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I figured you'd throw me against the wall and we'd adlib from there" RPS roxymeloni January 9 2010, 14:37:57 UTC
Figured you'd throw me against a wall and we'd ad lib from there.

Lee walks onto the set early, blue eyes searching, taking it all in. He has

been waiting for this for 7 years. The sound and lighting crews mill about

checking wires, setting up for the day's shooting. He's seen this set before,

watched Stabler work this squad room all broody and buttoned down.

Nothing like his Chris Keller character. Where is Chris? He promised to

show Lee around the set before shooting.

"Hey Lee!"
He'd know that voice anywhere. He turns slowly around and sees Chris

strutting through the double doors of the squad room with an ear to ear

grin on his handsome face. Lee's stomach does a little somersault.
"Chris",Lee extends his hand while walking towards him.
"What is this? A handshake from my old prag? C'mere Lee" Cris opens his

arms wide and Lee steps forward a bit more, into the embrace.
They hold each other for a minute or two, feeling each other's hearts

beating against the other, smiling their asses off into the other one's

shoulder. Both remembering the last time they saw each other. It may

have been 7 years since they have worked together but it was only last

summer when they went camping together in their "nylong teepee of love".
Lee is the one who ends the embrace first.
"You going to show me around a bit before everyone gets here?" Lee

asks.
Chris is so busy staring at Lee's mouth he almost doesn't answer.
"Uh yeah, sure. This is the squadroom. Desks and stuff in here." Chris

puts an arm around Lee's shoulders and maneuvers him around and to the

left. Pointing with his chin he continues,"over there we have the

interrogation rooms".
Lee stares at the closed doors with their small, curtained windows. "I hear

we are supposed to get all hot and sweaty in there this week. At least that

is what the tabloids are saying." Lee grins wickedly.
"Maybe I should show you one now then". Chris raises his eyebrows and

shoots back his own lecherous grin,"We can go in there and practice our

scenes."
"Practice our scenes?" Lee grabs Chris's perfect, round ass playfully and

lowers his voice, "I figured you'd throw me against a wall and we'd ad

lib from there."

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Where is Chris? roguemarch January 10 2010, 00:11:30 UTC
Is almost time for count in Em City.

Where is Chris? Toby finds himself asking the same question time and time again. Not that he would ever accept it; not to the open that is.

With Keller hating him an all, Beecher knows he should not care where the motherfucker is. He tells himself is because an innate instinct of self preservation that obliges him to know where the danger lies. Yet, as Toby worries his lower lip, he asks himself ‘Where is Chris’.

He cold be in danger, he could be hurt. They may not be talking to each other but…

When that familiar strutting man walks through the gates of Em City, Beecher lets go the breath he didn’t know he was holding. Their eyes meet for a second; time freezes.

No, Beecher doesn’t care where Chris is. Not at all.

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He'd know that voice anywhere, 100 cmk418 January 10 2010, 04:08:07 UTC
He’d know that voice anywhere. From the streets, from his dreams, from hushed whispers late at night in dark alleyways. He’d heard the rumors, knew that O’Reily was coming to Oz, hell, he was staring at the man ever since he entered the cafeteria. But it wasn’t real, none of it, until he heard Ryan’s voice, urging him to get up. Nino held him in place, hand on his shoulder, telling him to calm down. And he needed to. Because, as Dino Ortolani knew from experience, hearing Ryan O’Reily’s voice was one thing, but touching him was something entirely different.

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"hushed whispers late at night", 100 words severina2001 January 15 2010, 15:26:24 UTC
Keller shifts on the bunk below him, and Beecher reaches instinctively for the cane, clutches his fingers fiercely around it until he’s sure Keller is just sliding onto his side.

He’s still staring wide-eyed at the ceiling when Keller’s breathing deepens, and he curses the bastard for being able to sleep without pain, without fucking remorse, even while he misses his companionship, hushed whispers late at night and laughter and simple touch.

Beecher grits his teeth. Lies, all lies.

It doesn’t matter. Soon he’ll have little Andy sharing his pod. Soon he’ll be rid of Keller once and for all.

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"waiting for this for seven years", 100 words, AU severina2001 January 11 2010, 03:13:55 UTC
Toby paces back and forth in front of the car.

“You’re going to wear a hole in the pavement,” Holly says.

She sounds so much like her mother that Toby stops, blinks at her before smiling sheepishly. “I’ve been waiting for this for seven years.”

“I know,” Holly says. She takes his hand. “I’m sorry Harry doesn’t… understand.”

Toby squeezes gently. “Harry will learn to adapt.”

He spins at the sound of the door.

Chris steps outside, squinting into the unfamiliar sunlight.

“Breathe, Dad,” Holly says.

He returns her grin before releasing her hand, and falls into Chris’s open arms.

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"Harry doesn’t… understand.", 100 AU sinewa January 24 2010, 22:53:22 UTC
"Harry doesn’t… understand."

"None of you do," Chris says.

It stings, and Holly knows it's the truth. “It hasn’t been easy, you know. You don’t know what it was like after Mom died. And then Gary and Grandpa…” Her chest tightens in remembered grief and she has to close her eyes to focus again.

“I just want to see him.”

Chris crosses his arms and that striking tattoo jumps out at her again. “Why?”

There are so many things she could say, but only one that matters.

“He’s my Dad.”

She sees his eyes soften. “Just remember, he’s human too.”

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