Very sorry to anyone who's annoyed at the sheer amount of navel-gazing poetry slam theory I've been spewing lately. I'm working on writing something, and the blog's always been my best sounding board, and frequently, I find myself arguing against myself, just to test things out in my head.
Still, I understand slam's more than an academic concept to
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But what about iWPS and WOWps, which have 1 minute, 2 minute and four minute rounds, as well as the 3 minute rounds?
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I want to know what slams all these criticizing observers (note my avoidance of the label "critic") are attending, what sort of sample size they're looking at. Burke's info says he's in San Diego. How many shows in different venues in different parts of the country has he been to? Some of his points are well taken, but they can't be spread about like so much Nutella over a diverse art form/movement/game with all our varied whole-grain goodness. Bring this guy to the Worcester slam and he'll see something different.
And while he's there, can you sit him down and teach him the proper use of "its/it's" and "their/they're/there"? If you're going to establish credibility as a poet or literary critic, you need to avoid citations from the Grammar Police. And he's got a windshield full of them.
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What's more interesting, from the media's perspective -- the slam as it exists now, or what poets do after they leave slam?
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I like reading what you write. No matter what it is.
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Besides, no one has. I just know the sensitive types that read my journal.
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you can go to one event and decide you don't like something, sure, but you can't judge an international entity based on a singular experience.
It would be the same if someone picked up one book of poetry by robert frost, read it, didn't like it and said, "poetry sucks."
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It would be the same if someone picked up one book of poetry by robert frost, read it, didn't like it and said, "poetry sucks."
And yet, our public education system produces this result all the time.
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