oh, dream-maker, you heartbreaker, wherever you're going, i'm going your way.
HEY, FRIENDS.
You're smart.
I am in need of that intelligence.
I'm about to finish a one-act. It will need editing. I will need to know if it makes sense. I'm a pretty novice playwright, and outside of one 24-hour-play-festival, I don't really know how my work comes off at all. This one was commissioned, meaning I already have a director and there are concrete plans for its production and subsequent performance. AND I'M SCARED.
If you can bring writing- or theatre-oriented knowledge to the table, I will be grateful. But all I really need is for someone to tell me:
a) what's good,
b) what isn't,
c) if you can tell what's going on, and/or
d) if you think it would work as a play.
I'm taking a bunch of bizarre risks with this one.
To entice you: baby, we've got disappearances, love triangles, and cannibalism. What's not to love?
You're smart.
I am in need of that intelligence.
I'm about to finish a one-act. It will need editing. I will need to know if it makes sense. I'm a pretty novice playwright, and outside of one 24-hour-play-festival, I don't really know how my work comes off at all. This one was commissioned, meaning I already have a director and there are concrete plans for its production and subsequent performance. AND I'M SCARED.
If you can bring writing- or theatre-oriented knowledge to the table, I will be grateful. But all I really need is for someone to tell me:
a) what's good,
b) what isn't,
c) if you can tell what's going on, and/or
d) if you think it would work as a play.
I'm taking a bunch of bizarre risks with this one.
To entice you: baby, we've got disappearances, love triangles, and cannibalism. What's not to love?