My top favorite TV episodes of all time... so far
There aren't that many episodes of television that have left me feeling awed, amazed, and generally stuck around in my memory for a long time afterward - but there are a few. I've been thinking about the best TV episodes I've ever seen in my life, the ones that are as close to perfect as I think is possible. These thoughts led to my decision to write down a list of them, what I love about them, and what struck me about them.
Here's that list, in no particular order. I was going to include one photo for each episode, but I can't figure out how to put them in using my Mac LJ client, so you'll just have to imagine them, I guess. Warning: there will be spoilers for House, Buffy the Vampire Slayer, Alias, Firefly, Fringe, The X-Files, Life, Angel, Doctor Who, Veronica Mars, The West Wing, Twin Peaks, and Quantum Leap contained within.
1. House, season 1: “Three Stories”
This is one of the first that comes to mind when I think about episodes that left me stunned with how great they are. Back when this show was good - which it used to be, and if you don't believe me, you should go back and watch the first couple of seasons - this was the best of all of the best episodes. It still gets to me when I watch it now. Not only do we finally get to see the whole story behind what happened to House's leg (and based on what we see, that would have been a phenomenal episode by itself), but the way House goes about telling the story to his roomful of medical students is just plain awesome. It's a perfect blend of hilarity, action, drama, and phenomenal acting from Hugh Laurie and the rest of the cast. The style of storytelling has been imitated, even by House in later episodes, but in my opinion its level of brilliance has not been duplicated.
2. Buffy the Vampire Slayer, season 4: “Hush”
There are a lot of really excellent episodes of this show, and not a few of those stand out above the rest. “Hush” was one of several that I'd heard about before I started watching the show on DVD, and honestly I was worried it wouldn't live up to the hype. Unlike at least one other episode I can think of, which unfortunately did suffer from the hype,* this one surpassed all my expectations. It's both one of the scariest and one of most well-crafted episodes of the show. Written by Joss Whedon in response to critics stating that he relied on his witty dialogue to gain acclaim, “Hush” is 99% dialogue-free, for a reason that fits in awesomely to the storyline, and the Gentlemen, the monsters of the week, are SO CREEPY. Gah! Also, there is Giles with the slide projector - priceless. Plus, that final scene between Buffy and Riley? Words fail (which is actually kind of the point) to describe how spot-on it is.
3. Buffy the Vampire Slayer, season 6: “Once More, With Feeling”
This may be one of my favorite episodes of anything ever. It's another one that I had heard about beforehand and was worried wouldn't live up to my expectations - and it's another one that blew all of my expectations out of the water. Once again, Joss Whedon wrote it. He wrote all the music and lyrics for all the songs in the episode … and though it was his first attempt at writing music, he absolutely nailed it. Also, what I was not expecting when I watched this episode was how perfectly it fits in with the overarching plot of the season, and how much it furthers it. That's something that other shows' musical episodes can't usually claim to do. (For instance, while I'm very fond of Fringe's “Brown Betty”, it doesn't move the characters forward very much.) On top of all of that, all the regular cast members who sing (and/or dance) are so wonderfully entertaining. I don't know if you'd like this episode as much if you weren't a fan of musicals, but that's definitely not an issue for me. It defines the TV musical episode for me. Now I want to go listen to the soundtrack, which is what always happens when I even think about “Once More, With Feeling.”
4. Doctor Who, season 1 (of the new series): “The Empty Child/The Doctor Dances”
So, yeah, these are two episodes, but it's a two-parter, and both halves are so very excellent. Sorry if that seems like cheating to include them both. This season marked my reintroduction to Doctor Who after having seen a few episodes on PBS when I was younger, and it didn't take me long at all to fall in love with Christopher Eccleston as the Doctor. And while I was already in love with Nine and with the show by the time this two-parter rolled around, this was the first one that really terrified me! I think I had to go to bed after “The Empty Child”, and let me tell you, I did not fall asleep quickly after that. The image of the child in the gas mask, the cliffhanger ending setting up the second half, and then the wonderful resolution of the story, with the Doctor getting to experience a moment of pure joy after all he's been through in this incarnation - oh, so fantastic. And yes, I used that word on purpose. Plus, it does an excellent job of introducing Captain Jack Harkness, whom I feel is a much more compelling character on this show than on his spin-off, Torchwood.
5. Doctor Who, season 1: “The Parting of the Ways”
Technically, since this the second half of another two-parter, I could include “Bad Wolf” in here as well - but as excellent as its first part was, it's “The Parting of the Ways” that really amazed me. As much as my grieving heart didn't want to say goodbye to the Ninth Doctor (I knew ahead of time that this would be his last outing), if ever there was a perfect sendoff episode, this might just be it. This was back when the Daleks still hadn't been overused - and knowing Nine's all too recent history with them, his confrontation with this latest fleet is amazing to behold. The Doctor's speech to Rose during Emergency Program One still has the power to make me tear up, as well. Also, not only does the episode wrap up the threads of the season expertly, but to me, there are few things more awesome than the TARDIS and Rose working together to save their Doctor and destroy the Daleks. “You are tiny. I can see the whole of time and space, all the atoms of your existence, and I divide them.” Aww yeah. And then the Doctor's farewell scene before he regenerates! Gah. It still hurts for him to go, but at least you know, as he knows finally, that he was fantastic.
6. Doctor Who, season 2: “School Reunion”
This is the kind of episode I had been wanting ever since the new series of Doctor Who started up: the story of what happens when the Doctor and one of his former companions from the classic series run into each other. I remembered Sarah Jane fondly from the classic series, and I loved David Tennant's Doctor as well (and they brought back K9, too!). I got chills when Sarah Jane first sees the TARDIS again and recognizes the Doctor for who he is, after all those years. Tennant and Elisabeth Sladen do a wonderful, wonderful job throughout the whole episode. You really believe how much Sarah Jane's time with the Doctor has changed her, and how much she's missed him even as she's continued to be brilliant on her own, of course. And then the interactions between Rose and Sarah Jane! So awesome. I think Rose gets a chance to grow a lot in this episode. Whether or not that character growth stays around for the rest of her time on the show is another question, but anyway. Basically, I can't gush about “School Reunion” enough.
7. Doctor Who, season 3: “Blink”
Another game-changer of an episode. Despite the fact that there isn't a lot of the Doctor in it, it is utterly gripping and terrifying - another one you don't want to watch right before bed, unless you'd rather not sleep. Ever again. As we follow the story of Sally Sparrow and the mysterious, nightmare-inducing Weeping Angels, it hardly matters that we don't see the Doctor and Martha much at all. The scenes with them are used very well. Sally Sparrow herself is a very compelling character, so much so that although her story is wrapped up well by the end, I wouldn't mind seeing her again. I have my issues with Steven Moffat now, but “Blink” remains an incredible feat of storytelling. The fact that it's still so often quoted and referenced in the fandom, and even in the show itself, is testament to just how good it was. Other evidence of how it lingers in my mind: whenever I see a statue of an angel, I cannot fail to be a bit creeped out, and to do my best not to blink.
8. Doctor Who, season 6: “The Doctor's Wife”
When I heard that Neil Gaiman was going to be writing an episode of Doctor Who for this most recent season, I got very excited. I've read several of his books (and, since this episode aired, seen him in person during his tour to promote the tenth anniversary edition of American Gods), and I loved them. I heard he was a big fan of the show, which only makes sense, and I hoped his episode would live up to my expectations. Once again, they were blown away. The character of the TARDIS - or Sexy, as we could call her as the Doctor does - in her new form was just wonderful. Of course she's the one who has loved the Doctor the longest, and the one the Doctor loves and relies on above all others. Of course she would think of him as her Thief, and would view herself as having stolen him just as much as he stole her. It could have easily come across as gimmicky to have the TARDIS be in a human body, but I never once got that feeling during the episode. Seeing her and watching the Doctor interact with her was a delight, from beginning to end. On top of that, the villain House was marvelously sadistic in his tormenting of Amy and Rory. I know some people object to having it clearly stated instead of implied that the TARDIS always takes the Doctor where he needs to go instead of where he was trying to go, and I can see where they're coming from, but to me it works, coming from Sexy herself. The episode as a whole comes across as Neil Gaiman's loving tribute to the show, and to the Doctor's frankly magnificent ship - who may not literally be his wife, but certainly is his closest Companion.
9. Firefly, “Out of Gas”
I love every single episode of this unfairly too-short-lived show. Even the one or two that are not as good as the rest are still awesome. However, out of all of these well-loved episodes, my favorite has to be “Out of Gas.” Through episode writer Tim Minear's expert crafting of the story, we learn in flashbacks how each member of the crew of Serenity got their start with the ship, even as the crew faces extreme peril in the 'present.' It also demonstrates even more than other episodes how much Mal loves his ship and his crew, and further establishes him as one of my all-time favorite characters in anything ever. As is usual with Joss Whedon shows, there is both drama and humor, with fantastically witty dialogue and one-liners that any Browncoat can rattle off at a moment's notice. Though it shouldn't have had to be the series finale, “Out of Gas” fulfills that role in a way that really couldn't be more perfect, ending as it does with the beginning of Mal's journey with his beloved Serenity, as a young man staring at her in wonder as she sits, abandoned and forgotten.
10. The X-Files, season 2: “Duane Barry”
I knew going into this show that Scully was going to get abducted at some point in season 2, but thankfully I had not been spoiled as to when exactly that happened. So as I was watching along, fully invested in this excellently written episode about Scully (and especially Mulder) interacting with a crazy hostage-taker who believed he had been abducted and experimented on by aliens multiple times, I had no idea that it was going to end with Scully being dragged out of her house by the guy, screaming for Mulder to help her. Gah! Of course, you can't possibly watch this episode without going on to watch “Ascension”, and although that episode is also excellent, “Duane Barry” wins out on this list because of that shocker of an ending.
11. The X-Files, season 3: “Pusher”
Though I had heard some about this episode before seeing it - basically that it was almost universally beloved of Philes everywhere - I still didn't really know what to expect going into it. That was fine, though, since I had been enjoying nearly every episode of the show I'd seen. After sitting spellbound and on the edge of my seat through the opening sequence (“Cerulean blue is like a gentle breeze”, anyone?), and the cat-and-mouse game leading up to the climactic Russian roulette scene, it became very obvious to me why “Pusher” has gone down in X-Files history. It combines fantastic performances from Gillian Anderson, David Dochovny, and the main guest star who played Robert Patrick Modell, gripping and chilling moments as Pusher literally talks people into committing various horrible acts, including inducing a heart attack in poor Frank Burst - and last but definitely not least, it continued to showcase the strength of the bond between Mulder and Scully. I do not get in the least bit bored of watching this episode.
12. The X-Files, season 5: “Bad Blood”
This is yet another episode of which I had heard much, and only good things, before I saw it. Once again, I worried that I wouldn't find it as awesome as everyone was making it out to be - and once again, it was more awesome than I could have dreamed. No other TV episode that I have ever seen has done the showing-events-from-different-characters'-POVs thing as well as in “Bad Blood”. No other TV episode has made me laugh - and continues to make me laugh, every time I watch it again - as much as “Bad Blood”, either. Scully's version of Mulder, and Mulder's version of Scully, are both so hilariously exaggerated. Luke Wilson as the Sheriff is really the cherry on top of the awesomeness that is this episode, both the Mulder-exaggerated version of him and his 'real' self. And then the scene in Skinner's office at the end! I'm snickering just thinking about it. “That is essentially exactly the way it happened.” “Except for the part about the buck teeth.”
13. The West Wing, season 1: “Pilot”
This is one of those shows that is so well-loved on the internets that I really did want to see it. Unfortunately, I've still only seen about half of the first season, but unlike with some of the other shows I've started watching but not finished, I've already been blown away by the sheer brilliance of a few episodes that I can't wait until I'm done with the show to add them to my list of favorites. The pilot of this show, in fact, is such a perfect introduction (as far as I can tell from my perspective) to the plot, the characters, and the general mood of The West Wing that I couldn't help exclaiming, “This show is really, really good!” several times to the friends with whom I was watching it. And they could only agree, wholeheartedly. It also provides an excellent introduction to Aaron Sorkin's incredible dialogue. I really, really want to keep watching this show as much as possible. Also, I really wish Jed Bartlet could be my president.
14. The West Wing, season 1: “In Excelsis Deo”
This is one that our friend who owns the DVDs told us ahead of time was one of her favorites, and it only took one viewing for me to be convinced as to why. There are plenty of light, comedic moments between the characters as they prepare for the holidays. There are also more serious issues surrounding family and ongoing plot elements, including significant developments regarding Leo and his past drug use. But the star of the episode has got to be Richard Schiff as Toby Ziegler, going far above and beyond the call of duty for the homeless Korean war hero who is found dead of exposure at the beginning of the episode. It's a moving, excellently done storyline, and not overly dramatic or manipulative. I am very pleased to read online that Richard Schiff won an Emmy for his performance here. Another highlight: the President's interactions with the kids are pretty adorable.
15. Life, season 2: “One”
This show was far too short, and it still pains me to think that we won't get to see any more of Charlie and Reese, but at least I can take some comfort from the awesomeness that is the season 2 and series finale. Not only does it wrap up a significant portion of the show's mystery, granting Charlie some answers as to who was behind his being framed for murder and sent to prison, but it illustrates the strength of the partnership between Charlie and Reese. The final few scenes, as Charlie trades himself for her and then kills Roman (in a fashion that I should probably not find as hot as I do - ahem), also reveal what we already knew: that Charlie loves his partner, and she loves him. How that love might have developed, unfortunately, we shall never find out in canon. “One” also illustrates the best of the rest of the cast, which is always nice to see. I miss Ted, Bobby, and even Charlie's new partner, as well as the ever-sinister and smirking Rayborn. But mostly I miss getting to see Damian Lewis as Charlie Crews every week.
16. Angel, season 5: “Not Fade Away”
The first time I saw this episode, I was still dealing with the large amounts of bitterness I'd accrued from season 4 and certain storylines that I loathed (and still loathe) with a passion. I also knew some of what the cliffhanger ending was going to be like ahead of time … and frequently, I just can't enjoy that kind of a cliffhanger. So, while I liked certain parts of it, and was appropriately gutted by other parts of it, I was left with a difficult feeling to describe. It was dissatisfaction, I think - not because I thought the episode or writing was inferior, but because I guess I wanted it to end more happily. But of course, this is Angel, and this is a Joss Whedon show. After a second viewing, it really seemed to fit perfectly with this dark but rather epic show. Much as my romantic, happy-ending-loving heart would still prefer for certain things to be changed about the show in general (Wesley! ::sob::), that ending shot of the remaining band of fighters, standing undaunted in the rain as they prepare to meet the hordes of evil, is just plain awesome.
17. Fringe, season 2: “Grey Matters”
It's not easy for me to choose just a few episodes of Fringe to put on this list, because I love the show so very much, but “Grey Matters” has to be one of the best. Not only does it feature the first real appearance of the wonderfully sinister Sebastian Roche as Newton, but the opening sequence is one of the best opening scenes I've ever seen for this kind of show. I mean, their brain surgery on a mental patient gets interrupted, so Newton and his crew depart with a sincere apology to the poor guy - leaving his head open and his brain exposed! Dude! And then there are the amazing, amazing moments between Peter and Walter as the episode continues. Joshua Jackson and John Noble absolutely knock it out of the park with their beautiful portrayal of this very complex father-son dynamic. This reaches its peak with the scene where Olivia has to choose to save Walter and let Newton go free. You can see Peter's desperation to save his father's life, and his utter relief when Walter ends up safe in his arms. Additionally, this was one of the first complete episodes of Fringe that I saw, and even though I didn't want to let myself fall in love with another show, I could not help but be seriously impressed by John Noble as Walter.
18. Fringe season 3, “Entrada”
This was the episode I'd been waiting for all season: for Olivia to finally succeed in her quest to return to our universe, and for Peter to finally realize the terrible truth that the Olivia he was with was an imposter. And as has been a frequent refrain on this list, it was even more awesome than I expected. As much as I love it when the female member of the partnership is in peril and is rescued by the male partner, I love it even more when she rescues herself - and Olivia Dunham is very, very good at that particular skill. Of course, she has the aid of Alt!Broyles, the man who just plain rules whatever universe he might be in, but that's only because she is able to convince him to help her, despite the risks to him and to his universe. With his help, she breaks free of a top-secret government facility (again!), makes her way back to the alternate-universe Harvard, and then jumps back into our universe before finally passing out. I think anyone deserves a moment of unconsciousness after all of that. Also, although the episode is mostly focused on Olivia's awesomeness, Peter gets an honorable mention for his “Francie doesn't like coffee ice cream” moment with Fauxlivia, and then the way he helped track her down afterward. If only he'd noticed the signs a little earlier...
19. Alias, season 1: “Almost Thirty Years”
The first season finale of Alias was my introduction to the wonder that is J.J. Abrams season finales - and this show, in fact, was probably the first show about which I got more than a little obsessed and rather heavily invested. It went off the rails and disappointed me in later seasons, but its first two seasons are just plain excellent. Every main character is involved in the crucial storylines of the season one finale, and both Sydney and her father get a chance to show their complete awesomeness. But the cliffhanger! Oh, the cliffhanger. First, Vaughn doesn't make it through the blast door in time, and despite Sydney's heroic, persistent efforts to break the glass, we see him swept away. Then Sydney is captured. She finally meets The Man - but instead of any of the bad guys we've seen so far, it's ... her mother! Dun dun DUNNN! “I have waited almost thirty years for this.” And then we fade to black. And then my sister and I spend the entire summer wondering if Vaughn is dead, and if Sydney's mom is evil, and who will save Sydney. Oh, man. I loved this show.
20. Veronica Mars, season 1: “Leave it to Beaver”
It's hard to narrow down a favorite from this show, too. So many of them are really, really excellent - and once again, I grieve the fact that this show was canceled far too soon, though at least it got three seasons. I'll go with the fairly obvious choice and pick the season 1 finale to include here, in which we finally get the answer to the season-long question, “Who killed Lilly Kane?” We don't get that answer right away, though, and part of the appeal/wonderfully frustrating thing about the episode is how long it takes before we as the audience at last know who the murderer is. Meanwhile, there are significant developments between Veronica and Logan, whom I can't help loving even though he's seriously messed-up and probably not a good choice for Veronica (just as Veronica is probably not a good choice for Logan), and between Veronica and each of her parents. I'm going to say right now that Keith Mars is my top favorite TV dad, beating out such strong competition as Jack Bristow and Richard Castle. There's no way I can watch this show without cheering for Veronica and her dad, and their relationship is one of the driving forces of this season finale.
21. Twin Peaks, season 2: “Lonely Souls”
If I had written this entire list right after finishing my marathon of this show, there wouldn't be a Twin Peaks episode on here. That's how upset the series finale made me! But after some time to cool down, I think it does deserve a spot on here. This isn't the episode where the inhabitants of Twin Peaks find out who killed Laura Palmer, but it's the one where that answer is revealed to the audience - in an incredibly shocking, terrifyingly perfect-for-this-show way. In the pivotal scene, poor Maddy Ferguson, who I thought was probably doomed as soon as she showed up since she looked just like her cousin Laura, meets her death at the hands of Laura's murderer. I am very glad that I managed to remain unspoiled as to who it was, because that reveal was truly astonishing. Also, Killer BOB will never not be really terrifying. There are other good moments in the episode, including further developments in the unfailingly bizarre story of Ed and Nadine, and Audrey being awesome. There's also another crazy vision sequence, and we as the audience wait in great frustration as our hero, Dale Cooper, hears that “It is happening again,” without realizing that what the Giant means is that another murder is happening right now.
22. Quantum Leap, season 3: “The Leap Home Part II: Vietnam”
I almost forgot to add this episode on here, but thankfully my sister helped me remember it. “The Leap Home Part I” is also excellent, but of the two, the second one struck me even more deeply than the first. In Part II, Sam leaps into a soldier who is in his brother Tom's squad in Vietnam. His immediate decision is that he's here to save his brother's life. The other main option might be to save Tom's commanding officer from being killed and make sure his squad's mission is successful. The ever-faithful Al tries to suggest another possible reason why he might be here, but Sam doesn't do a very good job of listening. In the end, Sam is able to save his brother's life and also prevent an ambush - but he isn't able to make it so the squad can rescue the American prisoners of war, which was their mission. The photojournalist who came along on the mission is killed, but not before she takes the photo that will win her a posthumous Pulitzer. Though the rest of the story is gripping enough, it's the end that is the real shocker: Tom's commanding officer comes in to show them the photos of the American POWs that the journalist took - one of which was Al himself. Sam is shocked and horrified that Al sacrificed the chance of being rescued years earlier to help him save his brother. But Al just points to his head and says, “I was free up here. I was always free.” And that's when I choke up, big time.
I think that's the lot! It's quite possible that I've forgotten some favorites that really should be on here, but these twenty-two make a pretty good start, I think. Now, for some ending notes.
As you may have gathered, I watch a fair amount of TV: shows that are currently airing, and shows that have been off the air for a while. In fact, right now I'm in the process of watching two shows that fall into the latter category. Neither Farscape nor Babylon 5 appear in my list of top episodes, because I haven't finished them yet. Unlike with The West Wing, there hasn't been an episode (or more than one) that I've seen that grabs my attention so much that it requires me to add it to the list before I finish the series - though with Babylon 5, I can say with pleasure that I have been impressed with how well-written the arcs for the show have been. It's just so nice to be watching a show where the showrunners obviously have the whole thing planned out at least most of the way before they run out of ideas (ahem, looking at you, Chris Carter). With Farscape, I've only seen about five episodes, but I'm confident that there will be some standout eps that I will be adding to my mental list of favorites after I see more.
Also, a note about Star Trek. While I enjoy watching every incarnation of Trek (except Enterprise, which was really pretty dismal despite Scott Bakula), and while I look forward to rewatching Deep Space Nine sometime since I'm pretty sure I missed significant portions of it the first time around, my all-time favorite Trek has to be The Next Generation. It was one of the first non-kids' shows that I ever watched, and I'm almost certain that Geordi La Forge was my first TV crush. That said, I don't know that I can pick out one or two favorite episodes to put on this list. Maybe Star Trek should just be understood to be in an entirely separate category of TV favorites for me.
*There is one Buffy episode that is almost universally loved and highly praised that, I think, suffered because of me having heard the hype beforehand: “The Body.” Let me quickly say that I still found this episode to be powerful and very well-done. But I really wish I hadn't heard about Anya's speech before watching it, and especially that I hadn't read part of it online before deciding that I should probably stop in case I ever decided to watch the show. Because of that, it just didn't hit me as hard as I know it did many Buffy fans. I have high hopes that when I get to this episode again in my rewatch, it will be more powerful rather than less so. Probably the fact that I will be watching it with my mom, who has never seen it before and is loving it so far, will help.
That was fun to write.
Here's that list, in no particular order. I was going to include one photo for each episode, but I can't figure out how to put them in using my Mac LJ client, so you'll just have to imagine them, I guess. Warning: there will be spoilers for House, Buffy the Vampire Slayer, Alias, Firefly, Fringe, The X-Files, Life, Angel, Doctor Who, Veronica Mars, The West Wing, Twin Peaks, and Quantum Leap contained within.
1. House, season 1: “Three Stories”
This is one of the first that comes to mind when I think about episodes that left me stunned with how great they are. Back when this show was good - which it used to be, and if you don't believe me, you should go back and watch the first couple of seasons - this was the best of all of the best episodes. It still gets to me when I watch it now. Not only do we finally get to see the whole story behind what happened to House's leg (and based on what we see, that would have been a phenomenal episode by itself), but the way House goes about telling the story to his roomful of medical students is just plain awesome. It's a perfect blend of hilarity, action, drama, and phenomenal acting from Hugh Laurie and the rest of the cast. The style of storytelling has been imitated, even by House in later episodes, but in my opinion its level of brilliance has not been duplicated.
2. Buffy the Vampire Slayer, season 4: “Hush”
There are a lot of really excellent episodes of this show, and not a few of those stand out above the rest. “Hush” was one of several that I'd heard about before I started watching the show on DVD, and honestly I was worried it wouldn't live up to the hype. Unlike at least one other episode I can think of, which unfortunately did suffer from the hype,* this one surpassed all my expectations. It's both one of the scariest and one of most well-crafted episodes of the show. Written by Joss Whedon in response to critics stating that he relied on his witty dialogue to gain acclaim, “Hush” is 99% dialogue-free, for a reason that fits in awesomely to the storyline, and the Gentlemen, the monsters of the week, are SO CREEPY. Gah! Also, there is Giles with the slide projector - priceless. Plus, that final scene between Buffy and Riley? Words fail (which is actually kind of the point) to describe how spot-on it is.
3. Buffy the Vampire Slayer, season 6: “Once More, With Feeling”
This may be one of my favorite episodes of anything ever. It's another one that I had heard about beforehand and was worried wouldn't live up to my expectations - and it's another one that blew all of my expectations out of the water. Once again, Joss Whedon wrote it. He wrote all the music and lyrics for all the songs in the episode … and though it was his first attempt at writing music, he absolutely nailed it. Also, what I was not expecting when I watched this episode was how perfectly it fits in with the overarching plot of the season, and how much it furthers it. That's something that other shows' musical episodes can't usually claim to do. (For instance, while I'm very fond of Fringe's “Brown Betty”, it doesn't move the characters forward very much.) On top of all of that, all the regular cast members who sing (and/or dance) are so wonderfully entertaining. I don't know if you'd like this episode as much if you weren't a fan of musicals, but that's definitely not an issue for me. It defines the TV musical episode for me. Now I want to go listen to the soundtrack, which is what always happens when I even think about “Once More, With Feeling.”
4. Doctor Who, season 1 (of the new series): “The Empty Child/The Doctor Dances”
So, yeah, these are two episodes, but it's a two-parter, and both halves are so very excellent. Sorry if that seems like cheating to include them both. This season marked my reintroduction to Doctor Who after having seen a few episodes on PBS when I was younger, and it didn't take me long at all to fall in love with Christopher Eccleston as the Doctor. And while I was already in love with Nine and with the show by the time this two-parter rolled around, this was the first one that really terrified me! I think I had to go to bed after “The Empty Child”, and let me tell you, I did not fall asleep quickly after that. The image of the child in the gas mask, the cliffhanger ending setting up the second half, and then the wonderful resolution of the story, with the Doctor getting to experience a moment of pure joy after all he's been through in this incarnation - oh, so fantastic. And yes, I used that word on purpose. Plus, it does an excellent job of introducing Captain Jack Harkness, whom I feel is a much more compelling character on this show than on his spin-off, Torchwood.
5. Doctor Who, season 1: “The Parting of the Ways”
Technically, since this the second half of another two-parter, I could include “Bad Wolf” in here as well - but as excellent as its first part was, it's “The Parting of the Ways” that really amazed me. As much as my grieving heart didn't want to say goodbye to the Ninth Doctor (I knew ahead of time that this would be his last outing), if ever there was a perfect sendoff episode, this might just be it. This was back when the Daleks still hadn't been overused - and knowing Nine's all too recent history with them, his confrontation with this latest fleet is amazing to behold. The Doctor's speech to Rose during Emergency Program One still has the power to make me tear up, as well. Also, not only does the episode wrap up the threads of the season expertly, but to me, there are few things more awesome than the TARDIS and Rose working together to save their Doctor and destroy the Daleks. “You are tiny. I can see the whole of time and space, all the atoms of your existence, and I divide them.” Aww yeah. And then the Doctor's farewell scene before he regenerates! Gah. It still hurts for him to go, but at least you know, as he knows finally, that he was fantastic.
6. Doctor Who, season 2: “School Reunion”
This is the kind of episode I had been wanting ever since the new series of Doctor Who started up: the story of what happens when the Doctor and one of his former companions from the classic series run into each other. I remembered Sarah Jane fondly from the classic series, and I loved David Tennant's Doctor as well (and they brought back K9, too!). I got chills when Sarah Jane first sees the TARDIS again and recognizes the Doctor for who he is, after all those years. Tennant and Elisabeth Sladen do a wonderful, wonderful job throughout the whole episode. You really believe how much Sarah Jane's time with the Doctor has changed her, and how much she's missed him even as she's continued to be brilliant on her own, of course. And then the interactions between Rose and Sarah Jane! So awesome. I think Rose gets a chance to grow a lot in this episode. Whether or not that character growth stays around for the rest of her time on the show is another question, but anyway. Basically, I can't gush about “School Reunion” enough.
7. Doctor Who, season 3: “Blink”
Another game-changer of an episode. Despite the fact that there isn't a lot of the Doctor in it, it is utterly gripping and terrifying - another one you don't want to watch right before bed, unless you'd rather not sleep. Ever again. As we follow the story of Sally Sparrow and the mysterious, nightmare-inducing Weeping Angels, it hardly matters that we don't see the Doctor and Martha much at all. The scenes with them are used very well. Sally Sparrow herself is a very compelling character, so much so that although her story is wrapped up well by the end, I wouldn't mind seeing her again. I have my issues with Steven Moffat now, but “Blink” remains an incredible feat of storytelling. The fact that it's still so often quoted and referenced in the fandom, and even in the show itself, is testament to just how good it was. Other evidence of how it lingers in my mind: whenever I see a statue of an angel, I cannot fail to be a bit creeped out, and to do my best not to blink.
8. Doctor Who, season 6: “The Doctor's Wife”
When I heard that Neil Gaiman was going to be writing an episode of Doctor Who for this most recent season, I got very excited. I've read several of his books (and, since this episode aired, seen him in person during his tour to promote the tenth anniversary edition of American Gods), and I loved them. I heard he was a big fan of the show, which only makes sense, and I hoped his episode would live up to my expectations. Once again, they were blown away. The character of the TARDIS - or Sexy, as we could call her as the Doctor does - in her new form was just wonderful. Of course she's the one who has loved the Doctor the longest, and the one the Doctor loves and relies on above all others. Of course she would think of him as her Thief, and would view herself as having stolen him just as much as he stole her. It could have easily come across as gimmicky to have the TARDIS be in a human body, but I never once got that feeling during the episode. Seeing her and watching the Doctor interact with her was a delight, from beginning to end. On top of that, the villain House was marvelously sadistic in his tormenting of Amy and Rory. I know some people object to having it clearly stated instead of implied that the TARDIS always takes the Doctor where he needs to go instead of where he was trying to go, and I can see where they're coming from, but to me it works, coming from Sexy herself. The episode as a whole comes across as Neil Gaiman's loving tribute to the show, and to the Doctor's frankly magnificent ship - who may not literally be his wife, but certainly is his closest Companion.
9. Firefly, “Out of Gas”
I love every single episode of this unfairly too-short-lived show. Even the one or two that are not as good as the rest are still awesome. However, out of all of these well-loved episodes, my favorite has to be “Out of Gas.” Through episode writer Tim Minear's expert crafting of the story, we learn in flashbacks how each member of the crew of Serenity got their start with the ship, even as the crew faces extreme peril in the 'present.' It also demonstrates even more than other episodes how much Mal loves his ship and his crew, and further establishes him as one of my all-time favorite characters in anything ever. As is usual with Joss Whedon shows, there is both drama and humor, with fantastically witty dialogue and one-liners that any Browncoat can rattle off at a moment's notice. Though it shouldn't have had to be the series finale, “Out of Gas” fulfills that role in a way that really couldn't be more perfect, ending as it does with the beginning of Mal's journey with his beloved Serenity, as a young man staring at her in wonder as she sits, abandoned and forgotten.
10. The X-Files, season 2: “Duane Barry”
I knew going into this show that Scully was going to get abducted at some point in season 2, but thankfully I had not been spoiled as to when exactly that happened. So as I was watching along, fully invested in this excellently written episode about Scully (and especially Mulder) interacting with a crazy hostage-taker who believed he had been abducted and experimented on by aliens multiple times, I had no idea that it was going to end with Scully being dragged out of her house by the guy, screaming for Mulder to help her. Gah! Of course, you can't possibly watch this episode without going on to watch “Ascension”, and although that episode is also excellent, “Duane Barry” wins out on this list because of that shocker of an ending.
11. The X-Files, season 3: “Pusher”
Though I had heard some about this episode before seeing it - basically that it was almost universally beloved of Philes everywhere - I still didn't really know what to expect going into it. That was fine, though, since I had been enjoying nearly every episode of the show I'd seen. After sitting spellbound and on the edge of my seat through the opening sequence (“Cerulean blue is like a gentle breeze”, anyone?), and the cat-and-mouse game leading up to the climactic Russian roulette scene, it became very obvious to me why “Pusher” has gone down in X-Files history. It combines fantastic performances from Gillian Anderson, David Dochovny, and the main guest star who played Robert Patrick Modell, gripping and chilling moments as Pusher literally talks people into committing various horrible acts, including inducing a heart attack in poor Frank Burst - and last but definitely not least, it continued to showcase the strength of the bond between Mulder and Scully. I do not get in the least bit bored of watching this episode.
12. The X-Files, season 5: “Bad Blood”
This is yet another episode of which I had heard much, and only good things, before I saw it. Once again, I worried that I wouldn't find it as awesome as everyone was making it out to be - and once again, it was more awesome than I could have dreamed. No other TV episode that I have ever seen has done the showing-events-from-different-characters'-POVs thing as well as in “Bad Blood”. No other TV episode has made me laugh - and continues to make me laugh, every time I watch it again - as much as “Bad Blood”, either. Scully's version of Mulder, and Mulder's version of Scully, are both so hilariously exaggerated. Luke Wilson as the Sheriff is really the cherry on top of the awesomeness that is this episode, both the Mulder-exaggerated version of him and his 'real' self. And then the scene in Skinner's office at the end! I'm snickering just thinking about it. “That is essentially exactly the way it happened.” “Except for the part about the buck teeth.”
13. The West Wing, season 1: “Pilot”
This is one of those shows that is so well-loved on the internets that I really did want to see it. Unfortunately, I've still only seen about half of the first season, but unlike with some of the other shows I've started watching but not finished, I've already been blown away by the sheer brilliance of a few episodes that I can't wait until I'm done with the show to add them to my list of favorites. The pilot of this show, in fact, is such a perfect introduction (as far as I can tell from my perspective) to the plot, the characters, and the general mood of The West Wing that I couldn't help exclaiming, “This show is really, really good!” several times to the friends with whom I was watching it. And they could only agree, wholeheartedly. It also provides an excellent introduction to Aaron Sorkin's incredible dialogue. I really, really want to keep watching this show as much as possible. Also, I really wish Jed Bartlet could be my president.
14. The West Wing, season 1: “In Excelsis Deo”
This is one that our friend who owns the DVDs told us ahead of time was one of her favorites, and it only took one viewing for me to be convinced as to why. There are plenty of light, comedic moments between the characters as they prepare for the holidays. There are also more serious issues surrounding family and ongoing plot elements, including significant developments regarding Leo and his past drug use. But the star of the episode has got to be Richard Schiff as Toby Ziegler, going far above and beyond the call of duty for the homeless Korean war hero who is found dead of exposure at the beginning of the episode. It's a moving, excellently done storyline, and not overly dramatic or manipulative. I am very pleased to read online that Richard Schiff won an Emmy for his performance here. Another highlight: the President's interactions with the kids are pretty adorable.
15. Life, season 2: “One”
This show was far too short, and it still pains me to think that we won't get to see any more of Charlie and Reese, but at least I can take some comfort from the awesomeness that is the season 2 and series finale. Not only does it wrap up a significant portion of the show's mystery, granting Charlie some answers as to who was behind his being framed for murder and sent to prison, but it illustrates the strength of the partnership between Charlie and Reese. The final few scenes, as Charlie trades himself for her and then kills Roman (in a fashion that I should probably not find as hot as I do - ahem), also reveal what we already knew: that Charlie loves his partner, and she loves him. How that love might have developed, unfortunately, we shall never find out in canon. “One” also illustrates the best of the rest of the cast, which is always nice to see. I miss Ted, Bobby, and even Charlie's new partner, as well as the ever-sinister and smirking Rayborn. But mostly I miss getting to see Damian Lewis as Charlie Crews every week.
16. Angel, season 5: “Not Fade Away”
The first time I saw this episode, I was still dealing with the large amounts of bitterness I'd accrued from season 4 and certain storylines that I loathed (and still loathe) with a passion. I also knew some of what the cliffhanger ending was going to be like ahead of time … and frequently, I just can't enjoy that kind of a cliffhanger. So, while I liked certain parts of it, and was appropriately gutted by other parts of it, I was left with a difficult feeling to describe. It was dissatisfaction, I think - not because I thought the episode or writing was inferior, but because I guess I wanted it to end more happily. But of course, this is Angel, and this is a Joss Whedon show. After a second viewing, it really seemed to fit perfectly with this dark but rather epic show. Much as my romantic, happy-ending-loving heart would still prefer for certain things to be changed about the show in general (Wesley! ::sob::), that ending shot of the remaining band of fighters, standing undaunted in the rain as they prepare to meet the hordes of evil, is just plain awesome.
17. Fringe, season 2: “Grey Matters”
It's not easy for me to choose just a few episodes of Fringe to put on this list, because I love the show so very much, but “Grey Matters” has to be one of the best. Not only does it feature the first real appearance of the wonderfully sinister Sebastian Roche as Newton, but the opening sequence is one of the best opening scenes I've ever seen for this kind of show. I mean, their brain surgery on a mental patient gets interrupted, so Newton and his crew depart with a sincere apology to the poor guy - leaving his head open and his brain exposed! Dude! And then there are the amazing, amazing moments between Peter and Walter as the episode continues. Joshua Jackson and John Noble absolutely knock it out of the park with their beautiful portrayal of this very complex father-son dynamic. This reaches its peak with the scene where Olivia has to choose to save Walter and let Newton go free. You can see Peter's desperation to save his father's life, and his utter relief when Walter ends up safe in his arms. Additionally, this was one of the first complete episodes of Fringe that I saw, and even though I didn't want to let myself fall in love with another show, I could not help but be seriously impressed by John Noble as Walter.
18. Fringe season 3, “Entrada”
This was the episode I'd been waiting for all season: for Olivia to finally succeed in her quest to return to our universe, and for Peter to finally realize the terrible truth that the Olivia he was with was an imposter. And as has been a frequent refrain on this list, it was even more awesome than I expected. As much as I love it when the female member of the partnership is in peril and is rescued by the male partner, I love it even more when she rescues herself - and Olivia Dunham is very, very good at that particular skill. Of course, she has the aid of Alt!Broyles, the man who just plain rules whatever universe he might be in, but that's only because she is able to convince him to help her, despite the risks to him and to his universe. With his help, she breaks free of a top-secret government facility (again!), makes her way back to the alternate-universe Harvard, and then jumps back into our universe before finally passing out. I think anyone deserves a moment of unconsciousness after all of that. Also, although the episode is mostly focused on Olivia's awesomeness, Peter gets an honorable mention for his “Francie doesn't like coffee ice cream” moment with Fauxlivia, and then the way he helped track her down afterward. If only he'd noticed the signs a little earlier...
19. Alias, season 1: “Almost Thirty Years”
The first season finale of Alias was my introduction to the wonder that is J.J. Abrams season finales - and this show, in fact, was probably the first show about which I got more than a little obsessed and rather heavily invested. It went off the rails and disappointed me in later seasons, but its first two seasons are just plain excellent. Every main character is involved in the crucial storylines of the season one finale, and both Sydney and her father get a chance to show their complete awesomeness. But the cliffhanger! Oh, the cliffhanger. First, Vaughn doesn't make it through the blast door in time, and despite Sydney's heroic, persistent efforts to break the glass, we see him swept away. Then Sydney is captured. She finally meets The Man - but instead of any of the bad guys we've seen so far, it's ... her mother! Dun dun DUNNN! “I have waited almost thirty years for this.” And then we fade to black. And then my sister and I spend the entire summer wondering if Vaughn is dead, and if Sydney's mom is evil, and who will save Sydney. Oh, man. I loved this show.
20. Veronica Mars, season 1: “Leave it to Beaver”
It's hard to narrow down a favorite from this show, too. So many of them are really, really excellent - and once again, I grieve the fact that this show was canceled far too soon, though at least it got three seasons. I'll go with the fairly obvious choice and pick the season 1 finale to include here, in which we finally get the answer to the season-long question, “Who killed Lilly Kane?” We don't get that answer right away, though, and part of the appeal/wonderfully frustrating thing about the episode is how long it takes before we as the audience at last know who the murderer is. Meanwhile, there are significant developments between Veronica and Logan, whom I can't help loving even though he's seriously messed-up and probably not a good choice for Veronica (just as Veronica is probably not a good choice for Logan), and between Veronica and each of her parents. I'm going to say right now that Keith Mars is my top favorite TV dad, beating out such strong competition as Jack Bristow and Richard Castle. There's no way I can watch this show without cheering for Veronica and her dad, and their relationship is one of the driving forces of this season finale.
21. Twin Peaks, season 2: “Lonely Souls”
If I had written this entire list right after finishing my marathon of this show, there wouldn't be a Twin Peaks episode on here. That's how upset the series finale made me! But after some time to cool down, I think it does deserve a spot on here. This isn't the episode where the inhabitants of Twin Peaks find out who killed Laura Palmer, but it's the one where that answer is revealed to the audience - in an incredibly shocking, terrifyingly perfect-for-this-show way. In the pivotal scene, poor Maddy Ferguson, who I thought was probably doomed as soon as she showed up since she looked just like her cousin Laura, meets her death at the hands of Laura's murderer. I am very glad that I managed to remain unspoiled as to who it was, because that reveal was truly astonishing. Also, Killer BOB will never not be really terrifying. There are other good moments in the episode, including further developments in the unfailingly bizarre story of Ed and Nadine, and Audrey being awesome. There's also another crazy vision sequence, and we as the audience wait in great frustration as our hero, Dale Cooper, hears that “It is happening again,” without realizing that what the Giant means is that another murder is happening right now.
22. Quantum Leap, season 3: “The Leap Home Part II: Vietnam”
I almost forgot to add this episode on here, but thankfully my sister helped me remember it. “The Leap Home Part I” is also excellent, but of the two, the second one struck me even more deeply than the first. In Part II, Sam leaps into a soldier who is in his brother Tom's squad in Vietnam. His immediate decision is that he's here to save his brother's life. The other main option might be to save Tom's commanding officer from being killed and make sure his squad's mission is successful. The ever-faithful Al tries to suggest another possible reason why he might be here, but Sam doesn't do a very good job of listening. In the end, Sam is able to save his brother's life and also prevent an ambush - but he isn't able to make it so the squad can rescue the American prisoners of war, which was their mission. The photojournalist who came along on the mission is killed, but not before she takes the photo that will win her a posthumous Pulitzer. Though the rest of the story is gripping enough, it's the end that is the real shocker: Tom's commanding officer comes in to show them the photos of the American POWs that the journalist took - one of which was Al himself. Sam is shocked and horrified that Al sacrificed the chance of being rescued years earlier to help him save his brother. But Al just points to his head and says, “I was free up here. I was always free.” And that's when I choke up, big time.
I think that's the lot! It's quite possible that I've forgotten some favorites that really should be on here, but these twenty-two make a pretty good start, I think. Now, for some ending notes.
As you may have gathered, I watch a fair amount of TV: shows that are currently airing, and shows that have been off the air for a while. In fact, right now I'm in the process of watching two shows that fall into the latter category. Neither Farscape nor Babylon 5 appear in my list of top episodes, because I haven't finished them yet. Unlike with The West Wing, there hasn't been an episode (or more than one) that I've seen that grabs my attention so much that it requires me to add it to the list before I finish the series - though with Babylon 5, I can say with pleasure that I have been impressed with how well-written the arcs for the show have been. It's just so nice to be watching a show where the showrunners obviously have the whole thing planned out at least most of the way before they run out of ideas (ahem, looking at you, Chris Carter). With Farscape, I've only seen about five episodes, but I'm confident that there will be some standout eps that I will be adding to my mental list of favorites after I see more.
Also, a note about Star Trek. While I enjoy watching every incarnation of Trek (except Enterprise, which was really pretty dismal despite Scott Bakula), and while I look forward to rewatching Deep Space Nine sometime since I'm pretty sure I missed significant portions of it the first time around, my all-time favorite Trek has to be The Next Generation. It was one of the first non-kids' shows that I ever watched, and I'm almost certain that Geordi La Forge was my first TV crush. That said, I don't know that I can pick out one or two favorite episodes to put on this list. Maybe Star Trek should just be understood to be in an entirely separate category of TV favorites for me.
*There is one Buffy episode that is almost universally loved and highly praised that, I think, suffered because of me having heard the hype beforehand: “The Body.” Let me quickly say that I still found this episode to be powerful and very well-done. But I really wish I hadn't heard about Anya's speech before watching it, and especially that I hadn't read part of it online before deciding that I should probably stop in case I ever decided to watch the show. Because of that, it just didn't hit me as hard as I know it did many Buffy fans. I have high hopes that when I get to this episode again in my rewatch, it will be more powerful rather than less so. Probably the fact that I will be watching it with my mom, who has never seen it before and is loving it so far, will help.
That was fun to write.