Pitchfork gives Blackout by Britney Spears a score of 8.1/10 in new retrospective review.
Choice highlights from the review:
“'Piece of Me' is among the great works of American art about fame. But at the 2:08 mark, it becomes a masterpiece as Spears’ voice glitches, stutters, and doubles over the throb of a synth line as elegant as the 2000’s iciest grime. It is rightfully here that the careers of Charli XCX and PC Music begin, with music that still sounds like the future of pop 17 years later.”
“The year before, Spears’ superstar ex had made a promise to bring sexy back. I listen to FutureSex/LoveSounds today and cringe, less for the pleasures of millennial misandry than for how purely wack it sounds when played next to Blackout. Why is it that Blackout sounds vital today where FutureSex sounds limp, though Danja’s fingerprints are all over both records? You could call it a vibe shift: FutureSex marked the end of Timbaland’s 10-year reign as urban radio innovator, while Blackout looked ahead to our synthetic future. (Timbaland’s slick beats in the late ’90s and 2000s conjured images of hoverboards and flying cars, but it’s the melancholy futurism of TLC’s FanMail that resonates today in its 1999 vision of lonely androids refreshing their inboxes.) More than that, Spears understood something Timberlake didn’t: Abjection is a powerful aphrodisiac, and desire requires a void.”
Read the full review at the source.
It's Britney, bitch
Our Sunday Review of Britney Spears' Blackout
https://t.co/hgph3VZ7UH- Pitchfork (@pitchfork)
August 4, 2024 ONTD, what's your favorite song(s) off Blackout?
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