Description: Tom Cruise is the Last Samurai. Kevin Costner wins the heart of American Indians with his wolf dancing. Orlando Bloom, in Kingdom of Heaven, goes from medieval England to Jerusalem to teach the Arabs how to sink wells and transport water. Is there anything that can be done about this plague of Orientalist white-guy Mary Sue-ism?
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Sorry but I don't understand what you meant in the brackets, could you clarify?
And where is the white protagonist that runs the show in the Empire books? I thought the main person was the female Tsurani (of course she got help from her Midkemian slave AND from the queen of another species) and she kept within her society while changing the rules somewhat.
Or is the point here that Feist and Wurts aren't POC?
I'm half Arabian myself, but raised German, so I can't really say I can comment with any POC knowledge (particulary since I look like my German mother and never had the problems my brother had).
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And where is the white protagonist that runs the show in the Empire books?
Not there, really. But it feels like a White Savior type book to me because it takes a POC culture (based on Japan) and then sticks a Midkemian (European) in there, who then leads the heroine to realize the ways of her culture are wrong and to reform things based on Midkemian/European values. Thankfully Kevin isn't the main character, but there's still the "I show you the error of your ways!" thing from the European-associated character.
Also, it follows every horrible trope there is for Japanese fantasies.
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I haven't read the Empire books, but I remember rilina's comment on The Blue Sword, and my gut reaction of, "But! But! Harry kicks ass! Nooo!" Yet, she's right, that book is very problematic with regards to race.
There actually are stories that feature a POC protagonist as a Fish Out of Water in white culture. Unfortunately, they're usually of the Noble Tragic Savage variety. Not encouraging.
I do have to wonder if the way The Matrix movies ended up puts them in the White ( ... )
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At least she also wrote The Hero and the Crown within that society AND with a world-saving heroine who shows the patriarchy what's what AND has TWO true loves. Not too shabby, I think.
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I was surprised, reading this thread, to find people who'd read Aerin's family as 'coded white', when there is explicit discussion of the skin colours in the book, although I suppose if one read it before 'The Blue Sword' and one skipped over a few passages, one might very well miss it.
I think I ended up reading Aerin as coded white because of her hair and her eyes, and because I think I read "Hero and Crown" before "Blue Sword." The other part may also be because the culture feels very Eurofantasy-esque.
On the other hand, I think I need to reread to make more notes about skin color and dynamics and whatnot in the books; it's been so long that I'm really doubting my memory.
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The difference is in the viewpoint character, of course. Aerin is definitely white-skinned.Well, the last sentence is basically my problem with the book and why I think it falls into the category of "white savior." It's great that the background people are POC, but it means that once again, we don't have a POC protagonist and a white main character that saves the day ( ... )
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And I think this is it, here.
Harry's mixed blood does mix things up there, a bit, but really not much.
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