The small card bends in his hand, its damning text visible against the pale surface. The twin of the one left at the scene; although this one he never discarded-- a mute reminder that he and the men that he kills are not entirely in opposition. Tucking the calling card back into the innermost pocket of his tailored blazer, Erik traces his thumb
(
Read more... )
But Charles Xavier he does not want to string up; because here is his equal, if ever there was the possibility of one existing. Composing his features, preventing any of that real zealous fascination from leaking through, Erik shakes his head once, signaling that he did not mind if the other smoked, and his attention sputters over the other bar goers before alighting carefully on Xavier.
"Not at all, and I'm no reporter. Your work simply interests me,"-- it's almost true. Although the man himself provides the real magnetism, "Erik," he offers a hand across the table, "and you are--?" He knows, of course, but he asks regardless, wanting that causality that an introduction would offer. Offering a smile, he tries for charismatic, but ends up something just shy of wolfish.
Reply
He settles back into his chair, watching the other for several more seconds as the smoke tumbles out from between his lips, tracing up and very nearly bumping the top of his hat before it faded into the air. "Now, I'm curious, I'll admit-- what exactly is it you hope I can provide you with, Erik?" He questions with the vaguest wobble to his hand, the smoke spiraling upwards with the little movements before settling into a line when his hand stilled again. If the man didn't want undisclosed information, what exactly did he want?
Reply
"Of course I'll compensate you, are you going to make me buy you a drink? Or should I offer?" A droll smirk follows, and Erik leans back now, fingers tracing idly over his bottom lip, then jaw-- still bewitched by the idea that this is the crux of his danger; this man could have him arrested, committed, killed-- and he could still attempt to charm him, to bring him in. Killing a police detective? He'd dare. Killing this police detective? He's torn two ways. One one hand he'd like nothing more than to keep him; but on the other he'd like to put an end to him-- slowly, drawing it out, and savoring those parted lips.
Reply
"Most everything you'll read is bullshit," He elaborates as he leans back and gestures to the waitress to bring him another scotch. "Reporters like to make everything shiny and crazy and reckless-- they want people to be in terror so they'll buy more papers, but-- they're idiots. They're only causing more trouble, bringing us false leads." Another snort as thin fingers twisted the cigarette between them. "It's not random, I'm damn sure of that, hell-- I even told them that, not yet anyway-- but what do I know?"
Reply
Charles is the more engaging subject, he wants to pick the man apart; the psychological subtleties-- wants to determine whether or not this uncannily perceptive young detective is an eideteker; if they have that dangerous sting of mutuality between them that would complicate everything so beautifully.
“This case of yours, the calling cards? Oh it doesn’t look random to me in the slightest. What a pity you can’t get into the man’s mind, hmm?” Taking an elegant drag, wavering trails of smoke punctuate Erik’s words, “or can you? I suppose they would not have hired you if you couldn’t blur the lines for yourself in order to see as they do.”
Reply
"I can assume that I think like he does, that I track his same steps and figure out his thoughts-- but you never really know till you catch them; it's ass assumption and logic before then. That primal part of your brain that suggests what you might do if you were in the same position, motivated by the same things, but you can never be absolutely positive till your face-to-face and you can see it." His voice dips, just a bit, near the end before he chuckles at his own intensity and takes another drag. "I wouldn't think of it as blurring the lines," Or at least, he'd rather not, "I think of it more as... educating myself in the killers ways; they can be quite fickle, little hints here and there, habits, those sorts of things-- they paint a picture of themselves and it's just my job to see what fits and what doesn't."
Reply
"Another round?" He motions to the glass on the table, tongue moving over his bottom lip, eyes slipping upwards to light on Charles'-- a little more than exploratory now; he can't keep his intent at bay altogether; it's still present, and it comes off as somewhat wolfish, but he wears it with charisma, "I did offer."
Reply
"One more glass," He shouldn't, but he was still stable on his feet and he could down another glass before he headed out into the chill and carried himself home. The other was interesting, he couldn't tell now if he was an interviewer, one of those obsessed fans or something else. That calculating gaze of his own turned on the other man.
Reply
"Shouldn't you be worried, if I'm your calling-card killer, hmm?" And he wants to tack something on the end of that, just to add scorn-- some endearment to irritate the man. It's endlessly amusing to know how close the detective is to real danger, how perfectly ironic that he's seated opposite the one man who could truly hurt him. The one he's chasing. Erik's too interested to try anything for the moment, however, "are you nervous?" A bark of laughter, and he takes a healthy drink of scotch.
Reply
"I'm more nervous about the rest of the people in the city, the ones who could fall prety to his games-- I've no doubt he fools them too easily. Which is why he needs to be caught, of course."
Reply
It's soon turned, inevitably, on Charles again, and he smiles, wide and sudden, "you take this job pretty seriously, don't you. Even off duty. Can't say I've seen many cops like that; must be a real killer in regards to your social life." He almost wants to irritate the man, to pry just enough to find out more; get information that he otherwise would not have managed to glean from the newspapers alone.
Reply
"What isn't there to take seriously about a serial killer? People are dying; people I can save-- if I'm slacking on my job then I'm no better than he is." He scowled a little, he could tell the man was needling; though he wasn't entirely sure if it was intentional or not-- though he didn't care to find out.
Reply
Tipping his head towards the other man, he gives him his entire attention-- as if fully invested in what he had to say. In some ways he is-- because Charles is so terribly intriguing to him, and he wants facts to pull apart, to analyze long after they've left the bar. He could catch this man; find him, find his apartment and kill him. But it would be so-- unsporting. The next man may be some idiot criminal profiler, applying Freudian theories to his techniques and categorizing him, neatly boxed into a catalogue of killers-- checklisted with traits.
Reply
"Listen, buddy, I don't know what your fascination with me is, or the killer for that matter, but I don't think I like it. Maybe you should come up with a better kinda hobby, huh? I hear stamp collecting is real fucking popular with guys like you."
Reply
Tilting his head, Erik affects attentiveness-- still uncertain what it is that this man wants to hear. He knows that line to walk with people, between manipulating in order to hear them say what he'd prefer-- and telling them the things that would maintain the conversation, "the killer is interesting because of the newspapers. You're interesting entirely independent of that." It might be an easy route out-- to go with flattery, but he's not above much.
Reply
Reply
Leave a comment