For all the reflection and mental anguish, there is little thought to score his pace now. He's been in The Voltaic before, though just the lobby. It's massive, and deceptively winding like casino-resorts are wont to be - beautiful, but he only spent a handful of minutes seated in the lobby's upscale lounge. He should have stayed put
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His voice kindles the emotion (brittle, blood under a burn) his face didn't, and Bruce would have let out a breath if he was the sort to have stopped breathing in anticipation. The expression he wears is faint and short-lived, just a fraction of a second, a splinter of I don't know what I'm doing here and it's gone, leaving him as ever (--now), as if carved from living stone.
He assumes, because he is not a fool, that Ducard reads every glimpse of it with precision.
"It's a little weird to hail a cab in."
There is a hush to his voice that is only tinted by the weight that is still just retreating from them - something has ground him down, water over rocks, smooth and beautiful but still raw from an eternity of freight-train pressure.
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"I trust you're aware of the anti-violence field," he says, and through the smooth knife-edge of his voice it becomes a warning-or, perhaps, a test. He's been told that the field will hold up under any circumstance, but that doesn't mean he'll trust it to do so.
(He might have cracked a smile at the mental image of that, by the way, had it actually occurred to his imagination. Under wildly different circumstances, perhaps.)
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Then again, maybe it isn't passive. Maybe it's dismissive. Maybe he doesn't think he has a damned thing to be afraid of - or maybe he just doesn't care.
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On the other hand, Ducard doesn't look any worse for wear-he's been rejuvenated since, actually, but the signs of that are not at all apparent. Not while he's just standing here, anyway.
"You didn't infiltrate this hotel room to sit on my bed and make small talk." A question that isn't a question, or a statement of mild incredulity? Maybe both! Maybe he's calling Bruce an idiot in the most roundabout way possible, who knows for sure.
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And just like that, with a sentence, he's got this thread of childish petulance creeping through him. Ducard makes it so easy. Even now.
"How long has it been?"
Aha.
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Years, he thinks, but does not say it. It's not that he's not confident in his assumptions, the gears are just rolling along without pause. (Plus, he enjoys it when people draw their own implications from his brevity.)
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Years is right. Not many, not in the way (men like him) most people would qualify time - but every day is a lifetime for the Batman, and he's nearing the four year mark since the flames on Wayne Manor died down.
It is, as ever, the mileage.
Bruce watches him in a way that's both hyper-aware and remotely skeptical, like he's still not sure that this isn't some elaborate trick. Ducard has always managed to surprise him by degrees, but he's not sure what to expect, here - so he expects nothing, and just watches.
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But let's not get into that.
Abruptly, Ducard ceases staring at Bruce, dropping instead into more or less casual body language, and leaves the entranceway of the suite. He's not doing anything thrilling, just moving to the minibar to acquire a glass of water, although never quite turning his back on the man on the bed. Oh, and continuing to nettle him.
"Well, you aren't looking for a fight, or we wouldn't have had the opportunity to exchange so many words. And I doubt you've come prepared with an apology... so, what, then." His eyebrows lift in a particular (purposefully annoying) way as he raises the glass to his mouth.
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And then - something familiar, a slight tilt of his head, his gaze flickers away. Not shying away, not faltering as such, but a maskless tell of honesty. "I wanted to see if it was really you."
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"Word travels quickly here, doesn't it." One long hand curls around the counter's edge, and he turns. "How long have you been watching?"
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He seems to find something curious for a glimmer of a moment and moves his posture again, minuscule. "Not long."
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He may not be entirely sure of his footing here and now, but if anything, he is good at regaining it. He's collecting all these little signs and signals as they appear, forming conclusions with them-assumptions, mostly, but rarely does he fail to find purchase in his leaps of reasoning. Don't think he's forgotten the first one, either. That one was the most telling.
"And yet you learned enough to find me here, out of every conceivable location in this vast realm of infinite possibilities." There it is-that glint. Like he knows something. "I'm impressed. It would seem you've become quite the detective."
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"Some talk more than others," he says instead, and what once would have been barely-controlled embarrassment and defensiveness is now a sort of indescribably mild tone that might be wryly self-depreciating if you quint. "People-watching here could be an Olympic sport." Bruce doesn't seem to appear to expect Ducard to buy any kind of Well I just saw you walking around one day excuse. He's just pushing pawns around. Probably.
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"Indeed, it could be." ...And now he doesn't feel like standing over there anymore. So he abandons the minibar in favour of the closet, where he slips out of his suit jacket, then racks that up alongside the others, taking care that it hangs correctly. He's not going to be denied comfort in his own room just because mister so-and-so decided to show up suddenly. Kid's just sitting there, anyway.
"I have to wonder why, though, you felt it necessary to surprise me in my room like this. Would a public encounter not have sufficed?" He is pretty much just saying things because he can, yes.
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It occurs to him that he should really - leave.
"I might have walked away."
Blunt, and still-soft in that strange (new) way he has, stitched together inch by inch under his skin. The honestly should sound uncomfortable, but it doesn't.
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With a few quick turns of the wrists, Ducard's sleeves are rolled only halfway up his forearms, and the first two buttons of his shirt are loosened on his way back to the minibar. "You might have walked away at any point. Removed your hand from the latch, turned away without crossing the threshold. Slipped out like a ghost when you heard the card slide into the lock." This time he does turn his back to Bruce, and once again pauses to fill the same glass with water. He turns... oh, two glasses. That's interesting, isn't it?
His long strides are by no means urgent, but they slow all the more as he approaches bedside space, as though the density of the air itself is altered by their proximity to one another.
"You knew it was me," he says, in that quiet, knowing way of his, the one that courts both fondness and admonishment without committing to one or the other. Hospitably, he offers the fresh glass. "So why didn't you?"
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