When I was little, I remember registering certain chunks of color as candy. There were green houses with pink trim and I would gnash my teeth as we drove by: "Ka-chunk. Peppermint!" The rippling color gradients on the cover of my mom's bargello books? Slurp, dude. Slurp. Mom's needlepoint projects happened while I acquired language and ate as much
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http://en.wikipedia.org/wiki/Ebenezer_Butterick
There's a very infrequently seen Harry Smith film (No. 15, 1965-66) that goes through patterns of Seminole patchwork that Harry had collected (both front and back). That seems to have a symmetrical editing pattern, but I have only seen it once. Here's more in that regard:
http://www2.austin.cc.tx.us/hannigan/Presentations/NSFMar1398/MathofSP.html
http://daphne.palomar.edu/ddozier/course_notes/regions/woodland_files/seminole_patchwork.htm
ADDENDUM: And probably more technically relevant to what you're doing, samplers are an endless font of weirdness and inspiration:
http://collections.tepapa.govt.nz/search.aspx?advanced=colClassification%3a%22samplers%22
I'd probably mainly be concerned to get threads with the right materials and dyes. Like none of that fluorescent crap:
http://www.renaissancedyeing.com/
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