Every exit is an entrance somewhere else -- and the case in point, a certain, squeaking Cleopatra -- a blonde Elizabethan player-queen, in skirts and frills and silly shoes that make him trip the moment he steps backstage. But this is not backstage, not the one he expected, not the court, but the tavern ... or not
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It didn't have to be... obscene.
So when Guildenstern, from his table along the (for him) empty wall, sees the young player stumbling by the door, he merely pinches the bridge of his nose and closes his eyes.
"Alfred, wasn't it?" he asks without looking up.
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"S - Sir ... ?"
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"Oh, for heaven's sake, Alfred," he says exasperatedly, "get out of that dress and have a beer. Might do you some good."
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This is how wrong ideas are had, and Alfred would definitely like to disappear about now. Perhaps there's a crack in the floorboards --
"Sorry, sir?"
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He drinks in silence for a moment, then takes pity on the young man.
"Ask the three most burning questions on your mind, and I'll provide clear answers. After that, no guarantees."
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"Are you --" He hesitates. "Am I --" Try again -- "Where are we?"
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Yes, Alfred, that was three.
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And this would be Alfred with a rather long, rather speechless, rather lost-little-boy look. Very quickly, he decides a drink might not be such a bad thing after all -- if only to hold on to. "Wh - Why --" he tries to start to say --
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He takes a long pull from the beer.
"The show will go on, regardless."
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Alfred will be attempting to hide behind the beer until further notice. "Sorry. I -- I d - didn't want to be on-stage, a - anyway," he mumbles more than says.
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