Don't need no pretty face; don't need no human race.
I downloaded an obscene amount of content for Rock Band today. God knows when I'll get time to actually play it though.
I was told that I would make both a great detective and a great corrections officer today. I don't really see it, except that I'm observant.
Worked 10-12 and then from 5-1 today. Is something about this seeming unfair to anyone else? Although, it is looking like I'm going to get to take Thursday off.
40) The Dead Boys - Young, Loud, and Snotty (Sire, 1977(
Latecomers to New York's CBGB scene, the Dead Boys wasted no time establishing themselves as the ugliest, sleaziest, most socially unacceptable band around. Featuring ferociously raunchy tracks like "Sonic Reducer," "I Need Lunch," and the immortal "Caught with the Meat in Your Mouth," their debut more than lives up to its title.
39)Avail - 4 A.M. Friday (Lookout!, 1996)
Avail proved that punk could flourish outside of urban centers when they abandoned the fading DC scene for Richmond, Virginia. By combining homespun narratives with driving, folk-tinged melodic punk, they've inspired as many sing-alongs as they have circle pits.
I was told that I would make both a great detective and a great corrections officer today. I don't really see it, except that I'm observant.
Worked 10-12 and then from 5-1 today. Is something about this seeming unfair to anyone else? Although, it is looking like I'm going to get to take Thursday off.
40) The Dead Boys - Young, Loud, and Snotty (Sire, 1977(
Latecomers to New York's CBGB scene, the Dead Boys wasted no time establishing themselves as the ugliest, sleaziest, most socially unacceptable band around. Featuring ferociously raunchy tracks like "Sonic Reducer," "I Need Lunch," and the immortal "Caught with the Meat in Your Mouth," their debut more than lives up to its title.
39)Avail - 4 A.M. Friday (Lookout!, 1996)
Avail proved that punk could flourish outside of urban centers when they abandoned the fading DC scene for Richmond, Virginia. By combining homespun narratives with driving, folk-tinged melodic punk, they've inspired as many sing-alongs as they have circle pits.