I guess this what you call high concept indie. Rian Johnson’s film transposes a hard boiled, old school noir to a contemporary high school. The gumshoe, the damsel in distress, the femme fatale, the heavy, the king pin: they are all there. Everyone speaks in a thick, outmoded slang. It is a slightly dubious proposition but one that works
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(The bit with the pin's mom) It is a bit too jokey and jars the viewer.
Really? I liked the comic relief, it takes you out of the mindframe of film noir so when something horrendous happens you just shake your head and exclaim 'Holy shit!'
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I guess that's what I didn't like about. Like the fact The Pin and Tug's gangs wore the same. It seemed to belong in a different film.
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