An unfamiliar figure enters Milliways. He's whistling a tune a hundred years ahead of the time he's ostensibly supposed to be from and has the tense, aggressively casual stroll of someone who's just ducked out of their kid's ballet recital to have a smoke
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The one asking the question is clearly friendly and concerned, albeit in a gentle, non-intrusive sort of way.
He is also not human. The ears give it away of course, but is more the eyes really. They way they're bright and intense and ancient. Of course, you have to ignore the robe, the long hair and the gently shimmering silver band resting on his brow to really focus on them.
He might sound vaguely British, only not really. He's seated at a table with a tall goblet of wine, a small plate with something baked, and an ancient-looking leather tome.
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"Yeah," he says. "Wasn't really looking for the place."
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He smiles. "My name is Elrond Halfelven."
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He hasn't ever seen anyone with ears like that. Except for maybe that one time he wandered into the wrong part of Detroit. Don't think that guy was born lookin' like that, though.
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"My home lies at the foot of the Misty Mountains, close to the river Bruinen. My world is called Arda and the part of it that I know best is Middle-earth."
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"Well, I'm from a town called Rock Ridge. It's a little hamlet on a studio lot in Burbank."
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It dawns on Jim that this might not be an especially helpful answer.
"Do they have movies where you're from?"
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The silver band glitters as the hair beneath it moves like heavy silk, midnight black.
As it were.
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Okay, maybe he'd have to be a LOT drunker.
Anyway.
"Well, it's a little hard to explain. It's basically an illusion. You capture a whole bunch of images, flash them one after another so fast that it looks like they're moving. And you put the images together and it tells a story. I'm from one of those stories."
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He smiles, a quick glittering of teeth. It's a jest of course, but he can't help picturing it like that. Probably because of the turn of phrase: capture them.
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"You use a device called a camera to get the image. I don't really know how it works. Something to do with chemicals that are sensitive to light. You have other people hold microphones out of sight of the camera - they get the sound.
"Then you take all the film you've shot and cut and paste it together so it makes sense. Unless you're David Lynch. Then you cut and paste it 'til it doesn't make any sense at all."
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"So you capture images with sound to go with them?" He just wants to make sure that he understands it correctly. "Remarkable. And then what? What do you do when the story makes sense? Or not?"
He smiles.
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"You understand so far?"
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