It really took me ages to grind through this, and I'm not sure that it was worth it. Rather ambitiously I got hold of the Wordsworth edition which includes not only Part I and Part II of Faust, but also an earlier draft of Part I (the Urfaust) just in case you are sufficiently interested to know what the original version might have looked like
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Toward the latter part of this run, Mr. Callow was sensing his feat almost as a hallucination: ''I begin to think, 'Have I ever been off this stage? Not been talking with these players?' It's climbing a mountain every day.'' He found that in the four scenes requiring Faust to slump on stage and play at sleeping, he actually could nod off. ''Just for a minute, very refreshing, down to alpha level or something.''
http://www.nytimes.com/1988/07/03/theater/simon-callow-as-faust-giving-the-devil-his-due.html
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I agree, Goethe's Faust is an unusual mix to say the least,and yes, Part 2 is difficult to follow on its own, but if you know how Goethe was influenced by the events of his time and how he actually constructed Faust, it makes more sense than if your read the play without referencing Goethe's biography. In fact, the story behind his Faust is a lot more intriguing. You think Dan Brown's plots were interesting, Goethe reveals the masterplan of Masonic conspiracy theories in the play, and this from a man who lived and witnessed the proliferation of the Masonic ideals as a member of the Rite of the Strict Observance. Let's say Goethe was completely disillusioned with the brotherly fraternity and their programs.
www.waurl.com/greatbooks
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Actually, no I don't. So this may explain why Faust is not for me.
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The Marlowe is very good.
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