I used to periodically whine to
flemmings that the great Chinese collective unconscious is a bureaucracy. After all, other countries' quest stories are about great kings and knights. China's great quest story, the Journey to the West, is essentially about trying to get around the bureaucracy of Western Paradise. And even hell has all the accoutrement of a
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I don't know how much today's concepts of of 江湖 owes to modern wuxia novels or pop culture portrayals (probably a fair bit), but it does seem to be a diasporic kind of thing....?
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It's interesting, but I suspect that I don't know the diaspora idea of 江湖. What do you think of when you see the word? My idea probably derives more from the Mainland culture. The way I see 江湖 is that is potential repository for almost every possible Chinese experience, and its conventions have subsumed h centuries of accumulated knowledge and culture. For example, the hero is almost always tested with some sort of a 阵, a kind of labyrinth, I suppose, and the principle of it almost always comes from I-Ching, which is in fact the oldest systematic attempt by the Chinese to describe the creation and workings of the world. And there are so many other examples of this sort as well.
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I think... HK movies. As much HK traid movies as wuxia flicks, and a lot more swashbuckling than accumulated knowledge and culture. It sounds terribly shallow compared to what you know it as, but my experience of 江湖 is very much through pop culture fluff.
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你看了《叶问》没有?这电影得到颇多好评。
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