I originally posted this on 1st July, but then messed up the cut and did all manner of thick things, so I pulled it, sorted it out and - here it is again! It's very long - sorry - but I'm too dumb to be able to split it into sections. It's mainly a character study of Guy, but with a bit of Izzy chucked in for good measure.
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what I think makes Guy tick - sort of... )
Re: the time Issy flees her marriage, I wonder if there was a child, for whom she stayed as protector, until he/she fell prey to one of many untreatable childhood diseases. Once the child is dead, Thorton grows desperate for a new heir, and she cannot stand to have him anywhere near her, so she runs. She may be close to being unhinged by grief anyway, and it is Bobbin's rejection that tips the balance over into stark-raving crazy.
Re: Guy's admission of guilt over Marian's death, I don't think he does that fully in ep 9. To me, and given Meg's reaction, "I destroyed her" comes over more as "I took her maidenhead, got her with child outside of wedlock, ruining her" with the possible addition of "so she, reputation in tatters, went and drowned herself". Love Guy as I do, I think if I hadn't known he'd skewered his former betrothed, I'd have at least flinched a little if I thought he was confessing to murder-by-pointy-sword at that moment. It's when he tells Hood he can't ask for forgiveness as he'll never be able to forgive himself that I think the true, uncloaked acceptance comes.
I have no idea what this show's code of ethics must look like. It's far more skewed than Guy's for sure. Do as your conscience tells you, in the face of likely death or humiliation, and suffer for it - but only if you're Guy, of course.
Expect me to comment more on this later, as an epic post deserves an epic response, and venting is called for.
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I agree and disagree with the accepting responsibility for Marian's death. You're quite right - (shame on me, I'd forgotten this bit!) full acknowledgement doesn't come until he tells Bobbin that he can't forgive himself but I think there's also an element there of actually being able to admit to and voice to another his innermost feelings, which has been something he's always had trouble with.
The phrase to Meg about destroying Marian I read differently, possibly because of the broken way in which RA delivered it. I thought it came across as something stronger than an admission of murder, although encompassing that also - it included all the times he'd hurt her or her father and all the times that by only seeing what he'd wanted to see, he'd made her uncomfortable and unhappy.
Erm - when you speak of venting, am I going to have to duck?
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*volunteers selflessly to look after him for you*
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Apart from the dodgy scripts and preachifying speeches the thing that really irritated me with this series was the lack of continuity. You have Guy fleeing the castle carrying Meg and Meg dying - end of episode. Beginning of next episode Guy in forrest has suddenly now got both a bow and arrow and his sword? At the end of that episode Guy and Robin set off to go to York, Guy helps Robin up then walks off - no weapons. Beginning of next episode not only has Guy got his weapons back he has also got back his fancy jacket (which presumably he left in the Nottingham dungeon as he didn't have it on the scaffold)!! I can just see him popping back and saying 'please Izzy can I ave me coat back'!
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The continuity bod on the set was obviously either blind/drunk/blind drunk or on holiday...either that, or he/she was given the sack in episode 1 and nobody thought to drum up a replacement. The business with the whole sword, no sword, oh look sword again was bad beyond belief. I'm surprised that RA didn't notice the conspicuous lack of a scabbard bashing his leg!
As for getting his stuff back, my theory is that Guy goes to Lamp Post, then through the Wardrobe where he gathers weapons and coat. He then returns to the forest, dodging a mysteriously mangy Aslan on the way...
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I think he could sum it up quite eloquently with that wonderful shrug he gave Bobbin in episode 10 just before they're about to fight -
Director: 'Shall we just film that again, Richard love? This time without the sword?'
RA: (*Thinks* Bloody hell, how many more times?!) 'Why not?' (shrugs expressively).
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RA: (*Thinks* Bloody hell, how many more times?!) 'Why not?' (shrugs expressively).
See, if I were director, it'd be...
Directrix: "Shall we just film that again, Richard love? This time without the shirt?"
RA: (*Thinks* Bloody hell, how many more times?! Is this sexual harassment?) 'Why not?' (shrugs jacket off expressively).
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It would sure as hell made her a more sympathetic character, but they don't seem all that fond of those round Nottingham way.
You're right that RA was thinking of all of that and probably more beside (maybe even Issy?) in that delivery, and, knowing all we know, 'destroyed' was a powerful choice of word. He probably meant to hide nothing with it, but it is ambiguous. (I want commentaries, damnit!)
Erm - when you speak of venting, am I going to have to duck?
Course not, unless you're secretly working for TPTB?
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