River's perched on a barstool, her ankles wound around the rungs. In front of her is a mug of hot chocolate, piled precariously high with whipped cream and foam. There are sprinkles of something green on top
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"They're messy." That's not especially a complaint.
"I'm River," she adds. It's distracted; her gaze has gone a little unfocused, looking at the shape inside (and bigger than) the skinny young woman in front of her.
River may have just noticed her. Angels are impossible to see unless they want you to. It's a useful skill.
"You like puzzles."
Or so the Rubik's Cube would suggest, at least.
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It's a moment before she replies -- too long for normality, and her eyes don't track quite right towards Michael.
"It's a present."
That's not a no, though.
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It's something she and River probably both know.
"Above and beyond a mental exercise."
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"It's traditional for the New Year," she says, as if she's reminding Michael of something they both already know.
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She's still studying River, curiousity and a quiet watchfulness mixing together in her regard.
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Beat.
"Yes."
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It's a consequence of being what she is. Somewhat.
"I'm Michael."
She's bigger than her body. And more masculine, too.
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"I'm River," she adds. It's distracted; her gaze has gone a little unfocused, looking at the shape inside (and bigger than) the skinny young woman in front of her.
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"It's a good name."
She's looking right at River--distraction and abstraction happen to other people.
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River is a person distraction and abstraction happen to. They're still happening.
"The pronouns are problematic," she adds, to the air.
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Michael can be good at pedantic, when the occasion calls for it.
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She's noticed.
(River herself is especially imprecise with language, but she's ignoring this fact at the moment.)
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If that helps.
Shakespeare was particularly gifted. For one.
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There's truth to that, too.
Somewhat.
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