Duck's been snoring slightly on a table in the middle of the room, head pillowed on a piece of paper, when -
do you have the resolve, little duck?- she wakes up with a start, shaking her head to get the last wisps of weird half-memory out of her head
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But that's okay. This still has everything Mia needs right now.
"I'll make a deal with you," she whispers to the bundle sleeping on her shoulder. "I won't tell Papa if you won't."
She happens to see Duck and decides to see what's going on, approaching softly and quietly.
"Everything all right, Duck?" Mia quietly asks.
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"THAT'S A BABY!" hisses a frozen Duck, round-eyed with shock.
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"Yes, that's a baby," she says, still quiet. "More specifically, he's my baby."
Said baby makes a fussy gurgly noise, indicating that he's now awake.
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Almost as small as Duck is when she's a duck! Although not really. But it's still weird to think that human-shaped people come that small!
She leans over, tentatively, to look over at the small person. "Uh . . . . hi," she says to the baby, a smile spreading slowly over her face.
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The baby wriggles in Mia's arms, not bothered enough to give them a full-lung wail but still making a bit of a fuss. She carefully rubs his back and sits down so Duck can get a better look.
"His name is Cepheus. He was born early yesterday morning."
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But then again, Duck is a duck; female ducks don't tend to need a long time to rest up after their eggs are laid. For all she knows, this is how it's supposed to go.
"He must be really glad to be able to see everything after being in the dark for so long . . ."
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"Actually, he's still getting used to bright light. Kind of like how it takes a bit to get used to morning when you first wake up."
Now imagine being in that sort of darkness for nine months and then being thrust into a world of light.
Still, he obligingly blinks open his sleepy grey eyes for Duck.
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Duck focuses down on the baby. "It's okay," she says to him. "You're gonna like it here. It may seem scary sometimes, but - there's lots of nice people, and really pretty things, and - it's definitely way better than not getting to see anything!"
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"Duck's right, darling," Mia says. "The world is full of kind people and beautiful things. And now you'll get to see them."
She glances over at Duck's paper.
"And likely a lot of essays in your future, I'm afraid. It kind of comes with the family trade, my dear."
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"Well . . . that part's kind of less fun."
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Duck shoots her mostly-empty page a guilty look, and then turns hastily back to Mia.
"Uh but that's really not important right now! I mean the baby's way more important than essays and stuff, right?"
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With a silent magic gesture, she brings over her pram and places the baby inside, close enough for both to watch.
"Why don't you tell me what Swan Lake is about? It might give you some ideas."
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Duck shoots a glance at the baby. "It's kind of a sad story though . . ."
It's also one that Duck doesn't know as well as she should to be writing an essay about it. She takes a breath. "So, um, there's this prince, right? And his mom really wants him to get married but he doesn't want to, but then he goes into the woods and there's this swan . . . but the swan turns into a person, I think? Uh, I'm not too sure about that part."
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Not as many sad stories as Drosslmeyer weaves, of course, but contrast is necessary.
"If you're not too sure, you should check again. But I'm starting to get an idea."
In Mia's mind, the prince has met a witch who is an animagus.
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"And he says he's gonna marry her and it should be okay, and there's a party and everything, but then instead of the good swan the bad guy shows up with his daughter, but the daughter is pretending to be the princess, and that's when there's the thirty-two fouettes. And she's a really really really good dancer so the prince says he's going to marry her instead of the swan . . . which is bad, because he promised, though - I guess you can't really blame him for wanting to marry a good dancer instead of a bird . . ."
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