The strangest thing for many about the phonebox was the number of rooms, myriad in their uses and types, seemingly in unending supply. There were people here too, sometimes no more than voices around a corner or down the hall. Sometimes sitting in the chair near the fire that likely hadn't been there earlier. There was even talk of an entire
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At least this place had the drinks.
He'd found himself a tuxedo, and was making his second martini of the evening when he heard someone behind him. Tony turned, his smile suave and practiced, hoping this time it was someone who'd enjoy his charm.
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"If I could just get by you," she said, exhaustion adding a bit of bite to her tone. She'd been up for fifteen hours already and she was definitely not in the mood to deal with older guys who dressed like it was prom night in the middle of the day.
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It looked to be a foyer of some kind; there were hooks where hats and coats were hung, and a mirror above an ornate mahogany table with a vase full of flowers. Neal could hear music through the door in front of him, so he went through, not terribly surprised to find himself in a pub full of people. New York, man, he thought with a grin as he approached the bar.
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The first two days had been spent trying to get out of this place. The one time the door had opened for her she'd found herself in what had either been Elizabethan England or a very good costume party. None of it made sense, but little about this place seemed to. Rooms that reasrranged themselves, her phone not working, the people fropm all sorts of times and places?
Sarah hated being trapped, and more than that she hated being apart from Chuck. For the moment it was precisely the situation she found herself in. Information gathering was now her priority and this guy seemed as good a start as any.
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He could see she'd barely touched her own, and nodded toward it. "Vodka tonic," he guessed. "What's wrong with it, too much ice?"
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"Now," she says, mostly head-first into the cupboard, still trying to keep her balance, "I know that there's got to be some of that chocolate left in here, too. Hex and I got a whole sodding bushel..."
She doesn't slip until somebody walks into the storeroom - she pulls her head out of the cupboard, her voice rising. "Don't let the door-!"
Bang.
".... Swing closed. Brilliant. I suppose you and I are now best of friends, or at least will be for the next few hours til the magnetic lock lets go."
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"I'm good with locks," he reminded her, though he made no move to actually get the sonic screwdriver out and open the door. "And it's not important now. We've got food. And water. And there's nothing else interesting going on so we might as well have a nice meal. I see you found my store of crisps. Good crisps, those. They outlawed the dye, but it's really not toxic. Just countered the Prozac in the water system and they couldn't have that. And what are you looking for? The bushel of chocolate is down the corridor."
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"Oh, shite."
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He'd seen Neal walk into the phone booth. He'd also seen Neal not come out again. But that wasn't the surprising thing. The surprising thing was what happened when he followed him.
Peter looked around, frowning. It did look like the kind of place Neal might go, but Peter was having a hell of a time grasping the connection, which was to say, exactly how he'd come to be there.
"Dammit, Neal," Peter swore, and carried on through, taking stock of his surroundings as he went.
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Making her way down a hall, she turns the corner into a room, twisting her hands together. Settling down at a seat at the bar, she turns to look to her side. "Mind tellin' me where we are?"
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Were he honest, he'd admit he knew little about America outside of what he'd learned at school. The occasional belligerent drunk or tourist family tracing British roots was about all of it outside of the media. "I can't tell you what I don't know, can I?"
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