It's a good thing Peter hasn't met Niki yet, because if he had, the door handle would be pulp. Luckily, his strength is all his own, and the only damage is to his whitening knuckles.
Probably not, because it's not strictly a sound; Kaylee's feeling the transmission protest through the accelerator, and she doesn't like what she's feeling.
Nonetheless, she floors it, and the car lurches ahead.
Behind them are three cars.
The closest one has a fox-tail dangling from the rearview mirror; the brim of the driver's hat hides his face.
"Pull the gorram map, tell me how to get out of town -- "
Peter scrabbles frantically at the glove compartment, and the map flutters to the floor as it springs open. NISSAN VERSA He lurches foward after it; his voice is muffled. "I'm trying --" NISSAN VERSA "Okay, I think -- we want to head south -- which way are we heading right now?" His head pops up again, and his eyes lock on the side view mirror. "Kaylee --"
The pavement is uneven, and the car nearly sails into the air; Kaylee runs a red light. The cop sitting at the other end of the intersection doesn't do anything.
At least Kaylee's hands are at ten and two.
She's leaning over the wheel. Her head does not graze the ceiling when the car hits the curb, and jumps.
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"Can you go any faster?" he says, still clutching his head with one hand.
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Probably not, because it's not strictly a sound; Kaylee's feeling the transmission protest through the accelerator, and she doesn't like what she's feeling.
Nonetheless, she floors it, and the car lurches ahead.
Behind them are three cars.
The closest one has a fox-tail dangling from the rearview mirror; the brim of the driver's hat hides his face.
"Pull the gorram map, tell me how to get out of town -- "
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NISSAN VERSA
He lurches foward after it; his voice is muffled. "I'm trying --"
NISSAN VERSA
"Okay, I think -- we want to head south -- which way are we heading right now?" His head pops up again, and his eyes lock on the side view mirror. "Kaylee --"
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The pavement is uneven, and the car nearly sails into the air; Kaylee runs a red light. The cop sitting at the other end of the intersection doesn't do anything.
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Peter's voice is tight, and pitched high. "They're gaining."
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The internal combustion engine is not all it's cracked up to be.
Kaylee takes a hard left; the car fishtails, corrects, and zooms down Highway 73.
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Peter's not a big fan of cars right now either.
"They're not gaining anymore," he manages.
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She slaps his shoulder with the back of her hand, fast and hard. "Two of...those. Two. Quick."
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Claude prepared him for something, at least.
"Who cares about tolls, we gotta --" There are gates. "Two?"
The pleasant jingling is a little incongruous, all things considered.
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They're slowing down. Kaylee adjusts the rearview mirror frantically.
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Ding.
Ding.
Ding.
Drrrrrrrrrdadada.
(The last one wobbles down in a spiral.)
He looks at her. "Go!"
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Go, Peter says; Kaylee floors it again.
Behind them, the two ends of the bridge start to lift and separate.
Kaylee is too busy trying not to hit things to see it. She's also too busy to see the sign welcoming them to Pennsylvania.
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"Kaylee!" he says again.
Relief is just as overwhelming as panic, and it carries with it about as much coherency.
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"...wait, is that...the bridge? And they're -- "
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Behind them, the cars have skidded to a frustrated halt. A wild dog watches curiously from the thickets of forest behind the tolls.
"I think -- I think we're safe!"
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