Well, this is very entertaining! While The Princess Bride is at its core a rollicking fairy tale that does nothing at all to challenge racial or sexual stereotypes, what saves it is the witty and occasionally self-mocking tone of the text, the framing narrative of an author reclaiming a story he loved in childhood for his grandson, and also the sub
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Most useful is the delicious concept of "The Good Parts Version," which has been wrested from the sometimes-turgid prose and excitement-free digressions of S. Morgenstern-- first by the narrator's father, then again by the narrator himself.
(This was before the Internet, but after Europe.)
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