Ever since Jack got back from visiting Beckett's New York--to find that more time had passed in the bar than in her world, not that that really made much difference to him--he hasn't been spending much time in the bar itself. New York had been sensory overload everywhere he looked, and while he'd been able to bottle up his reaction to it most of
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Beckett blinks through plumes of her own breath fogging the air in front of her as she notices a figure coming out from the woods.
"Didn't know you were into night runs."
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Surprisingly--and somewhat worryingly--he doesn't want to. Which probably means he should back away, but he doesn't want to do that either.
"Quieter out here now and I wanted to get outside for a bit," he says, trying to catch his breath. Damn, he's out of shape.
His eyes narrow a little, picking up on something not quite right about the way she looks. She looks a little tired and worn out. Could just be a hot case. Could be something else.
"How're you?" he asks.
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The only problem, she's now realizing, is that too much quiet means she's left alone with her thoughts. And right now, that's not something she should probably be doing.
She manages a tired smile.
"Doing alright. Work's the usual amount of stress, you know how it is."
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Something tells him that this isn't the usual kind of stress, though. That maybe this time, he should push it, even if it means getting involved.
"I also know sometimes it can be more stressful than usual though, the kind that makes it hard to sleep at night."
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"They serve you up the difficult cases right alongside the easy ones. It's just a part of the job."
Beckett's jaw clenches for a fraction of a second.
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"And this one was a particularly difficult one." It isn't a question.
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"The vic - he had a particularly distinctive set of stab wounds. One was precise enough to kill, the rest were just decorative to try to cover tracks. We traced the hitman's MO to a set of cold cases spanning back over a ten-year period."
Beckett's voice doesn't waver, but her eyes don't meet Jack's.
"Including my mother's."
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Beckett speaks in clear, even tones. Out in the distance, she swears she can almost see a demon bunny or two scampering about at the forest's edge.
"I shot him."
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He may catch her looking down at her palm. The memory of blood there is still strong.
"It was quick. She probably barely felt any pain."
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He remembers all too well how much he wanted to hurt the people responsible for Palmer, Michelle, and Tony's deaths. How much he wanted them dead by his own hand.
He just hadn't been able to imagine where that trail would end.
"Knowing that she didn't suffer is something at least," he says. Even knowing that doesn't really help, though. Teri had died quickly; it hadn't changed the fact that she was dead.
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"Someone else put out the hit on my mother. Someone wanted her dead that badly that they paid him to - "
Beckett stops herself from finishing that sentence - one, because she doesn't like where it's going.
And two, because she's starting to feel an all-too familiar lump in her throat.
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"You'll get whoever's responsible, Kate. Now that you've found Coonan, there's another chance to find something new."
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"Goddamnit, Jack. I - I can't - "
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"Come here," he says, gently pulling her toward him in a hug.
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