sorry, mate, i don't speak pathetic bastard
Found this via a Lost community. It seems like this is Lost's equivalent of Blind Idiot Translations. And the picture of Locke is kind of creepy.
Oh, which reminds me that I should try to find some more Lost spoilers because now that they're well into filming there will be many spoiler-type things on the Internet. I have an unfortunate desire to want to know things before they happen. It is tragic.
I didn't have that much homework tonight, which is good. Though I do have a chemistry test tomorrow. & I was supposed to do a reading for Social Justice except I couldn't find the article, only an old forum about the article. So I guess I just won't do it. But I suppose I could start the week's Moby-Dick readings. Maybe there will be more Quotes of Win like the one about Queequeg's head looking like a cannibalistic George Washington. The problem is that as always I am highly unmotivated and rationalize putting things off by thinking about how I have a long weekend to get about half my work done.
I've been reading a lot more of "The Shoebox Project" lately (which reminds me that I need to download the next few parts). And I think I said this already, but it's odd to go from the fanon interpretation to thinking about what actually happens to the Mauraders in canon. But I've realized that the song "Brothers on a Hotel Bed" by Death Cab For Cutie (which I've already mentioned as being a very Remus/Sirius song) best relates to the pair of them after Sirius escapes from Azkaban and he and Remus meet in the Shrieking Shack after 12 years. I think it's because of the lyrics "no longer easy on the eyes, these wrinkles masterfully disguise the youthful boy below." And also, I've found myself inexplicably relating another Death Cab For Cutie song, "Tiny Vessels," to Lily/James--although that doesn't make much sense because a recurring lyric is "she is beautiful, but she don't mean a thing to me," which is most definitely not Lily/James, since James is pretty much completely infatuated with her. Oh, and not relating to SBP but relating to associating Death Cab For Cutie songs with stuff: I've started to associate the song "Transatlanticism" with Perrin. I think it's because the song mentions distance between people, or something like that, and emotional distance is definitely something I associate with Perrin.
Yes, I've been on a Death Cab For Cutie kick, can't you tell? It's what I listen to when I'm driving. Not when my mum's driving, because she prefers the radio.
I need to change my layout. The fact that the text overlaps with the borders is really starting to bother me. I'm turning into Clarisse.
Oh, which reminds me that I should try to find some more Lost spoilers because now that they're well into filming there will be many spoiler-type things on the Internet. I have an unfortunate desire to want to know things before they happen. It is tragic.
I didn't have that much homework tonight, which is good. Though I do have a chemistry test tomorrow. & I was supposed to do a reading for Social Justice except I couldn't find the article, only an old forum about the article. So I guess I just won't do it. But I suppose I could start the week's Moby-Dick readings. Maybe there will be more Quotes of Win like the one about Queequeg's head looking like a cannibalistic George Washington. The problem is that as always I am highly unmotivated and rationalize putting things off by thinking about how I have a long weekend to get about half my work done.
I've been reading a lot more of "The Shoebox Project" lately (which reminds me that I need to download the next few parts). And I think I said this already, but it's odd to go from the fanon interpretation to thinking about what actually happens to the Mauraders in canon. But I've realized that the song "Brothers on a Hotel Bed" by Death Cab For Cutie (which I've already mentioned as being a very Remus/Sirius song) best relates to the pair of them after Sirius escapes from Azkaban and he and Remus meet in the Shrieking Shack after 12 years. I think it's because of the lyrics "no longer easy on the eyes, these wrinkles masterfully disguise the youthful boy below." And also, I've found myself inexplicably relating another Death Cab For Cutie song, "Tiny Vessels," to Lily/James--although that doesn't make much sense because a recurring lyric is "she is beautiful, but she don't mean a thing to me," which is most definitely not Lily/James, since James is pretty much completely infatuated with her. Oh, and not relating to SBP but relating to associating Death Cab For Cutie songs with stuff: I've started to associate the song "Transatlanticism" with Perrin. I think it's because the song mentions distance between people, or something like that, and emotional distance is definitely something I associate with Perrin.
Yes, I've been on a Death Cab For Cutie kick, can't you tell? It's what I listen to when I'm driving. Not when my mum's driving, because she prefers the radio.
I need to change my layout. The fact that the text overlaps with the borders is really starting to bother me. I'm turning into Clarisse.