While waiting for my copy of Ursula Le Guin's Lavinia to arrive, I worked my way through the short fiction nominated for
this year's BSFA awards. (I have been a BSFA member since the 2005 Worldcon, and am now kicking myself for not doing this in previous years.) I list the six stories below, in my reverse order of preference. NB that the two I
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The Whates was generic. Unusual setting (cleaners?!?! does not compute?!), peril, wrapped up with babble.
The Lakin-Smith I zoned out from. In fairness, I've had half a bottle of wine by now...
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Later on:
"I would love to put what happened next down to my lightning-quick reflexes or a nebulous sixth sense, but in truth it was more a case of surprise and alarm mixed in equal measure" - well, actually that means it was because of his quick reflexes.
I think "franticly" is not a normal spelling of "frantically", and there is a weird capital "s" in "botS" near the end.
Perhaps those problems were corrected in the book publication; I can only go by what's online.
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I mainly liked the Foster but was not keen on the ending at all.
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The Whates story and the Lakin-Smith both simply puzzle me -- why nominate these? There is simply nothing special about them. I agree that the Lakin-Smith is better written (though the idea behind the Whates, albeit not brilliant or particularly new, interests me more).
And the Watson/Quaglia story, as with all their collaborations, I found repulsive. I concede that it might strike others differently, so in a way I'm less surprised by its nomination than the Whates or Lakin-Smith -- there's more going on their, more "difference", even though the "differentness" of the W/Q story didn't work for me.
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