The handle of the main door clunks up and down a couple of times, as if someone keeps trying to manipulate it and missing; at last, the door agrees to open and a tall young man with armfuls of heavy cardboard box comes through backwards.
Gabriel has been doing more than just
thinking about moving out. He's studied the thick red-bound books with
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No, you can sort of tell that Gabriel is new, because one imagines a Milliways veteran wouldn't react to such a sight by dropping the box so hard that it collapses in on one corner (only really clothes in there, thank God) and fumbling behind his back for the doorhandle.
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Looks like he's going to have to face whatever the hell this situation is, then.
Defensively, and not particularly convincingly either when you consider his reaction: "I wasn't scared."
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But let us focus on her eyes for a mere moment, big, wide, blue, and scared. Nill is, of course, easily rattled, let there be no doubt about that, and it's rare when the bright irises reflect back something other than some form of aversion and fear, so, in this particular instance, what is curious about the way she's looking at this new male specimen is, perhaps, the fact that she doesn't seem entirely frightened by the timid, weak Gabriel Gray with a distaste for ham and tuna and corn who thinks he will never be able to escape his mother-- this bar thing is sort of new-- and frets over the fact that his ( ... )
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Now for a question: would Gabriel Gray, this Gabriel Gray from this place and time and in this place and time, look around to see if she's waving to someone behind him? If it was just a random encounter in the street, probably. But in this instance, the question is not so much is she? as why is she?He's slightly reluctant to leave the door to find out -- and anyway, personal space. (Though the narration will leave it up to you, gentle reader, to determine just whose personal space it is he is interested in conserving.) So he doesn't take his left hand away from its fruitless task at the doorhandle ( ... )
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Then someone gets up, closes his book (Samuel Beckett's Endgame) and offers Gabriel a nod of greeting.
"Hey there," he says, in his unmistakeable Southern accent. "You're new, right?"
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"What do you mean, 'new'?" he demands. New to bizarre and aggressively mystifying circumstances? New to being kidnapped by doors?
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Aaron Luke has remained calm in the face of a lot more iiritability than Gabriel is currently displaying. He smiles slightly, an expression of quiet, unassuming friendliness, and holds out his hands for the box.
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...Though he probably should put it down at some point. He isn't built for manual labour.
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