Some Heavier Shite For Heavier Times...
True to the influence of their namesake chanteur-Serge Gainsbourg
-French outfit Aquaserge have a stylish, groove-heavy sensibility.
Yet the group is equally informed by the spiraling jazz-rock
explorations of Frank Zappa, which makes their fusion one of
cerebral intricacies and effortless cool.
1.Tour du monde 04:04
2.Virage Sud 04:01
3.Tintin on est bien mon loulou 06:00
4.Si loin si proche 08:18
5.C'est pas tout mais 05:37
6.L'ire est au rendez-vous 05:39
7.Charme d'Orient 05:28
8.Les yeux fermés 06:36
In the late ‘60s, not long after the Summer of Love, psychedelic rock’s horizons expanded. As the architects of psych began to envision a sound that existed outside of the influence of blues and country, some unexpected and interesting things began to happen. British beat music outfit The Moody Blues recorded with the London Symphony Orchestra in 1967 and incorporated spoken word poetry into their newly ambitious sound. The Electric Prunes abandoned garage rock under the direction of producer David Axelrod on Release of an Oath, which paired symphonic compositions with Biblical themes. And experimental Londoners Pink Floyd found inspiration in the vast expanses of space.
By the early 1970s, progressive rock had taken over the music industry, with a ‘60s-era economic boom contributing to longer, more expensive and sophisticated recordings. Progressive rock, or “prog” as it later came to be known, found rock music drifting away from a dance-oriented approach, its most prominent bands instead shifting to a more immersive headphone-listening experience. Bands such as King Crimson, Yes, Genesis, and Emerson, Lake & Palmer paired unconventional and experimental songwriting with narrative concepts, sometimes incorporating them into LP side-length suites. Other scenes emerged as prog evolved, such as the jazz-influenced Canterbury scene (Soft Machine, Robert Wyatt, Caravan), the more electronics-heavy krautrock scene in Germany (Can, Neu!, Harmonia), and the much less song-oriented experiments of avant-prog (Magma, Univers Zero, Henry Cow).
In the late ‘80s, metal bands such as Iron Maiden and Queensrÿche adopted conceptual approaches on some of their most ambitious and celebrated albums. Deeper into the 1990s, the technical proficiency and sprawling song structures of prog found their way into European death metal, with bands like Opeth becoming standard-bearers for modern progressive rock along with American counterparts Tool, who brought the influence of King Crimson and Pink Floyd to an alternative rock audience.
Progressive rock today maintains the ornate instrumentation and ambition of its classic era, but as rock music itself evolved, so has prog. The recording budgets may not be what they once were, but contemporary prog bands still see beyond stylistic boundaries, embracing the instrumental skill and complex songwriting of the genre’s creators.
https://aquaserge.bandcamp.com/album/laisse-a-tre dr. π (pi)
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enjoy!
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