Apr 20, 2023 10:13
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Notably, suddenly the marketing PR lines all include admitting how it's heavily fictionalized, pulling from myth/rumor, when leading up to the past 2 weeks (and you can see this when you watch the featurettes) the marketing was mostly about how they're telling the "real history" of his "untold story."
Also the film as well as the marketing keeps pushing the myth that Napoleon banned and/or erased his music, which there is zero evidence for. And weirdly enough, the biography that Stefani Robinson cited in an article as being the first step specifically points out that the Napoleon claim is unsupported, and ( ... )
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Hm. I listened to an interview with the director/writer on BoxOfficePodcast last week and while I don't remember what they said, I don't remember them touching too much on the validity of the story.
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Specifically:
“Every piece of information I could find [on Bologne] was helpful,” Robinson said. “I did my best to fact-check, but taking in things that might not have been true, rumors or contradictory facts about him, was useful. Anything that crashed the myth and legend of this person.”
From the beginning, Robinson and Williams agreed that Chevalier would not be a traditional biopic. “We thought of the film as a mash-up of what actually happened and a series of imaginings that we thought were truthful and, hopefully, spiritually honored Joseph Bologne.”Which just, to me, contradicts what's been said in the featurettes and earlier marketing--that they wanted to tell his story, bring him into the forefront, etc. But they're not really doing that with this film with how much they've changed or made up, especially in regards to taking Bologne's achievements in real life and giving them to white people instead. Such as in real life, Bologne earned the title of chevalier on his own merit by ( ... )
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