Alcott Readathon 2018: An Old-Fashioned Girl
Alcott’s third or fourth depending on how you count Good Wives novel, featuring cane-shaking, a menage a trois, and America’s favorite fighting Frenchman.
Polly Arrives
Fanny tells Tom to pick up Polly from the station. Tom says "She'll think you cared more about your frizzles than your friends, and she'll be about right, too." Fanny says "If I was the President, I'd make a law to shut up all boys till they were grown; for they certainly are the most provoking toads in the world."
I wonder what Tom means by wearing a thingumbob? A veil maybe? The naughty boy tells Polly the hack-driver is tipsy so he won’t have to sit with her.
It boggles my mind that a fourteen year old would refer to herself as a “little girl.” I suppose back them children didn’t have to bend over backwards to be taken seriously. That is, if you refer to yourself as a little girl people won’t take you seriously. But if they just do it as a given you don’t bend over backwards to earn it.
Polly sings for Madam Shaw, the grandmother, and they talk about how they were brought up properly unlike the Shaw siblings. Madam Shaw doesn’t approve of children calling their father Papa. What the fuck. I bet “the old man” would make her spontaneously combust.
The girls see a vulgar play; Polly doesn’t understand half the jokes, and the girls on stage are dressed as jockeys, which I think means wearing trousers. Scandalous. Madam Shaw praises her innocence.
New Fashions
Apparently eyeglasses were trendy in 1869. Polly follows Fanny to school, where the girls gossip about Carrie who ran away with an Italian music teacher.
Fanny: "I like to read about such things; but it's so inconvenient to have it happen right here, because it makes it harder for us. I wish you could have heard my papa go on. He threatened to send a maid to school with me every day, as they do in New York, to be sure I come all right. Did you ever?"
Belle: "That's because it came out that Carrie used to forge excuses in her mamma's name, and go promenading with her Oreste, when they thought her safe at school. Oh, wasn't she a sly minx?"
Trix: "I think a little fun is all right; and there's no need of making a talk, if, now and then, some one does run off like Carrie. Boys do as they like; and I don't see why girls need to be kept so dreadfully close. I'd like to see anybody watching and guarding me!"
GO TRIX KEEPING GIRLS THE SLIGHTEST BIT “CLOSER’ THAN BOYS IS PSYCHOLOGICALLY HARMFUL AND DISRESPECTFUL.
...I have a lot of feels about gender and childrearing, okay? Okay. The constant ads for the Blockers movie keep bringing it to mind. (Kathryn Newton, the most recent Amy March, is in it.)
The Bostonians gush over some exciting novels; Polly doesn’t know them.
Polly: "My mother says a real gentleman is as polite to a little girl as to a woman; so I like Mr. Sydney best, because he was kind to me." I want that embroidered.
“Polly was not a model girl by any means” Sure, Louisa.
The kids say ain’t a lot.
Creosote sent my mind straight to Discworld.
Polly’s Troubles
Polly wished the children would be kinder to grandma; but it was not for her to tell them so, although it troubled her a good deal, and she could only try to make up for it by being as dutiful and affectionate as if their grandma was her own. Awww.
The fact that they name their sleds is adorable. Me, I’ve never been a person to name inanimate objects, other than occasionally referring to something as the precious.
Fan reads Lady Audley’s Secret.
"I shouldn't think you'd make him laugh, when he's always making you cwy," observed Maud, who had just come in. Good one, Maud.
Little Things
Polly is a perfect child who can do no wrong, except spend some money on bronze boots instead of presents for her family. We learn that she has a dead brother named Jimmy. They studied Latin together so she helps Tom with his.
Tom falls off his new velocipede and hits his head. Polly holds it while a doctor gives him stitches.
Scrapes
AFTER being unusually good, children are apt to turn short round and refresh themselves by acting like Sancho. For a week after Tom's mishap, the young folks were quite angelic, so much so that grandma said she was afraid "something was going to happen to them." I kind of loathe this line of thinking? If you want children to be good, don’t insult them by not trusting them.
Polly, if you’ve never had to lie to your parents then you know you have good parents, and not everybody is like you.
A boy sends Fanny flowers and that’s unacceptable. “I'll send you to school in a Canadian convent,” says Mr. Shaw. Oh boy.
Tom dresses up in Fanny’s outfit, then they and Maud look at Polly’s journal, which is full of sketches of the family and friends, and Polly’s thoughts on Fan. If she would be as she was when I first knew her, I should love her just the same; but she isn't kind to me; and though she is always talking about politeness, I don't think it is polite to treat company as she does me. She thinks I am odd and countrified, and I dare say I am; but I shouldn't laugh at a girl's clothes because she was poor, or keep her out of the way because she didn't do just as other girls do here. I see her make fun of me, and I can't feel as I did; and I'd go home, only it would seem ungrateful to Mr. Shaw and grandma, and I do love them dearly."
Grandma
Tom was reposing on the sofa with his boots in the air, absorbed in one of those delightful books in which boys are cast away on desert islands, where every known fruit, vegetable and flower is in its prime all the year round; or, lost in boundless forests, where the young heroes have thrilling adventures, kill impossible beasts, and, when the author's invention gives out, suddenly find their way home, laden with tiger skins, tame buffaloes and other pleasing trophies of their prowess.
The Shaw kids find Polly up in Grandma’s room, listening to her stories. They’re like you never told us that story and Grandma’s like you never asked.
"At eight o'clock on the appointed evening, several of us professed great weariness, and went to our room, leaving the rest sewing virtuously with Miss Cotton, who read Hannah More's Sacred Dramas aloud, in a way that fitted the listeners for bed as well as a dose of opium would have done.” Surprisingly snarky Grandma.
"Wait for your turn, Tommy. Now, Polly, dear, what will you have?" said grandma, looking, so lively and happy, that it was very evident "reminiscing" did her good. "Let mine come last, and tell one for Tom next," said Polly, looking round, and beckoning him nearer. Oh come on now Polly.
Tom wants to shoot cats? Okay.
Polly asks about a glove; Grandma tells the story of Lafayette kissing the glove with his picture on it and then kissing her on the cheek to avoid that. Grandma’s Aunt was married to John Hancock, just like Abigail Alcott’s grand-aunt was married to him in real life. Also she thinks leg o’mutton sleeves are beautiful and becoming. Let’s not hold it against her. Colonel May, that’s LMA’s grandfather.
Next we go even further back in history - Grandma produces a letter “written by Anne Boleyn before her marriage to Henry VIII, and now in the possession of a celebrated antiquarian.” How she acquired this letter is not explained, and it does seem to be the original letter and not a copy.
Good-by [sic]
We get it, Louisa, you think fancy clothes are sinful. They hold a going-away party for Polly, inviting some girls to keep Maud out of the way and Tom’s school-friends, Rumple, Sherry, and Spider.
Polly and Tom open the redowa; he’s bad at keeping time to the music, like me. She doesn’t know how to dance the German so she plays with the little girls in the library.
Aww, they snuck presents for her family in Polly’s trunk.
Six Years Afterward
"WHAT do you think Polly is going to do this winter?" exclaimed Fanny, looking up from the letter she had been eagerly reading. She’s returning to Boston to teach music. Mr. Shaw respects her for being independent. Tom says she’s pretty in a moment of foreshadowing. Madam Shaw has died.
"Where did you learn so much worldly wisdom, Polly?" asked Mr. Shaw, as his wife fell back in her chair, and took out her salts, as if this discovery had been too much for her.
"I learnt it here, sir," answered Polly, laughing. "I used to think patronage and things of that sort very disagreeable and not worth having, but I've got wiser, and to a certain extent I'm glad to use whatever advantages I have in my power, if they can be honestly got." What is this, the Shaws doing something good for once? Holy hell!
“You must come and see my pets, Maud, for my cat and bird live together as happily as brother and sister," said Polly, turning to Maud, who devoured every word she said.
"That's not saying much for them," muttered Tom, feeling that Polly ought to address more of her conversation to him.
Geez, Tom, entitled much?
Tom is engaged to Trix.
Polly keeps bees at her country home.
It must be so nice to be able to clean without the paranoia that you’re going to get mocked for doing it wrong. All hail living alone!
Lessons
Polly finds her drudgery a bit harder than she expected but her pupils love her.
She found Fanny enduring torment under the hands of the hair-dresser, who was doing his best to spoil her hair, and distort her head with a mass of curls, braids, frizzles, and puffs; for though I discreetly refrain from any particular description, still, judging from the present fashions, I think one may venture to predict that six years hence they would be something frightful. The problem with writing books set in the future.
Polly comes home one day to find her landlady, Miss Mills, sewing a dress for Jane, who also lives in the boarding-house and tried to kill herself because she couldn’t find work that paid enough for the rent. Polly goes to visit Jane.
Brothers and Sisters
Polly’s brother Will visits her every Sunday and they’re BFFs.
Tom hates being called Carrots; I want an Anne of Green Gables crossover. Maud informs him that Polly thinks he’s handsomer than Mr. Sydney.
"Don't make such a noise, my head aches dreadfully," said Fanny, fretfully. "Girls' heads always do ache," answered Tom, subsiding from a roar into a chuckle. Um, fuck you Tom. He suspects Trix of wearing makeup because she won’t let him kiss her cheek, only “an unsatisfactory peck at her lips.” That’s less satisfying than the cheek? Whatever you say, Tom. Fanny confirms it. He doesn’t approve.
Will arrives to take Maud to Polly’s; LMA gets a dig in: “They were very good friends, but led entirely different lives, Will being a "dig," and Tom a "bird," or, in plain English, one was a hard student, and the other a jolly young gentleman. Tom had rather patronized Will, who didn't like it, and showed that he didn't by refusing to borrow money of him, or accept any of his invitations to join the clubs and societies to which Tom belonged. So Shaw let Milton alone, and he got on very well in his own way, doggedly sticking to his books, and resisting all temptations but those of certain libraries, athletic games, and such inexpensive pleasures as were within his means; for this benighted youth had not yet discovered that college nowadays is a place in which to "sky-lark," not to study.”
We'll see more of that when we get to Jo’s Boys.
Polly talks better than other girls who are coquettes. Seriously. Jesus Christ.
Maud has “a talent for betraying trifles which people preferred should not be mentioned in public” and “a queer way of going on with her own thoughts, and suddenly coming out with whatever lay uppermost, regardless of time, place, or company.” Huh.
Needles and Tongues
Fanny’s sewing circle meets at the Shaw house. Polly listens to them gossip. “Another divulged the awful fact that Carrie P.' s wedding presents were half of them hired for the occasion.” That’s pretty funny.
Polly and Trix butt heads over giving charity. “[Trix] felt the same antagonism toward Polly, that Polly did toward her; and, being less generous, took satisfaction in plaguing her. Polly did not know that the secret of this was the fact that Tom often held her up as a model for his fiance to follow, which caused that young lady to dislike her more than ever.” I am not entirely unsympathetic to Trix.
Polly tells them about Jane and they’re very moved and resolve to hire her for sewing.
Forbidden Fruit
Polly, Fanny, and Tom go to the opera. Polly buys new gloves for the occasion and their dog chews them up and she’s like serves me right for buying something I didn’t need. Her new bonnet survives, though, and Tom mentions how becoming it is. "Dress that girl up, and she'd be a raving, tearing beauty," he whispers to Maud, and Polly overhears.
A bit of sarcastic fourth wall breaking: I deeply regret being obliged to shock the eyes and ears of such of my readers as have a prejudice in favor of pure English by expressions like the above, but, having rashly undertaken to write a little story about Young America, for Young America, I feel bound to depict my honored patrons as faithfully as my limited powers permit. Otherwise, I must expect the crushing criticism, "Well, I dare say it's all very prim and proper, but it isn't a bit like us," and never hope to arrive at the distinction of finding the covers of "An Old-Fashioned Girl" the dirtiest in the library.
Polly wears her hair down, holy shit. Maud comments on what a lovely bride she would be, Tom refers to her as “Mrs. Sydney,” and Fan goes to the carriage “in an usually lofty manner.” Love triangle ahoy.
And who should appear at the opera but Arthur Sydney?
Polly, on her reaction to heartbreak: "That's not my way either," she said decidedly. "I'd try to outlive it, and if I could n't, I'd try to be the better for it. Disappointment needn't make a woman a fool." Sounds like Rosamund.
We are reminded that French novels are evil, and Polly calls Tom a modern Beau Brummel.
The Sunny Side
Fanny and Tom discuss Polly/Sydney. Tom thinks being a fine lady wouldn’t suit her; Fanny disagrees. Tom realizes his sister likes Sydney and says nothing about it.
Polly introduces Fanny to her friends Becky and Bess, two artists who live together. Becky is sculpting “the coming woman” and needs to put a symbol in her hands. Fanny suggests a queen’s sceptre, Polly a man’s helping hand, and Bess a child. Becky turns those down. Kate, an accidently successful author, suggests a ballot-box. They have a lunch of sardines, oranges, crackers, and cheese, on mismatched plates which one 1860s reviewer found too unfeminine to be realistic. We learn that "Bess is to be married in the spring, and Becky is to live with her."
Kate wants to put Polly in a book. Very funny.
Nipped in the Bud
Polly inner monologues about how she can’t love Arthur Sydney as a wife should, so she ought to tell him before he proposes. Particularly since he and Fan would suit each other. She changes her route home so as to avoid meeting him, then he sees her coming home from Fanny’s one day and they talk. He says that Fanny hasn’t improved with her years and Polly defends her friend. “She puts on that dashing air before people to hide her real self. But I know her better; and I assure you that she does improve; she tries to mend her faults, though she won't own it, and will surprise you someday, by the amount of heart and sense and goodness she has got."
Breakers Ahead
Tom gets expelled for knocking down the Chapel watchmen. At least he didn’t need that degree for a job. And Mr. Shaw’s business has failed, and Tom has acquired a significant amount of debt. Oh no. Polly comforts him and then Fanny, who doesn’t actually need much comforting, being glad for the distraction from her unrequited love.
Indian cake . . . is that cornbread?
A Dress Parade
The big house was given up as soon as possible and the little house taken; being made comfortable with the furniture Madam left there when she went to live with her son. The old-fashioned things had been let with the house, and now seemed almost like a gift from Grandma, doubly precious in these troublous times. At the auction, several persons tried to show the family that, though they had lost their fortune, friends still remained, for one bid in Fanny's piano, and sent it to her; another secured certain luxurious articles for Mrs. Shaw's comfort; and a third saved such of Mr. Shaw's books as he valued most, for he had kept his word and given up everything, with the most punctilious integrity.
Maud enjoys herself learning to housewife. Polly gives Fanny advice on freshening her wardrobe, such as turning her grey suit. Fanny used to give Maud her old dresses for tableaux.
Polly’s story is based on real life. From LMA’s ”Recollections of My Childhood”:
People wondered at our frolics, but enjoyed them; and droll stories are still told of the adventures of those days. Mr. Emerson and Margaret Fuller were visiting my parents one afternoon; and the conversation having turned to the ever-interesting subject of education, Miss Fuller said,--
"Well, Mr. Alcott, you have been able to carry out your methods in your own family, and I should like to see your model children."
She did in a few moments,--for as the guests stood on the doorsteps a wild uproar approached, and round the corner of the house came a wheelbarrow holding baby May arrayed as a queen; I was the horse, bitted and bridled, and driven by my elder sister Anna, while Lizzie played dog and barked as loud as her gentle voice permitted.
All were shouting, and wild with fun, which, however, came to a sudden end as we espied the stately group before us, for my foot tripped, and down we all went in a laughing heap, while my mother put a climax to the joke by saying with a dramatic wave of the hand,--
"Here are the model children, Miss Fuller!"
Playing Grandmother
Tom has a harder time than his sisters. He’s too bad at business to help his father so he hangs out with Mrs. Shaw. "I'd cut away to Australia if it wasn't for mother; anything, anywhere to get out of the way of people who know me. I never can right myself here, with all the fellows watching, and laying wagers whether I sink or swim. Hang Greek and Latin! wish I'd learned a trade, and had something to fall back upon. Haven't a blessed thing now, but decent French and my fists.” Oh my gosh I think Tom’s a millennial.
Polly teaches Maud how to make raisin cake for Tom’s birthday. He receives two letters: one from Trix dumping him, and one from Arthur Sydney saying that’s he’s paid Tom’s debts. Tom, unwilling to owe him, decides to go West, young man, like Polly’s brother Ned.
The Woman Who Did Not Dare
POLLY wrote enthusiastically, Ned answered satisfactorily, and after much corresponding, talking, and planning, it was decided that Tom should go West. Never mind what the business was; it suffices to say that it was a good beginning for a young man like Tom, who, having been born and bred in the most conservative class of the most conceited city in New England, needed just the healthy, hearty, social influences of the West to widen his views and make a man of him.
Polly goes home for the summer, Maud to the shore with Belle, and Fan stays home. I’m pretty sure Polly lives in Concord. Does she know the Marches? She returns to Boston in the fall and Fanny says have you been sick? No, it’s love. Polly gives vague answers and Fan replies that she thinks Sydney is starting to like her. She shows Polly a photo Tom sent and Polly’s face makes her go Aha.
Winter passes, and in May Fan and Sydney get engaged.
Tom’s Success
"Come, Philander, let us be a marching, Every one his true love a searching," would be the most appropriate motto for this chapter, because, intimidated by the threats, denunciations, and complaints showered upon me in consequence of taking the liberty to end a certain story as I liked, I now yield to the amiable desire of giving satisfaction, and, at the risk of outraging all the unities, intend to pair off everybody I can lay my hands on.
Tom comes home and tells Polly he loves her.
"Now, Tom, how could I know you loved me when you went away and never said a word?" she began, in a tenderly reproachful tone, thinking of the hard year she had spent.
"And how could I have the courage to say a word, when I had nothing on the face of the earth to offer you but my worthless self?" answered Tom, warmly.
"That was all I wanted!" whispered Polly, in a tone which caused him to feel that the race of angels was not entirely extinct.
I suppose if I liked Tom more the romance might work for me but I don’t and it doesn’t. Neither pairing seems to happen naturally, the narrative forces them together.
Will marries Jane and Maud remains a spinster, “[keeping] house for her father in the most delightful manner.” The End and I’m glad of it!
Next is Little Men.
This entry was originally posted at https://nocowardsoul.dreamwidth.org/40520.html
Polly Arrives
Fanny tells Tom to pick up Polly from the station. Tom says "She'll think you cared more about your frizzles than your friends, and she'll be about right, too." Fanny says "If I was the President, I'd make a law to shut up all boys till they were grown; for they certainly are the most provoking toads in the world."
I wonder what Tom means by wearing a thingumbob? A veil maybe? The naughty boy tells Polly the hack-driver is tipsy so he won’t have to sit with her.
It boggles my mind that a fourteen year old would refer to herself as a “little girl.” I suppose back them children didn’t have to bend over backwards to be taken seriously. That is, if you refer to yourself as a little girl people won’t take you seriously. But if they just do it as a given you don’t bend over backwards to earn it.
Polly sings for Madam Shaw, the grandmother, and they talk about how they were brought up properly unlike the Shaw siblings. Madam Shaw doesn’t approve of children calling their father Papa. What the fuck. I bet “the old man” would make her spontaneously combust.
The girls see a vulgar play; Polly doesn’t understand half the jokes, and the girls on stage are dressed as jockeys, which I think means wearing trousers. Scandalous. Madam Shaw praises her innocence.
New Fashions
Apparently eyeglasses were trendy in 1869. Polly follows Fanny to school, where the girls gossip about Carrie who ran away with an Italian music teacher.
Fanny: "I like to read about such things; but it's so inconvenient to have it happen right here, because it makes it harder for us. I wish you could have heard my papa go on. He threatened to send a maid to school with me every day, as they do in New York, to be sure I come all right. Did you ever?"
Belle: "That's because it came out that Carrie used to forge excuses in her mamma's name, and go promenading with her Oreste, when they thought her safe at school. Oh, wasn't she a sly minx?"
Trix: "I think a little fun is all right; and there's no need of making a talk, if, now and then, some one does run off like Carrie. Boys do as they like; and I don't see why girls need to be kept so dreadfully close. I'd like to see anybody watching and guarding me!"
GO TRIX KEEPING GIRLS THE SLIGHTEST BIT “CLOSER’ THAN BOYS IS PSYCHOLOGICALLY HARMFUL AND DISRESPECTFUL.
...I have a lot of feels about gender and childrearing, okay? Okay. The constant ads for the Blockers movie keep bringing it to mind. (Kathryn Newton, the most recent Amy March, is in it.)
The Bostonians gush over some exciting novels; Polly doesn’t know them.
Polly: "My mother says a real gentleman is as polite to a little girl as to a woman; so I like Mr. Sydney best, because he was kind to me." I want that embroidered.
“Polly was not a model girl by any means” Sure, Louisa.
The kids say ain’t a lot.
Creosote sent my mind straight to Discworld.
Polly’s Troubles
Polly wished the children would be kinder to grandma; but it was not for her to tell them so, although it troubled her a good deal, and she could only try to make up for it by being as dutiful and affectionate as if their grandma was her own. Awww.
The fact that they name their sleds is adorable. Me, I’ve never been a person to name inanimate objects, other than occasionally referring to something as the precious.
Fan reads Lady Audley’s Secret.
"I shouldn't think you'd make him laugh, when he's always making you cwy," observed Maud, who had just come in. Good one, Maud.
Little Things
Polly is a perfect child who can do no wrong, except spend some money on bronze boots instead of presents for her family. We learn that she has a dead brother named Jimmy. They studied Latin together so she helps Tom with his.
Tom falls off his new velocipede and hits his head. Polly holds it while a doctor gives him stitches.
Scrapes
AFTER being unusually good, children are apt to turn short round and refresh themselves by acting like Sancho. For a week after Tom's mishap, the young folks were quite angelic, so much so that grandma said she was afraid "something was going to happen to them." I kind of loathe this line of thinking? If you want children to be good, don’t insult them by not trusting them.
Polly, if you’ve never had to lie to your parents then you know you have good parents, and not everybody is like you.
A boy sends Fanny flowers and that’s unacceptable. “I'll send you to school in a Canadian convent,” says Mr. Shaw. Oh boy.
Tom dresses up in Fanny’s outfit, then they and Maud look at Polly’s journal, which is full of sketches of the family and friends, and Polly’s thoughts on Fan. If she would be as she was when I first knew her, I should love her just the same; but she isn't kind to me; and though she is always talking about politeness, I don't think it is polite to treat company as she does me. She thinks I am odd and countrified, and I dare say I am; but I shouldn't laugh at a girl's clothes because she was poor, or keep her out of the way because she didn't do just as other girls do here. I see her make fun of me, and I can't feel as I did; and I'd go home, only it would seem ungrateful to Mr. Shaw and grandma, and I do love them dearly."
Grandma
Tom was reposing on the sofa with his boots in the air, absorbed in one of those delightful books in which boys are cast away on desert islands, where every known fruit, vegetable and flower is in its prime all the year round; or, lost in boundless forests, where the young heroes have thrilling adventures, kill impossible beasts, and, when the author's invention gives out, suddenly find their way home, laden with tiger skins, tame buffaloes and other pleasing trophies of their prowess.
The Shaw kids find Polly up in Grandma’s room, listening to her stories. They’re like you never told us that story and Grandma’s like you never asked.
"At eight o'clock on the appointed evening, several of us professed great weariness, and went to our room, leaving the rest sewing virtuously with Miss Cotton, who read Hannah More's Sacred Dramas aloud, in a way that fitted the listeners for bed as well as a dose of opium would have done.” Surprisingly snarky Grandma.
"Wait for your turn, Tommy. Now, Polly, dear, what will you have?" said grandma, looking, so lively and happy, that it was very evident "reminiscing" did her good. "Let mine come last, and tell one for Tom next," said Polly, looking round, and beckoning him nearer. Oh come on now Polly.
Tom wants to shoot cats? Okay.
Polly asks about a glove; Grandma tells the story of Lafayette kissing the glove with his picture on it and then kissing her on the cheek to avoid that. Grandma’s Aunt was married to John Hancock, just like Abigail Alcott’s grand-aunt was married to him in real life. Also she thinks leg o’mutton sleeves are beautiful and becoming. Let’s not hold it against her. Colonel May, that’s LMA’s grandfather.
Next we go even further back in history - Grandma produces a letter “written by Anne Boleyn before her marriage to Henry VIII, and now in the possession of a celebrated antiquarian.” How she acquired this letter is not explained, and it does seem to be the original letter and not a copy.
Good-by [sic]
We get it, Louisa, you think fancy clothes are sinful. They hold a going-away party for Polly, inviting some girls to keep Maud out of the way and Tom’s school-friends, Rumple, Sherry, and Spider.
Polly and Tom open the redowa; he’s bad at keeping time to the music, like me. She doesn’t know how to dance the German so she plays with the little girls in the library.
Aww, they snuck presents for her family in Polly’s trunk.
Six Years Afterward
"WHAT do you think Polly is going to do this winter?" exclaimed Fanny, looking up from the letter she had been eagerly reading. She’s returning to Boston to teach music. Mr. Shaw respects her for being independent. Tom says she’s pretty in a moment of foreshadowing. Madam Shaw has died.
"Where did you learn so much worldly wisdom, Polly?" asked Mr. Shaw, as his wife fell back in her chair, and took out her salts, as if this discovery had been too much for her.
"I learnt it here, sir," answered Polly, laughing. "I used to think patronage and things of that sort very disagreeable and not worth having, but I've got wiser, and to a certain extent I'm glad to use whatever advantages I have in my power, if they can be honestly got." What is this, the Shaws doing something good for once? Holy hell!
“You must come and see my pets, Maud, for my cat and bird live together as happily as brother and sister," said Polly, turning to Maud, who devoured every word she said.
"That's not saying much for them," muttered Tom, feeling that Polly ought to address more of her conversation to him.
Geez, Tom, entitled much?
Tom is engaged to Trix.
Polly keeps bees at her country home.
It must be so nice to be able to clean without the paranoia that you’re going to get mocked for doing it wrong. All hail living alone!
Lessons
Polly finds her drudgery a bit harder than she expected but her pupils love her.
She found Fanny enduring torment under the hands of the hair-dresser, who was doing his best to spoil her hair, and distort her head with a mass of curls, braids, frizzles, and puffs; for though I discreetly refrain from any particular description, still, judging from the present fashions, I think one may venture to predict that six years hence they would be something frightful. The problem with writing books set in the future.
Polly comes home one day to find her landlady, Miss Mills, sewing a dress for Jane, who also lives in the boarding-house and tried to kill herself because she couldn’t find work that paid enough for the rent. Polly goes to visit Jane.
Brothers and Sisters
Polly’s brother Will visits her every Sunday and they’re BFFs.
Tom hates being called Carrots; I want an Anne of Green Gables crossover. Maud informs him that Polly thinks he’s handsomer than Mr. Sydney.
"Don't make such a noise, my head aches dreadfully," said Fanny, fretfully. "Girls' heads always do ache," answered Tom, subsiding from a roar into a chuckle. Um, fuck you Tom. He suspects Trix of wearing makeup because she won’t let him kiss her cheek, only “an unsatisfactory peck at her lips.” That’s less satisfying than the cheek? Whatever you say, Tom. Fanny confirms it. He doesn’t approve.
Will arrives to take Maud to Polly’s; LMA gets a dig in: “They were very good friends, but led entirely different lives, Will being a "dig," and Tom a "bird," or, in plain English, one was a hard student, and the other a jolly young gentleman. Tom had rather patronized Will, who didn't like it, and showed that he didn't by refusing to borrow money of him, or accept any of his invitations to join the clubs and societies to which Tom belonged. So Shaw let Milton alone, and he got on very well in his own way, doggedly sticking to his books, and resisting all temptations but those of certain libraries, athletic games, and such inexpensive pleasures as were within his means; for this benighted youth had not yet discovered that college nowadays is a place in which to "sky-lark," not to study.”
We'll see more of that when we get to Jo’s Boys.
Polly talks better than other girls who are coquettes. Seriously. Jesus Christ.
Maud has “a talent for betraying trifles which people preferred should not be mentioned in public” and “a queer way of going on with her own thoughts, and suddenly coming out with whatever lay uppermost, regardless of time, place, or company.” Huh.
Needles and Tongues
Fanny’s sewing circle meets at the Shaw house. Polly listens to them gossip. “Another divulged the awful fact that Carrie P.' s wedding presents were half of them hired for the occasion.” That’s pretty funny.
Polly and Trix butt heads over giving charity. “[Trix] felt the same antagonism toward Polly, that Polly did toward her; and, being less generous, took satisfaction in plaguing her. Polly did not know that the secret of this was the fact that Tom often held her up as a model for his fiance to follow, which caused that young lady to dislike her more than ever.” I am not entirely unsympathetic to Trix.
Polly tells them about Jane and they’re very moved and resolve to hire her for sewing.
Forbidden Fruit
Polly, Fanny, and Tom go to the opera. Polly buys new gloves for the occasion and their dog chews them up and she’s like serves me right for buying something I didn’t need. Her new bonnet survives, though, and Tom mentions how becoming it is. "Dress that girl up, and she'd be a raving, tearing beauty," he whispers to Maud, and Polly overhears.
A bit of sarcastic fourth wall breaking: I deeply regret being obliged to shock the eyes and ears of such of my readers as have a prejudice in favor of pure English by expressions like the above, but, having rashly undertaken to write a little story about Young America, for Young America, I feel bound to depict my honored patrons as faithfully as my limited powers permit. Otherwise, I must expect the crushing criticism, "Well, I dare say it's all very prim and proper, but it isn't a bit like us," and never hope to arrive at the distinction of finding the covers of "An Old-Fashioned Girl" the dirtiest in the library.
Polly wears her hair down, holy shit. Maud comments on what a lovely bride she would be, Tom refers to her as “Mrs. Sydney,” and Fan goes to the carriage “in an usually lofty manner.” Love triangle ahoy.
And who should appear at the opera but Arthur Sydney?
Polly, on her reaction to heartbreak: "That's not my way either," she said decidedly. "I'd try to outlive it, and if I could n't, I'd try to be the better for it. Disappointment needn't make a woman a fool." Sounds like Rosamund.
We are reminded that French novels are evil, and Polly calls Tom a modern Beau Brummel.
The Sunny Side
Fanny and Tom discuss Polly/Sydney. Tom thinks being a fine lady wouldn’t suit her; Fanny disagrees. Tom realizes his sister likes Sydney and says nothing about it.
Polly introduces Fanny to her friends Becky and Bess, two artists who live together. Becky is sculpting “the coming woman” and needs to put a symbol in her hands. Fanny suggests a queen’s sceptre, Polly a man’s helping hand, and Bess a child. Becky turns those down. Kate, an accidently successful author, suggests a ballot-box. They have a lunch of sardines, oranges, crackers, and cheese, on mismatched plates which one 1860s reviewer found too unfeminine to be realistic. We learn that "Bess is to be married in the spring, and Becky is to live with her."
Kate wants to put Polly in a book. Very funny.
Nipped in the Bud
Polly inner monologues about how she can’t love Arthur Sydney as a wife should, so she ought to tell him before he proposes. Particularly since he and Fan would suit each other. She changes her route home so as to avoid meeting him, then he sees her coming home from Fanny’s one day and they talk. He says that Fanny hasn’t improved with her years and Polly defends her friend. “She puts on that dashing air before people to hide her real self. But I know her better; and I assure you that she does improve; she tries to mend her faults, though she won't own it, and will surprise you someday, by the amount of heart and sense and goodness she has got."
Breakers Ahead
Tom gets expelled for knocking down the Chapel watchmen. At least he didn’t need that degree for a job. And Mr. Shaw’s business has failed, and Tom has acquired a significant amount of debt. Oh no. Polly comforts him and then Fanny, who doesn’t actually need much comforting, being glad for the distraction from her unrequited love.
Indian cake . . . is that cornbread?
A Dress Parade
The big house was given up as soon as possible and the little house taken; being made comfortable with the furniture Madam left there when she went to live with her son. The old-fashioned things had been let with the house, and now seemed almost like a gift from Grandma, doubly precious in these troublous times. At the auction, several persons tried to show the family that, though they had lost their fortune, friends still remained, for one bid in Fanny's piano, and sent it to her; another secured certain luxurious articles for Mrs. Shaw's comfort; and a third saved such of Mr. Shaw's books as he valued most, for he had kept his word and given up everything, with the most punctilious integrity.
Maud enjoys herself learning to housewife. Polly gives Fanny advice on freshening her wardrobe, such as turning her grey suit. Fanny used to give Maud her old dresses for tableaux.
Polly’s story is based on real life. From LMA’s ”Recollections of My Childhood”:
People wondered at our frolics, but enjoyed them; and droll stories are still told of the adventures of those days. Mr. Emerson and Margaret Fuller were visiting my parents one afternoon; and the conversation having turned to the ever-interesting subject of education, Miss Fuller said,--
"Well, Mr. Alcott, you have been able to carry out your methods in your own family, and I should like to see your model children."
She did in a few moments,--for as the guests stood on the doorsteps a wild uproar approached, and round the corner of the house came a wheelbarrow holding baby May arrayed as a queen; I was the horse, bitted and bridled, and driven by my elder sister Anna, while Lizzie played dog and barked as loud as her gentle voice permitted.
All were shouting, and wild with fun, which, however, came to a sudden end as we espied the stately group before us, for my foot tripped, and down we all went in a laughing heap, while my mother put a climax to the joke by saying with a dramatic wave of the hand,--
"Here are the model children, Miss Fuller!"
Playing Grandmother
Tom has a harder time than his sisters. He’s too bad at business to help his father so he hangs out with Mrs. Shaw. "I'd cut away to Australia if it wasn't for mother; anything, anywhere to get out of the way of people who know me. I never can right myself here, with all the fellows watching, and laying wagers whether I sink or swim. Hang Greek and Latin! wish I'd learned a trade, and had something to fall back upon. Haven't a blessed thing now, but decent French and my fists.” Oh my gosh I think Tom’s a millennial.
Polly teaches Maud how to make raisin cake for Tom’s birthday. He receives two letters: one from Trix dumping him, and one from Arthur Sydney saying that’s he’s paid Tom’s debts. Tom, unwilling to owe him, decides to go West, young man, like Polly’s brother Ned.
The Woman Who Did Not Dare
POLLY wrote enthusiastically, Ned answered satisfactorily, and after much corresponding, talking, and planning, it was decided that Tom should go West. Never mind what the business was; it suffices to say that it was a good beginning for a young man like Tom, who, having been born and bred in the most conservative class of the most conceited city in New England, needed just the healthy, hearty, social influences of the West to widen his views and make a man of him.
Polly goes home for the summer, Maud to the shore with Belle, and Fan stays home. I’m pretty sure Polly lives in Concord. Does she know the Marches? She returns to Boston in the fall and Fanny says have you been sick? No, it’s love. Polly gives vague answers and Fan replies that she thinks Sydney is starting to like her. She shows Polly a photo Tom sent and Polly’s face makes her go Aha.
Winter passes, and in May Fan and Sydney get engaged.
Tom’s Success
"Come, Philander, let us be a marching, Every one his true love a searching," would be the most appropriate motto for this chapter, because, intimidated by the threats, denunciations, and complaints showered upon me in consequence of taking the liberty to end a certain story as I liked, I now yield to the amiable desire of giving satisfaction, and, at the risk of outraging all the unities, intend to pair off everybody I can lay my hands on.
Tom comes home and tells Polly he loves her.
"Now, Tom, how could I know you loved me when you went away and never said a word?" she began, in a tenderly reproachful tone, thinking of the hard year she had spent.
"And how could I have the courage to say a word, when I had nothing on the face of the earth to offer you but my worthless self?" answered Tom, warmly.
"That was all I wanted!" whispered Polly, in a tone which caused him to feel that the race of angels was not entirely extinct.
I suppose if I liked Tom more the romance might work for me but I don’t and it doesn’t. Neither pairing seems to happen naturally, the narrative forces them together.
Will marries Jane and Maud remains a spinster, “[keeping] house for her father in the most delightful manner.” The End and I’m glad of it!
Next is Little Men.
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