pause stretches out into infinity, or so it seems. "Are you ( ... )
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This is NOT a comfortable beginning. And I love it.
I can't see Sam being happy in law after Bartlet. I don't think he could stomach it, so I threw in that line about the fourth firm in the third city (two in NY, one in LA, and now one in Chicago).
The rolodex strikes me as such a business thing, not personal
OH YES EXACTLY. I specified "rolodex" and "cellphone" because I wanted to make it clear that Sam's reached the point where these guys aren't even in his cellphone phonebook anymore. He needs to actually look up their numbers to talk to them. In the expanded universe in my head, CJ and Danny send him a Christmas card each year with a picture of their kids, so he usually sends one back (although it doesn't get there until around March), but that's the extent of it.
I love the "beautiful" vs "bleak" because it's all a matter of perspective, isn't it.I wrote this story for two reasons: 1. I wanted to write something ( ... )
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"...It's failure and loneliness, but it's not the end. I think Iowa happens to people who need to be reminded that failure isn't the end."
I think that's something that Sam certainly needs to hear -- honestly, most of the WW group could do with remembering that lesson, but Sam especially -- and the whole story built to it so smoothly, so easily, that I barely noticed.
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I think the best part is Sam and Will on the Ferris wheel together, Sam kissing powdered sugar off Will's mouth, or possibly that Will has a cat who will curl up with Sam. These are all the things he's needed for so long, plus someone to believe that he doesn't have to be the stunningly successful one. That hit a very raw chord with me right now; your line about Iowa being a place where it's ok to fail. Just, this is marvellous.
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These are all the things he's needed for so long, plus someone to believe that he doesn't have to be the stunningly successful one
That's definitely what I was going for. Sam was really set up to have this incredibly bright future in the first few seasons of the show, and having him end up where he does in S7 just... makes me so sad. And I would imagine it would make him that sad as well.
Again, thank you for taking the time to comment. I'm glad you liked it :D
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