Elisabeth Louise Vigee-Le Brun. Portrait
Louise-Élisabeth Vigée-Lebrun, (1755-1842). French artist, the daughter and student of her father, the artist Louis Vigée, was born on 16th April, 1755 in Paris. In 1776, she married the known art-dealer Jeanne Baptiste Pierre Lebrun. She made an early and brilliant career: in 1779 she officially became a court painter of the Queen Marie-Antoinette, in 1783 she was admitted to the French Academy of Arts.
“Intelligent, diplomatic, resourceful, and independent, she remains a role model to women who paint, having won wide recognition for her skills and gained admission to academies long closed to her sex.” (Paintings in the Hermitage. by Colin Eisler. 1990. Stewart, Tabori & Chang. p 516)
Vigée-Lebrun was an extremely industrious and productive painter, she left more than 30 portraits of the queen and her ladies-in-waiting, many self portraits, and a lot of portraits of the European nobility. Her portraits are elegant and rich in color, very sentimental and idealized the model. But the evident difference of the models from their pictorial depiction did not embarrass the customers. Vigée-Lebrun was fashionable with the European aristocracy. Her fame grew even more with her immigration during the French Revolution first to Italy (1789-93), then to Vienna (1793-94), and then to St. Petersburg (1795-1802), where she also spent 6 very successful years painting portraits of Russian aristocrats. In her best works the magnificent art of French portraitists of the 18th century and fine sensitiveness of the European sentimentalism are happily united.
Madame Perregaux, oil on panel, 1789,
Wallace Collection (London, United Kingdom)
Self Portrait in a Straw Hat, oil on canvas, 1782,
National Gallery (London, United Kingdom)
Portrait of a Young Woman, oil on canvas, 1797,
Metropolitan Museum of Art (Manhattan, New York, United States)
Portrait of Madame Grand, Oil on canvas, 1783
Metropolitan Museum of Art (Manhattan, New York, United States)
Woman's Head, Charcoal and coloured chalk on 1780,
Ecole des Beaux-Arts (Paris, France)
Comtesse de la Châtre, Oil on canvas, 1789,
Metropolitan Museum of Art (Manhattan, New York, United States)
Portrait of Prince Henry Lubomirski, Oil on canvas, 1789
Staatliche Museen zu Berlin (Berlin, Germany)
Portrait of Countess Golovine, Oil on canvas, 1797-1800,
University of Birmingham (Birmingham, United Kingdom)
Self Portrait, Oil on canvas, 1800,
Hermitage (St Petersburg, Russian Federation)
Self Portrait - age 26, Oil on canvas, 1781,
Kimbell Art Museum (Fort Worth, Texas, United States)
Site
“Intelligent, diplomatic, resourceful, and independent, she remains a role model to women who paint, having won wide recognition for her skills and gained admission to academies long closed to her sex.” (Paintings in the Hermitage. by Colin Eisler. 1990. Stewart, Tabori & Chang. p 516)
Vigée-Lebrun was an extremely industrious and productive painter, she left more than 30 portraits of the queen and her ladies-in-waiting, many self portraits, and a lot of portraits of the European nobility. Her portraits are elegant and rich in color, very sentimental and idealized the model. But the evident difference of the models from their pictorial depiction did not embarrass the customers. Vigée-Lebrun was fashionable with the European aristocracy. Her fame grew even more with her immigration during the French Revolution first to Italy (1789-93), then to Vienna (1793-94), and then to St. Petersburg (1795-1802), where she also spent 6 very successful years painting portraits of Russian aristocrats. In her best works the magnificent art of French portraitists of the 18th century and fine sensitiveness of the European sentimentalism are happily united.
Madame Perregaux, oil on panel, 1789,
Wallace Collection (London, United Kingdom)
Self Portrait in a Straw Hat, oil on canvas, 1782,
National Gallery (London, United Kingdom)
Portrait of a Young Woman, oil on canvas, 1797,
Metropolitan Museum of Art (Manhattan, New York, United States)
Portrait of Madame Grand, Oil on canvas, 1783
Metropolitan Museum of Art (Manhattan, New York, United States)
Woman's Head, Charcoal and coloured chalk on 1780,
Ecole des Beaux-Arts (Paris, France)
Comtesse de la Châtre, Oil on canvas, 1789,
Metropolitan Museum of Art (Manhattan, New York, United States)
Portrait of Prince Henry Lubomirski, Oil on canvas, 1789
Staatliche Museen zu Berlin (Berlin, Germany)
Portrait of Countess Golovine, Oil on canvas, 1797-1800,
University of Birmingham (Birmingham, United Kingdom)
Self Portrait, Oil on canvas, 1800,
Hermitage (St Petersburg, Russian Federation)
Self Portrait - age 26, Oil on canvas, 1781,
Kimbell Art Museum (Fort Worth, Texas, United States)
Site