genderswap harry/louis mix for the story i'm writing where harry is a singer-songwriter who plays small gigs in, like, cafes and bars and bookstores, and is a drunk and has a lot of emotional baggage, and louis is a bartender who is really into harry despite the fact that harry is an emotional wreck.
(the girls in the picture are holly miranda and daisy lowe.)
one. lana del rey.
summertime sadness. honey, i’m on fire, i feel it everywhere. nothing scares me anymore.
two. charlotte sometimes.
waves and the both of us. i want the moon and the stars. i want the whole nine yards. i want your hands on my hips, i want you kissing my lips.
three. wakey!wakey!
falling apart. it’s not blood, so you think it’s not love. my lover said, “i swear, you’re a lunatic”.
four. feist.
i feel it all. oh, i’ll be the one who’ll break my heart. i’ll be the one to hold the gun.
five. metric.
lost kitten. happy in the nighttime, howlin’ at the moon. sippin’ on a cocktail, drinkin’ in the loo. there’s something about you i hold on to.
six. an horse.
dressed sharply. you get up when i go to sleep, but that’s just me and geography.
seven. chris garneau.
between the bars. (elliott smith) drink up, baby, look at the stars, and i’ll kiss you again between the bars.
eight. counting crows.
anna begins. it does not bother me to say this isn’t love because if you don’t want to talk about it, then it isn’t love, and i guess that i am going to have to live with that.
nine. ida maria.
keep me warm. i don’t wanna play any theater for you. i don’t wanna stage a single piece for you.
ten. matchbox twenty.
push. this ain’t over, no, not here, not while i still need you around.
eleven. tegan and sara.
call it off. call, break my own heart. maybe i would’ve been something you’d be good at.
twelve. damien rice.
elephant. what’s the point of this song or even singing. if you’ve already gone, why am i clinging. well, i could throw her out and i could live without, and i could do it all for you. i could be true, and tell me if you want me to lie ‘cause this has got to die.
thirteen. aiden grimshaw.
breathe me. (sia) unfold me, i am small and needy. warm me up, and breathe me.
fourteen. okkervil river.
it ends with a fall. when we met, i should’ve said, you’re like a sister to me, how all that kiss her just seem like puny suitors i can see through, how none with do, no, not for you.
fifteen. land of talk.
troubled. troubled heart folded and doubled right over, mon coeur, si fort, perdu tout pouvoir.
sixteen. margot & the nuclear so and so’s.
my baby (shoots her mouth off). come over and convert me, lead me straight to the cross.
seventeen. florence + the machine.
i'm not calling you a liar. i’m not calling you a ghost, just stop haunting me, and i love you so much i’m gonna let you kill me.
eighteen. bikini kill.
rebel girl. love you like a sister, always, soul sister, blood sister. come and be my best friend, really, rebel girl. i really like you, i really want to be your best friend. be my rebel girl.
nineteen. brand new.
limousine. well, i love you so much, but do me a favor, baby, don’t reply.
twenty. city and colour.
save your scissors. maybe next time will be the right time. maybe next time will be your time.
twenty one. liz phair.
flower. every time i see your face, i think of things unpure, unchaste. i want to fuck you like a dog, i’ll you home and make you like it.
twenty two. the kills.
baby says. baby says if ever you see skin as fair, or eyes as deep and as black as mine, i’ll know you’re lying.
twenty three. stars.
calendar girl. december is darkest, in june there’s the light, but this empty bedroom won’t make anything right.
twenty four. elliott smith.
twilight. i could make you smile, if you stayed awhile, but how long will you stay with me, baby?
twenty five. broken social scene.
7/4 shoreline. if you want to get it all, you can own what you choose, but you want to live a lie and love what you lose.
twenty six. the national.
the geese of beverly road. hey love, we’ll get away with it. we’ll run like we’re awesome, totally genius.
twenty seven. tori amos.
sugar. and you know, and i know, i don’t know me very well. and i know, and you know, if they found me out.
twenty eight. holly miranda.
lover, you should've come over. (jeff buckley) burning in the corner is the only one who dreamed he had you with him.
twenty nine. emily haines & the soft skeleton.
the maid needs a maid. you trouble me, your breasts heave when you sing. your mouth should be working for me for free.
thirty. two door cinema club & coldplay.
what you want/in my place. (mash up) in a few weeks i will get time to realize it’s right before my eyes, and i can take it if it’s what i want to do.
zip zip zip