From
today's entry in
the New York Times' Lens blog:
click for a larger version
Mr. Jones’ angle on the historic encounter is vastly different from four other versions shot that day, taken at eye level moments before the tanks stopped at the feet of the lone protester. Wildly chaotic, a man ducks in the foreground, reacting from gunfire coming from the tanks. Another flashes a near-smile. Another pedals his bike, seemingly passive as the tanks rumble towards confrontation.
The photograph encourages the viewer to reevaluate the famous encounter. Unlike the other four versions, we are given a sense of what it was like on the ground as the tanks heaved forward, the man’s act of defiance escalated by the flight of others.