Ambient Guitar: No Disputaion
Ну вот и новое видео подоспело... Пока ещё иголки не осыпались решил ёлку в кадр запустить - пусть хотя бы в виртуальном мире подольше просуществует - красивая она у меня в этом году)...
Посвящается одному крайне дорогому мне человеку)...
...а ещё папу с Днём рождения, он всё равно не будет смотреть это видео, но так... Папа, с Днём рождения!!!
Perhaps the most remarkable thing about this video is that I used an alternative tuning on the first layer guitar - Godin Multiac Steel SA. I dropped 3rd string to Gb. It was more convenient to play what I was going to play this way.
Another remark is about composition itself. Usually I build an order of layers first that form a basis for later melodic playing. This time the second layer was the melody and only after that I added a couple of pads to make the overall sound fatter. Since the composition was meant to be short (4 minutes) I thought it would be nice to introduce the melody first so that it went through the whole composition. The listener gets familiar with it after it is played 2 or 3 times and doesn’t get tired of it for the composition is short.
This time I used nearly all 30 seconds for the loop that Strymon TimeLine lets you possibly play.
My gear and software:
Godin Multiac Steel SA
Godin Multiac ACS Nylon SA
Fishman Aura Spectrum DI
Roland VG-99
Strymon TimeLine
Strymon BigSky
Lexicon Omega
Sony Vaio
Cubase 5
Thanks for watching!
Посвящается одному крайне дорогому мне человеку)...
...а ещё папу с Днём рождения, он всё равно не будет смотреть это видео, но так... Папа, с Днём рождения!!!
Click to viewPerhaps the most remarkable thing about this video is that I used an alternative tuning on the first layer guitar - Godin Multiac Steel SA. I dropped 3rd string to Gb. It was more convenient to play what I was going to play this way.
Another remark is about composition itself. Usually I build an order of layers first that form a basis for later melodic playing. This time the second layer was the melody and only after that I added a couple of pads to make the overall sound fatter. Since the composition was meant to be short (4 minutes) I thought it would be nice to introduce the melody first so that it went through the whole composition. The listener gets familiar with it after it is played 2 or 3 times and doesn’t get tired of it for the composition is short.
This time I used nearly all 30 seconds for the loop that Strymon TimeLine lets you possibly play.
My gear and software:
Godin Multiac Steel SA
Godin Multiac ACS Nylon SA
Fishman Aura Spectrum DI
Roland VG-99
Strymon TimeLine
Strymon BigSky
Lexicon Omega
Sony Vaio
Cubase 5
Thanks for watching!