Reading Wednesday
• What are you currently reading?
Nothing, really? About to start Young Avengers #4
• What did you recently finish reading?
Killjoys comic preview from FCBD: This was really fast-paced, I think too much so?? mergh. Maybe I need to reread it :[
ATLA FCBD short: "Rebound," featuring Mai on the cover, :D after her breakup with Zuko, Mai's depressed & hanging out working in her aunt's flower shop, in the Fire Nation.
I am continually impressed by Gene Luen Yang's ability to write the ATLA characters true to form (here, in The Promise, & now in The Search), and also honestly look at how the political aftermath of the events would leave these kids, their families, & their societies. I see these comics as the true successor to the original show, rather than the slapped-together & sometimes irresponsible Legend of Korra.
(PS: Gene Luen Yang tweeted at me?!?!)
Saga #11 & #12 - lots of emotions in these two issues! I still love the dialogue, the art, ad the pacing. I'm sad this is going on hiatus for a while so they can build up a backlog. Does anyone know how long the hiatus is supposed to last?
Star Wars: The Assassination of Darth Vader, another short from FCBD. This was the flip side of the ATLA one about Mai. This takes place shortly before movie IV. Written by Brian Wood, basically a Vader monologue about what a badass he is, as we watch him kill his would-be assassins. Forgettable.
Willow: Wonderland, #5 (final) The end, by which I mean the final page, was great. I'm not sure I'll ever want to reread this, though.
Buffy Season 9, #19 (Welcome to the Team #4) - I'm really sick of EVERYTHING being Buffy's fault for destroying the seed at the end of season 8. I'm glad she was able to fight back in her argument with Xander at the end of this issue, even if Xander seemed to try & get the last word. I don't blame Buffy, and I wish everyone else would stop doing that. :( Still, dealing with the aftermath of Angel/Twilight's murder of Giles has been a great premise for Season 9 & all its disparate/connected pieces.
Angel & Faith (& Spike) #20 - Working through some heavy shit in this issue. I still like it so much. I very much appreciate Spike's presence, & sort of wish he'd shown up earlier rather than having his own 5-issue spin-off. Buffy comics are pretty dialogue-heavy. It's a thing that irritates me a little when I compare them to other series.
Buffy Season 9, #20 (The Watcher) - a POV of Xander's manpain, but at least in the end I felt very justified by my disgust with him.
Angel & Faith #21 - I didn't think that the mission that started off the premise of this series would remain its focus, & now I'm just afraid to see what happens! We're now in the final arc. I'm scared/excited to keep reading, ;_; I'm also a little upset that Spike left so soon. With this, I'm now caught up on Buffyverse comics! \o/
Wild Ones, volume 2: There was a great triumphant moment at the end of this volume. So, obviously Sachie & Rakuto are working to keep their yakuza-ness a secret from their high school classmates. Due to some strange turns of events, this secret is basically threatened to be revealed. And in this AWESOME scene, Sachie is a total badass, and basically says, "Yeah, so I'm yakuza. What of it? You wanna go?" OMG THIS BAMF RN.
They walk it back a little by having Rakuto tell her classmates, "Oh, she was just acting for this school event, isn't she a great actress?! Hahaha."
Wild Ones, volume 3: More of the same. It's like...there's not a lot going on in this series that's special? Mostly the same shoujo. I'm a little creeped out by how much time Sachie's grandfather & Rakuto spend talking about who Sachie should/shouldn't be spending her time with, instead of allowing her to make those decisions herself. ("I don't want my granddaughter to grow up to be with someone in the yakuza...") Also some typical shoujo things, where a dude with strong feelings for a girl ends up in awkward body positions where he's directly over her body, etc., in images that look a little disturbingly like a prelude to sexual assault (but it never goes there).
There's a satisfying moment in this volume, too. Rakuto is asked to perform a pointless rescue mission of Sachie. He's being "tested" & there are a lot of arbitrary rules to follow. In the end, he's about to miss rescuing her by the certain time limit, but then Sachie stands up to her captor, says, "There's no rule saying that I have to wait to be rescued," & jumps out the window (into Rakuto's arms). Immediately afterward, the captor says something about Rakuto always saving her, and Sachie is defiant, saying, "No! We save each other."
MANGA, YOU ARE WORKING MY WAY INTO MY HEART.
Thus far, the series has not really addressed the seedy work performed by all of the men surrounding Sachie's life. I'd like to know way more about their ties to their community, whether they actually kill people, etc.
Wild Ones, volume 4: The feature of Sachie shooting a fake gun at a festival GIVES ME LIFE. STOP TEASING ME, MANGA. I want Sachie going on missions with her yakuza crew, pwning people.
Anyway, Sachie leaves her home to go to a festival WITH SOMEONE ELSE. Even though she'd rather be with Rakuto, SHE CAN'T SAY NO.
Back at her grandfather's place, all the men bemoan her absence, & remember how before she came to live with them, they ate instant meals every day. THANKS FOR ESTABLISHING THE ONLY GIRL IN THIS SERIES MAKES EVERYONE'S MEALS DESPITE GOING TO CLASS AT HIGH SCHOOL. Has anyone ever made a list of all manga in which girls provide food FOR EVERYONE?
This is a reason why I like xxxHolic - Watanuki is the one doing all domestic tasks (he's the dude protagonist).
It turns out that Sachie can't stay away for a single night. Rakuto shows up in Okinawa to essentially kidnap her home. (He literally picks her up and steps directly back on to the train he came from, sending both of them farther away from home instead of towards it.)
The end of the last chapter epitomizes what I both love & hate about this series. Sachie drops her wallet & then gets into an altercation when one dude tells her to step off because he's part of a yakuza clan.
Sachie's face turns angry & bamf-like, and she yells, "Turns out that we're part of the same world!" But then you turn the page & Rakuto shows up to say, "I told you so many times to go straight home. What am I going to do with you, Sachie?" UGH.
Venus Capriccio, volume 2: I'd forgotten that Akira is a little exoticised for his "beauty" (whenever the word "beautiful" is used, Takami, the narrator, makes sure to say "even though he's a guy"). He is beautiful in part BECAUSE he is part European, apparently.
Anyway, Takami gets a job at a restaurant, so Akira gets one there, too, to "watch her." Takami's grumpy about this. When she accidentally serves people the wrong salad, he intervenes to apologize on her behalf & also serve the correct food.
He arranges his schedule to match hers to walk her home & calls someone else to do it when he is unavailable.
One night, some hoodlums show up in the restaurant & hit on her. Takami is handling it, but there's no need because Akira shows up to spill water on their heads.
They leave, and he berates Takami. "You're still a girl, Takami. Wake up and recognize that. You're too vulnerable. It's dangerous for you to be walking the streets alone at night..."
It's so gross. I feel like Venus Capriccio and Wild Ones are both communicating the same message: It's romantic for a boy to step in & control a girl's life: Who she sees, where she goes. There isn't room for any men in a girl's life except for her romantic interest. And any misfortune she experiences for daring to [exist outside the shelter of home after sunset / talk to men / etc.] is absolutely her fault.
If anyone's wondering why I prefer series with just girls & no men lately (i.e., K-On!, AKB0048, etc.), this is a huge reason why.
The volume picked up a little after that - I still enjoy watching Akira and Takami play the pinao. I enjoy this series' art. I just still had some smoldering rage going on.
Some Glee fics:
drowning in your dizzy noise by
timorous_scribe - Santana and Rachel, three fail-starts and one take-off. Assumes events up to 4x17 'Guilty Pleasures.' (NSFW)
Mixed Media by
parsnips - Cooper Anderson lands a role on a show called White Collar, & so obviously the entire Glee Club becomes involved in the White Collar fandom. Blaine-centric, which I usually don't enjoy, but this fic is HILARIOUS & I loved every part of it.
He's a professional. He knows about pointing.
• What do you think you’ll read next?
idk. Likely more comics. I don't want to knock on comics b/c they can be super important & meaningful, but I'm still feeling not up to the emotional complexity of novels.
The Anna Karenina book club next meets during WisCon, & I had to return my copy to the library a while. I am not feeling compelled to finish it, especially as someone mentioned that more [redacted] happens.
I also stopped reading Kokoro for that reason, too.
I have more Wild Ones manga waiting for me at the library.
This entry was originally posted on Dreamwidth. You can comment here or there.
There are <
> comments on this post at Dreamwidth.
Nothing, really? About to start Young Avengers #4
• What did you recently finish reading?
Killjoys comic preview from FCBD: This was really fast-paced, I think too much so?? mergh. Maybe I need to reread it :[
ATLA FCBD short: "Rebound," featuring Mai on the cover, :D after her breakup with Zuko, Mai's depressed & hanging out working in her aunt's flower shop, in the Fire Nation.
I am continually impressed by Gene Luen Yang's ability to write the ATLA characters true to form (here, in The Promise, & now in The Search), and also honestly look at how the political aftermath of the events would leave these kids, their families, & their societies. I see these comics as the true successor to the original show, rather than the slapped-together & sometimes irresponsible Legend of Korra.
(PS: Gene Luen Yang tweeted at me?!?!)
Saga #11 & #12 - lots of emotions in these two issues! I still love the dialogue, the art, ad the pacing. I'm sad this is going on hiatus for a while so they can build up a backlog. Does anyone know how long the hiatus is supposed to last?
Star Wars: The Assassination of Darth Vader, another short from FCBD. This was the flip side of the ATLA one about Mai. This takes place shortly before movie IV. Written by Brian Wood, basically a Vader monologue about what a badass he is, as we watch him kill his would-be assassins. Forgettable.
Willow: Wonderland, #5 (final) The end, by which I mean the final page, was great. I'm not sure I'll ever want to reread this, though.
Buffy Season 9, #19 (Welcome to the Team #4) - I'm really sick of EVERYTHING being Buffy's fault for destroying the seed at the end of season 8. I'm glad she was able to fight back in her argument with Xander at the end of this issue, even if Xander seemed to try & get the last word. I don't blame Buffy, and I wish everyone else would stop doing that. :( Still, dealing with the aftermath of Angel/Twilight's murder of Giles has been a great premise for Season 9 & all its disparate/connected pieces.
Angel & Faith (& Spike) #20 - Working through some heavy shit in this issue. I still like it so much. I very much appreciate Spike's presence, & sort of wish he'd shown up earlier rather than having his own 5-issue spin-off. Buffy comics are pretty dialogue-heavy. It's a thing that irritates me a little when I compare them to other series.
Buffy Season 9, #20 (The Watcher) - a POV of Xander's manpain, but at least in the end I felt very justified by my disgust with him.
Angel & Faith #21 - I didn't think that the mission that started off the premise of this series would remain its focus, & now I'm just afraid to see what happens! We're now in the final arc. I'm scared/excited to keep reading, ;_; I'm also a little upset that Spike left so soon. With this, I'm now caught up on Buffyverse comics! \o/
Wild Ones, volume 2: There was a great triumphant moment at the end of this volume. So, obviously Sachie & Rakuto are working to keep their yakuza-ness a secret from their high school classmates. Due to some strange turns of events, this secret is basically threatened to be revealed. And in this AWESOME scene, Sachie is a total badass, and basically says, "Yeah, so I'm yakuza. What of it? You wanna go?" OMG THIS BAMF RN.
They walk it back a little by having Rakuto tell her classmates, "Oh, she was just acting for this school event, isn't she a great actress?! Hahaha."
Wild Ones, volume 3: More of the same. It's like...there's not a lot going on in this series that's special? Mostly the same shoujo. I'm a little creeped out by how much time Sachie's grandfather & Rakuto spend talking about who Sachie should/shouldn't be spending her time with, instead of allowing her to make those decisions herself. ("I don't want my granddaughter to grow up to be with someone in the yakuza...") Also some typical shoujo things, where a dude with strong feelings for a girl ends up in awkward body positions where he's directly over her body, etc., in images that look a little disturbingly like a prelude to sexual assault (but it never goes there).
There's a satisfying moment in this volume, too. Rakuto is asked to perform a pointless rescue mission of Sachie. He's being "tested" & there are a lot of arbitrary rules to follow. In the end, he's about to miss rescuing her by the certain time limit, but then Sachie stands up to her captor, says, "There's no rule saying that I have to wait to be rescued," & jumps out the window (into Rakuto's arms). Immediately afterward, the captor says something about Rakuto always saving her, and Sachie is defiant, saying, "No! We save each other."
MANGA, YOU ARE WORKING MY WAY INTO MY HEART.
Thus far, the series has not really addressed the seedy work performed by all of the men surrounding Sachie's life. I'd like to know way more about their ties to their community, whether they actually kill people, etc.
Wild Ones, volume 4: The feature of Sachie shooting a fake gun at a festival GIVES ME LIFE. STOP TEASING ME, MANGA. I want Sachie going on missions with her yakuza crew, pwning people.
Anyway, Sachie leaves her home to go to a festival WITH SOMEONE ELSE. Even though she'd rather be with Rakuto, SHE CAN'T SAY NO.
Back at her grandfather's place, all the men bemoan her absence, & remember how before she came to live with them, they ate instant meals every day. THANKS FOR ESTABLISHING THE ONLY GIRL IN THIS SERIES MAKES EVERYONE'S MEALS DESPITE GOING TO CLASS AT HIGH SCHOOL. Has anyone ever made a list of all manga in which girls provide food FOR EVERYONE?
This is a reason why I like xxxHolic - Watanuki is the one doing all domestic tasks (he's the dude protagonist).
It turns out that Sachie can't stay away for a single night. Rakuto shows up in Okinawa to essentially kidnap her home. (He literally picks her up and steps directly back on to the train he came from, sending both of them farther away from home instead of towards it.)
The end of the last chapter epitomizes what I both love & hate about this series. Sachie drops her wallet & then gets into an altercation when one dude tells her to step off because he's part of a yakuza clan.
Sachie's face turns angry & bamf-like, and she yells, "Turns out that we're part of the same world!" But then you turn the page & Rakuto shows up to say, "I told you so many times to go straight home. What am I going to do with you, Sachie?" UGH.
Venus Capriccio, volume 2: I'd forgotten that Akira is a little exoticised for his "beauty" (whenever the word "beautiful" is used, Takami, the narrator, makes sure to say "even though he's a guy"). He is beautiful in part BECAUSE he is part European, apparently.
Anyway, Takami gets a job at a restaurant, so Akira gets one there, too, to "watch her." Takami's grumpy about this. When she accidentally serves people the wrong salad, he intervenes to apologize on her behalf & also serve the correct food.
He arranges his schedule to match hers to walk her home & calls someone else to do it when he is unavailable.
One night, some hoodlums show up in the restaurant & hit on her. Takami is handling it, but there's no need because Akira shows up to spill water on their heads.
They leave, and he berates Takami. "You're still a girl, Takami. Wake up and recognize that. You're too vulnerable. It's dangerous for you to be walking the streets alone at night..."
It's so gross. I feel like Venus Capriccio and Wild Ones are both communicating the same message: It's romantic for a boy to step in & control a girl's life: Who she sees, where she goes. There isn't room for any men in a girl's life except for her romantic interest. And any misfortune she experiences for daring to [exist outside the shelter of home after sunset / talk to men / etc.] is absolutely her fault.
If anyone's wondering why I prefer series with just girls & no men lately (i.e., K-On!, AKB0048, etc.), this is a huge reason why.
The volume picked up a little after that - I still enjoy watching Akira and Takami play the pinao. I enjoy this series' art. I just still had some smoldering rage going on.
Some Glee fics:
drowning in your dizzy noise by
timorous_scribe - Santana and Rachel, three fail-starts and one take-off. Assumes events up to 4x17 'Guilty Pleasures.' (NSFW)
Mixed Media by
parsnips - Cooper Anderson lands a role on a show called White Collar, & so obviously the entire Glee Club becomes involved in the White Collar fandom. Blaine-centric, which I usually don't enjoy, but this fic is HILARIOUS & I loved every part of it.
He's a professional. He knows about pointing.
• What do you think you’ll read next?
idk. Likely more comics. I don't want to knock on comics b/c they can be super important & meaningful, but I'm still feeling not up to the emotional complexity of novels.
The Anna Karenina book club next meets during WisCon, & I had to return my copy to the library a while. I am not feeling compelled to finish it, especially as someone mentioned that more [redacted] happens.
I also stopped reading Kokoro for that reason, too.
I have more Wild Ones manga waiting for me at the library.
This entry was originally posted on Dreamwidth. You can comment here or there.
There are <
> comments on this post at Dreamwidth.