для себя

Jun 06, 2010 20:15

"The godless world portrayed by both directors was bleak, to put it mildly. Along with much of modern culture, they judged sensual life and human love to be the alternative and successor to religion as the repository of human hopes for fulfillment; but in their films those hopes regularly prove fleeting, illusory or betrayed by human (usually male) weakness."
Охуенная статья в Нью-Йорк Таймс про Бергмана, Антониони и религию

кино

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