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Catherine Kellogg's explanation, which includes helpful icons to let you know if the author is a character and if the plot is self-contradicting. Then the usual: bold if you've read it, italic if you started it, struck through if you hated it.
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61 postmodern reads )
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Roberto Bolaño's "2666"
Jorge Luis Borges' "Labyrinths"
William S. Burroughs' "Naked Lunch"
Italo Calvino's "If on a Winter's Night a Traveler"
Mark Danielewski's "House of Leaves"
Philip K. Dick's "The Man in the High Castle"
Michael Herr's "Dispatches"
Franz Kafka's "Metamorphosis"
Flann O'Brien's "At Swim-Two-Birds"
Thomas Pynchon's "Gravity's Rainbow"
William Shakespeare's "Hamlet"
Kurt Vonnegut's "Slaughterhouse Five"
David Foster Wallace's "Infinite Jest" (unfinished)
I recommend any of these to anyone who hasn't read them. Maybe not G.
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I've read other stuff by at least 3 of the other authors though.
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Nicholson Baker's "The Mezzanine" - one of his best, short and interesting
Italo Calvino's "If on a Winter's Night a Traveler" - I'm most surprised you haven't read this. Go out and get it now
Haruki Murakami's "The Wind-Up Bird Chronicle" - Murakami has three really good books, and this is one of them
Vladimir Nabokov's "Pale Fire" - excellent
Philip Roth's "The Counterlife" - read all Roth
David Foster Wallace's "Infinite Jest" - I'd start with DFW's non-fiction first, but this is brilliant
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So, a mixed bunch in my view.
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In the end, it seems more than a little arbitrary, and I hate arbitrarity.
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