It's not the first time Adama's found himself in Milliways since he and Hektor
spoke; it's the first time he's approached the bar.
It's a surprise, therefore, when a
wooden figure appears, with a note attached (the four corners of the paper have been clipped
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She reappears now, though, a slim young woman with a distracted air, and this time she's not hurrying. She casts quick glances back at the hallway as she goes, and her small face is tight.
She halts suddenly a few feet from Adama's table, staring at something on the ground. (There's nothing there but floor.) After a moment, her eyes flick to him.
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Her mouth opens slightly; it's a few seconds before she says, "It doesn't mean what he thinks."
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His voice is low, graveled; it's still a request for clarification, and a polite one. Bill Adama takes his time when he speaks -- never quickly, always with deliberation.
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Her eyes drop.
"There are masks," she tells the chair, just above a whisper. "Take them off and they're still glued inside."
Her chin lifts an inch. "The symptoms," she says, enunciating just a little too deliberately, "are confusion."
It's not entirely clear whether any of this is directed at him or at herself, or at the empty air.
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Adama settles for watching her to see what she'll do.
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Slowly, her hand slides down the wooden ladderback, and drops to her side.
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River's lips twitch; it's not quite a real smile.
Softer, "I'm okay."
The implication of her tone: either she isn't entirely so, or someone else isn't.
Assuming Adama's willing to make that kind of guess about her.
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Adama doesn't spend much time around anybody like River. He never has.
"Good," he says; it's almost a question.
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He clasps his hands on the table. Waits.
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"You think we're in a circle," she says softly. "And we all say thankya. But there are tangents."
A breath; she blinks with what might be vertigo, drawing in on herself, and starts to turn away.
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His eyes drift to the figure of Apollo, and linger.
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