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Up until the day of the show, I wasn’t even really sure I was going to go. I liked Deadmau5’s music enough to own his full-lengths, and I knew of Skrillex from his remix work. But, you know, it was a Tuesday night, tickets weren’t especially cheap, and I wasn’t sure if I
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You'll note I say light *shows* and not *lighting design*. There is a world of difference.
I'm not saying there isn't value in good lighting design. Or even, relatedly, in good video design. The point is when there are bands, especially at my level, trying to have a lighting "show" or a "video extravaganza" they're just going to look silly. I've harped on this time and time again, in my "less shtick, more practice" rants. If your video design is going to be projected on a bedhseet hanging behind the stage, or your fabulous light show is 5 blue gels over some cans, you're going to look like a fool, especially to anyone who's seen something like this.
And you're right, the Deadmau5 show was mostly preprogrammed and prerecorded. But that's awfully common. And HE could get away with it because his light show was kind of incredible. *I* on the other hand could not, because I cannot pay a team of video designers and light techs to rig something like that up. So I have to, you know, perform instead. But I've seen way, WAY too many bands who expect their fancy video and light shows to distract from the fact that they're pressing play and standing there for 45 minutes, and their multimedia experiences look sad and weak.
Of course you want lighting, but an indie band's need for a crazy-fancy vanload-of-lighting-gear is going to be low. I mean, certainly for me, I leave the lighting design to whoever runs the lights at the venue. I'm not about to try it myself.
Plus, what band at the sub-indie level has the time to set up a custom light rig and check it before every show? I can barely fit on most stages we play with our minimum of gear - I can't imagine trying to set up and tear down with a small scaffold of lights and projectors.
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