(no subject)
Meg has spent most of the morning asleep, curled up against Alain, with her head on his chest and his arm around her shoulder. (It explains the faint cable marks pressed into her cheek from his sweater.)
She wakes up in the early afternoon, blinks at the light and the clock, and converts for the time in Glastonbury. Kim should be home from work by now, and Meg needs to call her back. She'll use the phone in the living room, though, as Alain is still asleep.
Meg slips very quietly out of her room, closing the door behind her, and steps into . . . Milliways.
Meg stands just inside the door to the bar. It's be a draining twenty-four hours, and her still not completely awake brain is taking a few extra seconds to process this unexpected information.
She wakes up in the early afternoon, blinks at the light and the clock, and converts for the time in Glastonbury. Kim should be home from work by now, and Meg needs to call her back. She'll use the phone in the living room, though, as Alain is still asleep.
Meg slips very quietly out of her room, closing the door behind her, and steps into . . . Milliways.
Meg stands just inside the door to the bar. It's be a draining twenty-four hours, and her still not completely awake brain is taking a few extra seconds to process this unexpected information.