[Out of Milliways: And if the
fires burn out, there's only
fire to blame]
The front door opens onto a hallway in Taos, New Mexico.
Charlie McGee steps in with the slow careful movements of extreme exhaustion, leaning on a cane, and holds the door for Charles Wallace Murry.
"Here we are," she says to him, with a tired but beautiful smile.
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Johnny was finishing up his tending shift, and was about to go find a table to sit when he noticed the arriving pair. He recognized Charles, and the woman might seem slightly familiar as he headed over to them.
"Hey, need an extra hand there?"
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She turns to look toward the voice with an automatic smile. "Thank you. I think I'm all right."
A pause, and her brow furrows faintly. He looks vaguely familiar, but...
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"John! Hello. It's been a while."
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"It has, how's it going? You need anything?"
He then added ruefully to the woman, thinking of the one he threw in the Potomac finally, "Nice cane, and if you're sure?"
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And then there is further motion (ringing) her eyes widen, lips twitch upward unconsciously.
It's been - it has been a while.
There's barely a stop - quick and stuttered, a nearly aborted flutter of motion before a straight-shouldered (still concerned, that does not fade so easily) approach toward the pair near the doorway.
"Hello," she manages after a moment, fingers curled and then unfurled again - a bit uncertain, but offering. "Do you need any help?"
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A beat.
"...We've met." Uncertainly. "Haven't we?"
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"Lethe," she supplies and the smile twitches again, wry this time. "Prometheus is my - he is family. Pleased to remake your acquaintance, Miss Charlie."
Her head tilts.
"You are certain that there is nothing I can do?"
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"--Lethe!"
His smile and his voice are both pure delight.
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So.
Luckily for Charlie (or something like that), the collection's first story sounds a little gruesome for snack-time; Crowley's in the process of skipping to the second, as well as her fried paradoxes, when she's distracted by a flash of red hair out of the corner of her eye.
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She hasn't spotted Crowley yet. (And wouldn't recognize ... her ... if she had.)
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But then again - well.
It is what it is.
She really is moving very stiffly.
"Alright?" Crowley ventures, pitched to carry but lightly enough even so.
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"You're lucky I didn't drop this and kick it under the bed, the way I was plan--" The first clue that Liz gets that her door didn't lead to the hallway is when she feels that dull whump behind her breastbone, the hot pinpricks prickling across the back of her neck and in her fingers.
Her eyes snap up, but she doesn't need to look to know that either she's in Milliways and Charlie's around, or somebody at the Bureau has suddenly discovered a very dormant talent. A startled half-second to adjust to the fact that she's in Milliways, another second to glance around, and -- there.
"Hey," Liz calls, headed toward the table where Charlie is sitting. She's still carrying a nondescript cardboard box under her arm; she's dressed casually in a skirt and a long-sleeved shirt.
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She breaks into a smile -- weary but genuinely happy. "Liz. Hi."
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"Hi," she says, slower. "Sorry, am I interrupting--?" Something? With someone who carries a cane (but left it when they got up)?
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She moves the cane a little closer to herself, to get it out of the way.
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"Thanks."
He hikes his overnight bag up on his shoulder, giving her a close look. "Are you coming in?"
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