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I have been sitting on this prompt for two goddamned months and have revised and tweaked it more than anything else I have ever written, including the M.A. thesis.
I am so damned proud of this piece. I hope I'm right to be.
Title: Secondhand Smoke
Author: Mithrigil
Fandom: Tokyo Babylon
Characters: Subaru, Seishirou
Rating: NC-17. Sex,
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This is the most violent piece I think I've read from you; the most actualized in its violence, raw and nasty and perverse, nothing held back. There's a word for what's going on here, in Greek -- διαφθειρειν, to destroy utterly, corrupt, seduce. The thread of dirt that runs through this is subtle and devastating, starting with Subaru's fantasy of discarding himself like garbage and culminating in his disgust at his own reflected image (the smears on the glass, oh) and then his acceptance of that disgust (it can't be undone). Corruption and rot. There's nothing clean here, on either side ( ... )
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-- oh, I /love/ that, that this is how Sei cares for Subaru. (Shades of 'Venn Diagram', actually -- who do you trust to give you what you need? Whatever that might be?) That ties so well with what you're saying about it not being pain that arouses Sei, but Subaru's reactions to it.
I definitely see corruption/chaos as inevitable here; that message is served as much by the spiraling nastiness, the energy and speed at which Subaru loses/gives up control in favor of being in pain/being alive, as it is by the sex itself. For something that is 3600 words long, this moves at an incredible speed.
Oh, god yes, "addictive personality" grabbed me right away (but then I look for the mutual-obsession moments). And the fact that this is a /first/ consummation is just exquisitely horrible. Better/worse indeed.
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Shades of Venn Diagram indeed--I will ask you to check the respective timestamps of the two. What is this encounter commemorating, I wonder... ::devious::
I'm also surprised at the general pace of this--it was hard to control. All the dactyls helped, actually, and the M-dashes probably had something to do with that as well. When a third of the words are stuttered and the rest are elided, it goes by quicker than expected.
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... oh, clever wicked author, you. <3!
That choice of language is very effective, for pacing -- it emphasizes Subaru's spiral out of control, how he lets this encounter take hold of him. And I think it's also a very neat evocation of the music, in terms of speed and hysteria.
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It originally took place just before the ides--wich is when the year of the bet began, March 15--and then I wrote Venn Diagram. And decided, y/y/smfy.
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The date change is evil. And thus marvelous.
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::grin::
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Conspiracy? I think yes?
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I did this for a Comp assignment and neither song has ever been the same since. I think you will enjoy the experience.
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-- my mother is going to think I've gone mad, what with playing piano again. But why not. As long as you don't expect brilliance. *giggles*
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