Of course, this wrongness in the series’ conception can’t be pinned down to just one writer, and certainly not one who didn’t contribute much writing this year. As Russell T Davies says in the first part of his exclusive interview this month:
That’s branding, basically. I cannot emphasise enough the importance of branding… I thought it was in
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Gatiss's interviews on the DVDs for S1 seem to suggest that the major rewrites on Unquiet Dead were driven by RTD's feelings that the initial idea was turning out too grim, rather than Gatiss dithering.
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Though - having said that - it's surprising how little 'The Idiot's Lantern' changed after its outline, and yet how different it feels. The original was a bubblegum rock 'n' roll tale where people's faces were being stolen by a being that can travel in sound waves - ie. through the radio. Obviously the finished story isn't much different, but the slight shift in milleu makes it feel worlds apart.
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