Continuing my read of the Hugo winners - I thought I'd be doing Leibowitz, but this arrived via Bookmooch and is next in sequence.
Well, it's a classic but very much of its time. It is a Bildungsroman about Juan Rico, who volunteers for the spaceborne infantry and grows up fighting for humanity against the alien Bugs. The writing is pacy and
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>The first and simpler one is sex: there basically isn't any
Verhoeven certainly couldn't accept it -)) His adaption is so hilarious that I didn't venture reading the original book
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I was too young to notice Heinlein's politics when I read "Starship Troopers". But I was given "The Day After Tomorrow" (not the movie) to review in the 80s, when I was briefly revewing for Fantasy Advertiser in the UK, and that was the most horrendously racist thing I'd ever read.
I haven't read a Heinlein books since.
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Heinlein's defenders insist that the racism of "The Day After Tomorrow" was part of his commission from John W. Campbell and that RAH actually ameliorated it. In which case the mind boggles at what the original version must have been.
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A Trotskyist past is a must for a true Neo-Con -)))
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In Heinlein's world anyone can join the military. The military is not allowed to turn them down. So no conscription, but certainly equal access to rights.
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As for the politics, it's really been too long since I've read the book (I wanted to read it again around the time the movie came out, but then I saw the movie and it just killed my will!) but I remember at the time I read it thinking that in a way, having to earn the right to vote makes a certain amount of sense, especially in the militaristic society Heinlein described.
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These are all the books starting with Time Enough For Love (1973). In those books, Heinlein confronts his fascism. This is done most entertainingly in The Cat Who Walks Through Walls (1985), when Colonel Campbell confronts Lazarus Long at the headquarters of the Time Corps.
Heinlein shows himself to be no social conservative in The Cat Who Walks Through Walls, going so far as to have his main character engage in a bisexual orgy in which that main character (at least) kisses a gay man on the mouth.
Heinlein's mania for public service seems to me to derive from Twain's "The Curious Republic of Gondor".
As an American, I am embarrassed by Heinlein's politics. It is to his credit that his character was admirable though he worshiped militarism.
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As an American I am mostly embarrassed by people who get embarrassed over author's politics -- many examples of which are only partial or distorted reflections of the author's ACTUAL politics, since they're in a story and serving the story's purposes.
His best works were short stories (Future History); his best novels probably Double Star, The Moon is a Harsh Mistress, The Puppet Masters, and his "juvenile" novels, especially Citizen of the Galaxy and Have Spacesuit: Will Travel.
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I agree that Double Star and The Moon as a Harsh Mistress are good.
As an American, I get embarrassed by people who get embarrassed by people getting embarrassed by an author's politics.
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I don't think that Americans have a monopoly on daft politics, and I don't really understand why you feel you should take any responsibility for Heinlein's views because of the accident of shared citizenship!!!!!
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