Excellent work - although I can't read the words in most of the ones with text...but with Philip words are normally superfluous! I love the contrast between the young and awkward Dobbin in #1 and the toughened and mature man in #18. This comes across just from the management of one or two facial muscles by Philip. Such subtle, wonderful work by him in this drama. Sigh. He is so fabulous. Thanks for the reminder.
I thought I should mention that most of the ones with text on, it's deliberate that you can't really read them. =) It's not so important what it says (though I tried to make it relate to the icon/character), as I mostly used the text as a means of tying the icons together a little.
Philip really is wonderfully talented! I am always amazed at how believable he makes such vastly different characters (like Dobbin and Gene).
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Thank you!
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Not snagging but mem'ing for later drive by pervings ;)
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I thought I should mention that most of the ones with text on, it's deliberate that you can't really read them. =) It's not so important what it says (though I tried to make it relate to the icon/character), as I mostly used the text as a means of tying the icons together a little.
Philip really is wonderfully talented! I am always amazed at how believable he makes such vastly different characters (like Dobbin and Gene).
Plus, he's hot, which can't hurt. ;D
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