Damn you . . .
[Heavy, ragged breathing of one that's crying, but there are no wracking sobs here. There's a few more unintelligible mutters and finally a deep, shaky, calming breath.
And a sudden shuffle as Cuthbert finally opens his eyes, sees where he is (or where he isn't) and jerks to his feet.]
What- . . . What is this? [Shuffling of
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Sorry to break it to you, friend, but you're a long way from home.
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Figgered that much out. Who are ye and why are you hiding?
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Relax now, I'm not going to hurt you. My name's John Marston, and I ain't hiding. This is going to take a while to explain to you, so bear with me, all right?
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Alright, John Marston. Why don't ye start with why your voice is here but your body ain't?
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Telly-fones? 'Fraid not, Sai Marston. Don't have no talkin' book either.
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[A pause] Now, this next part sounds crazy, but unfortunately crazy seems to run well around here. You've been kidnapped by some...other world, like everyone here. This place is called Paradisa.
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'Napped by an other-world with magic telly-books. Aye, you're right, t'is crazy as a rabid cat under a full moon.
Sure that's th'only name ye go by, Sai Marston?
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Afraid so, I ain't one for titles.
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Convincing such as a girl that make water appear from nowhere? P'raps this is naught but a dream; been a long day, so it has, any man would find himself catchin' a wink or two soon's he's off his feet.
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Where might that be? Your "world," so ye say.
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[WHUFF, sitting down now and ka-thunk-thump as he drops his feet on the desk.]
The girl claimed to hail from someplace she called "Japan," which I'm about as familiar with as your 'Merica. And I'd put Alain's watch and warrant on you bein' just as familiar with the city Gilead. Care to explain that to me, sai?
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