Article for SCOR, Opus 4 Nº 1
Not quite so old as the last post; again under the cut. I would have submitted it to Erato, if there were any hope of it being published again in the near future: so instead, here it is. Contact your local AICSA choir to look at the full ROCS newsletter (“What's the SCOR?”), which should have been mailed to your society's address sometime recently
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Sarah Chan and I are currently engaged in congratulating one another, for being, well, excellent, you know? I do think she did a superb job with “Young Melbourne Composers” (2004 installment), and it’s about the one thing I neglected to mention in the article: which of course, is more about the 2007 sequel.
I’m so glad that your pieces are getting picked up and performed, both “Crescent Moon” and “the Wheel“. I imagine you’ve probably got several performances of each now, and possibly recordings as well?
No one picked up on the comment about “the absence of an Erato”. So far I’m disappointed that my original article merits only a single aicsachat comment from someone who was already strongly associated with ROCS and thus known to have had a commitment to performing new stuff, whereas the usual meme rubbish can generate twenty comments in an hour... in other words, continuing silence from the other dozen or so AICSA choirs.
I’ll post you something under separate cover that really would have people snorting their coffee out their nostrils. I wrote it inbetween times of offering an invoice to SIV for my work on Brett’s version of “Spem”, and receiving a cheque in the mail. ‘Nuff sed.
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