Marian entered through the painting of The Dogs Playing Poker, carrying a medium sized lacquer box, and giving very little attention to her, once again, missing Door. Especially once The Bar presented her request for a tea and biscuits service, with that of May Lily tea and the gift of a medium sized cake, iced with the number five in dark emerald
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This is where the conflict arises when he spots her at her table. He doubts she would welcome his presence and yet... he still wishes dearly to spend time with her.
Now that he has so much of it and is acutely aware of her mortal lifespan.
It doesn't make it easier to decide whether to go over and talk to her or not though.
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It's why the box sits closed. Because it's still holding it. Safe. Somewhere not quite near, not quite here. She can still decided how to proceed with doing the right thing later. Much lat--
It would help if she hadn't tried to breathe in her tea when she looked up and spotted him.
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There's nothing for it. Guy takes a deep breath, braces himself and takes the few steps to stand on the other side of her table.
He's silent while he tries to think of something to say that wouldn't frustrate or anger her. He's mostly failing.
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It takes five or six seconds of him standing there, saying nothing, before, she realizes he's not going to say anything. That she yelled at him, and he's going to stand there. Saying nothing. Looking at her as much as not looking at her.
She pressed her lips together, not pleased and more uncertain than it.
There was not a sigh to start it. "Fair eve, Sir Guy."
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Formality.
Formality was safe, he supposed. Safe, but no less awkward when you cannot put into words what you would like someone to understand.
"You are well this evening?"
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Her Door had gone again, but it didn't trouble her anymore than the last times it had. Though, rightly, she'd been more grateful when the door gave her weeks on weeks between the days leading up to her wedding.
It says something she supposes, that she chooses commentary, rather than the proper response of asking how he is, as well. "Apparently, five years have passed since I came here the first time."
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He does not ask how much time has passed at home in comparison for her.
Guy does not fidget exactly, but discovers he is worrying the wolf-head clasps on his gloves before he removes them to give his hands something to do while he thinks.
"When I was a boy, I thought I dreamed of this place."
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"It was no dream." Is quietly very even.
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His memories of home after are stronger. "My family did not appreciate my stories of giants and princesses."
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"He-" It was hard to figure what exactly she was supposed to be reacting to. "You.." Is at least an effort. Not that she's sure he deserves or whether she should. Milliways is complicated. "Could not have been more than five, perhaps, six."
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Guy got into trouble a lot as a child, mostly for being a little too imaginative or not attending to his lessons.
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Unless you counted the half minute she'd thought it might be their son. Before she'd realized just who he was, while still trying to figure out why he was crying.
"If anything it was more than Milliways was troublesome by not being home, and not having," She didn't look at him or at the box to her right. "Your mother in it."
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"My father would scold me for bothering my mother when she was resting" He hadn't been old enough to understand that he had a baby sister on the way.
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Except that until he was deposed, for the most part, she'd gotten away with all of it. She'd been beloved and doted on by all. And it with affection that people exasperatedly sent her back to lessons, or her home.
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The last is said with a fond smile. He can't imagine Marian sitting with her embroidery and wonders that he ever could.
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Which is hard to image and reference to one of the many who took that.
"-was far more worried about what I was doing when I was being quiet and courtly, and out of the way, than he was when people were engaged in telling him what new fascination had kept me from my lessons that day."
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