Clearing my tabs: mainstream lit considered as a genre
Tangent Article - Rant Fantastic - Dave WolvertonI recently read in Tangent #17 James Gunn's response to a question by Cynthia Ward, who asked about the dichotomy between mainstream literary standards and those of science fiction and fantasy, and asked someone to "Name names."
I respect Gunn's work a great deal, but I disagreed with his response, partly because I began my writing career in the literary mainstream, made my first money in that field, and eventually came to recognize that fundamentally I disagreed with much of what was being done. There are differences between my approach to writing as a modern fantasist (who makes no apologies for being a commercial writer) and the approach taken by literary mainstream writers. The issues aren't trivial.
Cynthia asked what the earmarks are of a mainstream story, and Gunn responded by saying that its "distinguishing characteristic is that it has no distinguishing genre characteristic."
This is of course what my professors taught me in English Lit 101. And it is somewhat true. The Western genre is defined by its setting. The Romance and Mystery genres are defined by the types of conflict the tales will deal with. Speculative fiction may be defined by the fact that we as authors and fans typically agree that nothing like the story that we tell has ever happened--though one could well argue that speculative fiction isn't a "genre" in the classical sense anyway.
But I contend that over the past 120 years, and particularly in the last 20 years, the literary mainstream has evolved into a genre with its own earmarks. It is just as rigid in its strictures and just as narrow in its accepted treatment of characters, conflicts and themes as any other genre.
(Via this post by kayshapero a couple of days ago.)
I respect Gunn's work a great deal, but I disagreed with his response, partly because I began my writing career in the literary mainstream, made my first money in that field, and eventually came to recognize that fundamentally I disagreed with much of what was being done. There are differences between my approach to writing as a modern fantasist (who makes no apologies for being a commercial writer) and the approach taken by literary mainstream writers. The issues aren't trivial.
Cynthia asked what the earmarks are of a mainstream story, and Gunn responded by saying that its "distinguishing characteristic is that it has no distinguishing genre characteristic."
This is of course what my professors taught me in English Lit 101. And it is somewhat true. The Western genre is defined by its setting. The Romance and Mystery genres are defined by the types of conflict the tales will deal with. Speculative fiction may be defined by the fact that we as authors and fans typically agree that nothing like the story that we tell has ever happened--though one could well argue that speculative fiction isn't a "genre" in the classical sense anyway.
But I contend that over the past 120 years, and particularly in the last 20 years, the literary mainstream has evolved into a genre with its own earmarks. It is just as rigid in its strictures and just as narrow in its accepted treatment of characters, conflicts and themes as any other genre.
(Via this post by kayshapero a couple of days ago.)